The New Yorker Cartoon Caption Contest Book


Book Description

The New Yorker presents the best of its weekly cartoon caption contest. The book also presents fun facts and statistics about who enters and why.




The New Yorker Book of Political Cartoons


Book Description

Presents 110 cartoons from "The New Yorker" that depict politics in America.




The Complete Cartoons of the New Yorker


Book Description

Showcases the work of hundreds of artists who have contributed to the magazine throughout its eighty-year history, in a richly illustrated volume containing 2,500 black-and-white cartoons by Peter Arno, Charles Addams, Jack Ziegler, Roz Chast, and other notables, along with essays on the evolution of the magazine's humor and style, and a fully searchable DVD-ROM. Reprint. 40,000 first printing.




The New Yorker Book of Literary Cartoons


Book Description

The "New Yorker" cartoon editor has collected dead-on portraits and eye-opening ruminations on all things bookish, courtesy of the magazine's renowned stable of cartoonists, from Charles Barsotti to Roz Chast, Ed Koren to Frank Modell, and Jack Ziegler to Victoria Roberts.




The Story of Ferdinand


Book Description

A true classic with a timeless message! All the other bulls run, jump, and butt their heads together in fights. Ferdinand, on the other hand, would rather sit and smell the flowers. So what will happen when Ferdinand is picked for the bullfights in Madrid? The Story of Ferdinand has inspired, enchanted, and provoked readers ever since it was first published in 1936 for its message of nonviolence and pacifism. In WWII times, Adolf Hitler ordered the book burned in Nazi Germany, while Joseph Stalin, the leader of the Soviet Union, granted it privileged status as the only non-communist children's book allowed in Poland. The preeminent leader of Indian nationalism and civil rights, Mahatma Gandhi—whose nonviolent and pacifistic practices went on to inspire Civil Rights leader Martin Luther King, Jr.—even called it his favorite book. The story was adapted by Walt Disney into a short animated film entitled Ferdinand the Bull in 1938. Ferdinand the Bull won the 1938 Academy Award for Best Short Subject (Cartoons).




The New Yorker 75th Anniversary Cartoon Collection


Book Description

The most sumptuous, fabulous, and hilarious collection of cartoons in the history of the world, this humongous hoard of devilish drawings captures the comic karma of an extraordinary epoch--many epochs, actually, from the Roaring Twenties right up through the Networking Nineties.




Covering the New Yorker


Book Description

Whether whimsical, provocative, or laugh-out-loud funny, "The New Yorker"'s covers are always the talk of the town. This irresistible compendium presents not only the best of the magazine's covers--selected by art director Mouly--but also a behind-the-scenes peek at the sketches that lead up to them and a look at the controversy that sometimes follows in their wake. 370 illustrations, 350 in color.




The New Yorker Book of Cat Cartoons


Book Description

Cartoons from sixty-five years of the New Yorker feature cats and their many traits




The New Yorker Book of Lawyer Cartoons


Book Description

Critically acclaimed cartoonists including Addams, Steig, Arno, Shanahan, and Leo Cullum take pot shots at the legal profession in a collection of eighty-five cartoons from the pages of The New Yorker.




Can't We Talk about Something More Pleasant?


Book Description

#1 New York Times Bestseller 2014 NATIONAL BOOK AWARD FINALIST In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents. When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the “crazy closet”-with predictable results-the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed. While the particulars are Chast-ian in their idiosyncrasies-an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades-the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care. An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.