The Notebooks of Samuel Taylor Coleridge: 1808-1819: Text. Notes. 2v
Author : Samuel Taylor Coleridge
Publisher :
Page : 1000 pages
File Size : 26,41 MB
Release : 1973
Category : Poets, English
ISBN :
Author : Samuel Taylor Coleridge
Publisher :
Page : 1000 pages
File Size : 26,41 MB
Release : 1973
Category : Poets, English
ISBN :
Author : Samuel Taylor Coleridge
Publisher : New York] : Pantheon Books, [1957-c1990 .
Page : 740 pages
File Size : 45,66 MB
Release : 1973
Category : Literary Criticism
ISBN :
Reproduces in their entirety the text of the extant notebooks of the English poet, Samuel Taylor Coleridge, from the years 1794-1804.
Author : Samuel Taylor Coleridge
Publisher :
Page : 534 pages
File Size : 43,7 MB
Release : 1957
Category :
ISBN :
Reproduces in their entirety the text of the extant notebooks of the English poet, Samuel Taylor Coleridge, from the years 1794-1804.
Author : Samuel Taylor Coleridge
Publisher :
Page : 710 pages
File Size : 36,14 MB
Release : 1987
Category :
ISBN :
Author : Thomas Owens
Publisher :
Page : 224 pages
File Size : 43,69 MB
Release : 2019
Category : Literary Criticism
ISBN : 0198840861
Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.
Author : Samuel Taylor Coleridge
Publisher :
Page : 710 pages
File Size : 30,27 MB
Release : 1969
Category :
ISBN :
Author : Frederick Burwick
Publisher : OUP Oxford
Page : 1473 pages
File Size : 36,60 MB
Release : 2012-02-23
Category : Literary Criticism
ISBN : 0191651095
A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings. Thirty-seven chapters, bringing together the wisdome of experts from across the world, present an authoritative, in-depth, and up-to-date assessment of a major author of British Romanticism. The book is divided into sections on Biography, Prose Works, Poetic Works, Sources and Influences, and Reception. The Coleridge scholar today has ready access to a range of materials previously available only in library archives on both sides of the Atlantic. The Bollingen edition, of the Collected Works of Samuel Taylor Coleridge, forty years in production was completed in 2002. The Coleridge Notebooks (1957-2002) were also produced during this same period, five volumes of text with an additional five companion volumes of notes. The Clarendon Press of Oxford published the letters in six volumes (1956-1971). To take full advantage of the convenient access and new insight provided by these volumes, the Oxford Handbook examines the entire range and complexity of Coleridge's career. It analyzes the many aspects of Coleridge's literary, critical, philosophical, and theological pursuits, and it furnishes both students and advanced scholars with the proper tools for assimilating and illuminating Coleridge's rich and varied accomplishments, as well as offering an authoritative guide to the most up-to-date thinking about his achievements.
Author : Samuel Taylor Coleridge
Publisher : Princeton University Press
Page : 887 pages
File Size : 50,12 MB
Release : 2019-08-06
Category : Literary Criticism
ISBN : 0691655995
theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 through 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the readers. Included here are drafts and full versions of the later poems. Many passages reflect the technological interests that led to Coleridge's writing of Aids of Reflection, later to become an important source for the Transcendentalists. Another development in this volume is the startling expansion of Coleridge's interest in "the theory of life" and in chemistry--the laboratory chemistry of the Royal Institution fo Great Britain and the theoretical chemistry of German transcendentalists such as Okea, Steffens, and Oersted. Also contained in this volume is an important section on the meaning of marriage. Kathleen Coburn is Professor Emeritus at Victoria College of the University of Toronto. Merton Christensen was Professor of English at the University of Delaware. Bollingen Series L:4. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author : Dometa Wiegand Brothers
Publisher : Springer
Page : 214 pages
File Size : 22,67 MB
Release : 2015-12-11
Category : Literary Criticism
ISBN : 1137474343
In the nineteenth century the beauty of the night sky is the source of both imaginative wonder in poetry and political and commercial power through navigation. The Romantic Imagination and Astronomy examines the impact of astronomical discovery and imperial exploration on poets including Barbauld, Coleridge, Keats, Shelley, and Rossetti.
Author : Chris Murray
Publisher : Routledge
Page : 200 pages
File Size : 18,91 MB
Release : 2016-02-24
Category : Literary Criticism
ISBN : 1317008340
To Samuel Taylor Coleridge, tragedy was not solely a literary mode, but a philosophy to interpret the history that unfolded around him. Tragic Coleridge explores the tragic vision of existence that Coleridge derived from Classical drama, Shakespeare, Milton and contemporary German thought. Coleridge viewed the hardships of the Romantic period, like the catastrophes of Greek tragedy, as stages in a process of humanity’s overall purification. Offering new readings of canonical poems, as well as neglected plays and critical works, Chris Murray elaborates Coleridge’s tragic vision in relation to a range of thinkers, from Plato and Aristotle to George Steiner and Raymond Williams. He draws comparisons with the works of Blake, the Shelleys, and Keats to explore the factors that shaped Coleridge’s conception of tragedy, including the origins of sacrifice, developments in Classical scholarship, theories of inspiration and the author’s quest for civic status. With cycles of catastrophe and catharsis everywhere in his works, Coleridge depicted the world as a site of tragic purgation, and wrote himself into it as an embattled sage qualified to mediate the vicissitudes of his age.