The Notorious Life of Ned Buntline


Book Description

Edward Zane Carroll Judson aka Ned Buntline (1821–1886) was responsible for creating a highly romantic and often misleading image of the American West, albeit one that the masses found irresistible in the mid-to-late nineteenth century. Some scholars estimate that he wrote at least four hundred dime novels over his lifetime, and perhaps as many as six hundred. While he is best known for discovering William Frederick Cody (Buffalo Bill) and making the irrepressible scout a star, Judson—by that time—had already lived five lifetimes himself: he had fought Seminole Indians in Florida; started and bankrupted three newspapers; published dozens of successful novels; agitated for the Know-Nothing party; and fought in the Union Army during the Civil War. Along the way, the fiery redheaded, gray-eyed writer lectured extensively about temperance between drinking bouts. He married eight women, seduced at least one other, and cavorted with prostitutes, one of whom beat him physically and legally. It wasn’t until 1869 that, en route home from a temperance speaking tour in California, he met Cody in Nebraska, while trying to make contact with another Western star, “Wild Bill” Hickok. Judson’s time with his last three wives overlapped his time with Cody. Their subsequent fight over Judson’s Civil War pension provides not only a unique glimpse into the mind of a narcissistic genius, but also a panoramic view of America’s past forcibly displayed by white, Protestant manhood. The Notorious Life of Ned Buntline captures the likeness of a man whose life was a landscape littered with contradictions--a man whose readers often forgave his Jekyll-and-Hyde behavior because of his inventive portrayal of a country trying to subdue the last of its natural landscapes and make sense of its teeming cities. It will be, at last, an open-eyed look at the man who sparked an American legend but whose own scandalous life somehow escaped history's limelight.




The Buntline Special


Book Description

Welcome to a West like you've never seen before, where electric lights shine down on the streets of Tombstone, while horseless stagecoaches carry passengers to and fro, and where death is no obstacle to The Thing That Was Once Johnny Ringo. Think you know the story of the O.K. Corral? Think again, as five-time Hugo winner Mike Resnick takes on his first steampunk western tale, and the West will never be the same.







The Hero of a Hundred Fights


Book Description

The Wild West came alive under the pen of Edward Zane Carroll Judson, who wrote many of America's best-loved "dime novels ”under the pseudonym Ned Buntline. From Buffalo Bill (whom Judson knew first-hand) to Wild Bill Hickok, these vivid tales feature some of the most colorful characters on the American landscape. This anthology gathers a selection of his best-loved work, including four full-length unabridged novels, each with an introduction by author and critic Clay Reynolds. Stories include: Buffalo Bill, the King of Border Men, or The Wildest and Truest Tale I've Ever Told Hazel-Eye, the Girl Trapper, or A Tale of Strange Young Life The Miner Detective; or, the Ghost of the Gulch Wild Bill's Last Trail




Texas Jack


Book Description

Texas Jack: America’s First Cowboy Star is a biography of John B. “Texas Jack” Omohundro, the first well-known cowboy in America. A Confederate scout and spy from Virginia, Jack left for Texas within weeks of Lee’s surrender at Appomattox. In Texas, he became first a cowboy and then a trail boss, jobs that would inform the rest of his life. Jack lead cattle on the Chisholm and Goodnight-Loving trails to New Mexico, California, Kansas and Nebraska. In 1868 he met James B. “Wild Bill” Hickok in Kansas and then William F. “Buffalo Bill” Cody in Nebraska at the end of the first major cattle drive to North Platte. Texas Jack and Buffalo Bill became friends, and soon the scout and the cowboy became the subjects of a series of dime novels written by Ned Buntline.




The Othering of Women in Silent Film


Book Description

In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupackexplores the rampant racial and gender stereotyping depicted in early cinema, demonstrating how those stereotypes helped shape American attitudes and practices. Using social, cultural, literary, and cinema history as a focus, this book offers insights into issues of Othering, including discrimination, exclusion, and sexism, that are as timely today as they were a century ago. Lupack not only examines the ways that dominant cinema of the era imprinted indelible and pejorative images of women—including African Americans, Native Americans, Asians, Hispanics, and New Women/Suffragists—but also reveals the ways in which a number of pioneering early filmmakers and performers attempted to counter those depictions by challenging the imagery, interrogating the stereotypes, and re-politicizing the familiar narratives. Scholars of film, gender, history, and race studies will find this book of particular interest.




America's Best Female Sharpshooter


Book Description

Today, most remember “California Girl” Lillian Frances Smith (1871–1930) as Annie Oakley’s chief competitor in the small world of the Wild West shows’ female shooters. But the two women were quite different: Oakley’s conservative “prairie beauty” persona clashed with Smith’s tendency to wear flashy clothes and keep company with the cowboys and American Indians she performed with. This lively first biography chronicles the Wild West showbiz life that Smith led and explores the talents that made her a star. Drawing on family records, press accounts, interviews, and numerous other sources, historian Julia Bricklin peels away the myths that enshroud Smith’s fifty-year career. Known as “The California Huntress” before she was ten years old, Smith was a professional sharpshooter by the time she reached her teens, shooting targets from the back of a galloping horse in Buffalo Bill Cody’s Wild West. Not only did Cody offer $10,000 to anyone who could beat her, but he gave her top billing, setting the stage for her rivalry with Annie Oakley. Being the best female sharpshooter in the United States was not enough, however, to differentiate Lillian Smith from Oakley and a growing number of ladylike cowgirls. So Smith reinvented herself as “Princess Wenona,” a Sioux with a violent and romantic past. Performing with Cody and other showmen such as Pawnee Bill and the Miller brothers, Smith led a tumultuous private life, eventually taking up the shield of a forged Indian persona. The morals of the time encouraged public criticism of Smith’s lack of Victorian femininity, and the press’s tendency to play up her rivalry with Oakley eventually overshadowed Smith’s own legacy. In the end, as author Julia Bricklin shows, Smith cared more about living her life on her own terms than about her public image. Unlike her competitors who shot to make a living, Lillian Smith lived to shoot.




Wild Bill Hickok and Buffalo Bill Cody


Book Description

Wild Bill Hickok and Buffalo Bill Cody were considered heroes and the greatest plainsmen of their time. They were larger than life, legendary characters. They knew where to locate water, good grass for livestock, sheltered campsites, and game for hunting. They knew how to survive the blistering heat and terrific thunderstorms of summer and the subzero blizzards of winter. They could avoid Indians or act as trackers following the trails of Indians as well as desperados. They were expert marksmen and did not back down from a fight. They rushed in where others held back. Hickok, a frontier wagon and stagecoach driver, became a Union spy during the Civil War, furthering his reputation after the war as a frontier Army scout, gunfighter, and lawman. Cody, who claimed to ride for the Pony Express, served in the Union Army, and became legendary as an expert buffalo hunter and Army scout. Hickok and Cody were good friends and experienced a series of adventures together. Hickok traveled to Deadwood, Dakota Territory, during the 1876 Black Hills goldrush where he was assassinated by Jack McCall. Cody continued scouting for the Army and after the Battle of the Little Big Horn, won a one-on-one duel with a Cheyenne warrior, Yellow Hair. Cody went on to become one of the most well-known showmen in the world with his Buffalo Bill’s Wild West. Wild Bill Hickok and Buffalo Bill Cody: Plainsmen, the fourth book in the Legendary West series, explores the lives of these two well-known characters.




Galloping Gourmet


Book Description




Red Sapphire


Book Description

In 1950, facing artistic and legal persecution by Senator Joe McCarthy because of her inclusion on Louis Budenz’s list of four hundred concealed communists, single mother Hannah Weinstein fled to Europe. There, she built a television studio and established her own production company, Sapphire Films, then surreptitiously hired scores of such blacklisted writers as Waldo Salt, Ian McLellan Hunter, Adrian Scott, and Ring Lardner Jr., and “Trojan-horsed” democratic ideals back to the United States through more than three hundred half-hours of programming, making a fortune in the process. With the exception of a French producer, no other woman on the continent was creating television content at this time, and Weinstein was the only one who was head of her own studio. Before she became one of the more powerful independent production forces in 1950s British television, Hannah Weinstein had a distinguished career as a journalist, publicist, and left-wing political activist. She worked for the New York Herald Tribune from 1927, then began a career in politics when she joined Fiorello H. La Guardia’s New York mayoral campaign in 1937. She also organized the press side of the presidential campaigns of Franklin D. Roosevelt and later (in 1948) of Henry Wallace. Using declassified FBI and CIA files, interviews, and the personal papers of blacklisted writers and other sources, Red Sapphire depicts how for the better part of a decade, Weinstein was a leader in the Left’s battle with the Right to shape popular culture during the Cold War . . . a battle that she eventually won.