The Notebooks of a Spinster Lady


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Excerpt from The Notebooks of a Spinster Lady: 1878-1903 King Oscar of Sweden and his Queen - The Prince Imperial dodges his Admirers - Monsieur Meurice - Luncheon with Napoleon III and his Empress - A Lesson from the Looking-glass - Queen Victoria and the Empress - The Marchese's Mongrel - Sir William Harcourt relieves his Feelings - Gladstone's Exuberance in Conversation - A Picture by Turner - Hudson the Railway King - An Encounter with a Dean. In a number of small notebooks, labelled "Memorabilia," the Diarist, a spinster lady, wrote down from time to time anecdotes, incidents and conversations that amused or were of interest to her. The entries cover the years 1878 to 1903. They are various in quality, from mere jokes that caught the author's fancy, often more than sufficiently circulated already, and ghost-stories of no particular authority, to discussions of serious import and curious facts and anecdotes about distinguished men that deserve to be remembered. The notebooks contain much light, good-natured gossip, like most gossip not always reliable, but the blame must fall on her informants, and not on the Diarist, if what she has recorded is at times inaccurate. Her memory was retentive; the entries were made when their matter - the incidents or conversation - was fresh in her recollection. She records faithfully what she has heard or seen. While there are passages in the notebooks that I have summarised or abbreviated, I have not tampered with their wording. The style of their author is, like her handwriting, clear, vigorous and picturesque, a style that conveys her impressions freely and naturally to the reader. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







The New Statesman


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Queen Victoria


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Lytton Strachey's acclaimed portrayal of Queen Victoria revolutionised the art of biography by using elements of romantic fiction and melodrama to create a warm, humorous and very human portrait of this iconic figure. We see Victoria as a strong-willed child with a famous temper, as the 18-year-old girl queen, as a monarch, wife, mother and widow. Equally fascinating are the depictions of her relationships: with her governess "precious Lehzen", with Peel, Gladstone and Disraeli, with her beloved Albert and, in later life, her legendary devotion to her Highland servant John Brown.







The Publisher


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The Nation


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The Spectator


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A weekly review of politics, literature, theology, and art.




A Magnificent Obsession


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As she did in her critically acclaimed The Last Days of the Romanovs, Helen Rappaport brings a compelling documentary feel to the story of this royal marriage and of the queen's obsessive love for her husband – a story that began as fairy tale and ended in tragedy. After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later. Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and – after his death – with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.