The Old Latin and the Itala


Book Description

Overview The early church leaders were prolific in their writing and historical documentation. While some of this work has been canonized, much has been forgotten. The Text and Studies: Contributions to Biblical and Patristic Literature collection resurrects these documents in a renewed and focused study, attempting to glean the wisdom and insight of the ancients. These volumes dig deep into apocryphal literature with critical analyses, close readings, and examinations of the original manuscripts.




Remains of Old Latin


Book Description

Extant early Latin writings from the seventh or sixth to the first century BCE include epic, drama, satire, translation and paraphrase, hymns, stage history and practice, and other works by Ennius, Caecilius, Livius Andronicus, Naevius, Pacuvius, Accius, Lucilius, and other anonymous authors; the Twelve Tables of Roman law; archaic inscriptions. The Loeb edition of early Latin writings is in four volumes. The first three contain the extant work of seven poets and surviving portions of the Twelve Tables of Roman law. The fourth volume contains inscriptions on various materials (including coins), all written before 79 BCE. Volume I. Q. Ennius (239-169) of Rudiae (Rugge), author of a great epic (Annales), tragedies and other plays, and satire and other works; Caecilius Statius (ca. 220-ca. 166), a Celt probably of Mediolanum (Milano) in N. Italy, author of comedies. Volume II. L. Livius Andronicus (ca. 284-204) of Tarentum (Taranto), author of tragedies, comedies, a translation and paraphrase of Homer's Odyssey, and hymns; Cn. Naevius (ca. 270-ca. 200), probably of Rome, author of an epic on the 1st Punic War, comedies, tragedies, and historical plays; M. Pacuvius (ca. 220-ca. 131) of Brundisium (Brindisi), a painter and later an author of tragedies, a historical play and satire; L. Accius (170-ca. 85) of Pisaurum (Pisaro), author of tragedies, historical plays, stage history and practice, and some other works; fragments of tragedies by authors unnamed. Volume III. C. Lucilius (180?-102/1) of Suessa Aurunca (Sessa), writer of satire; The Twelve Tables of Roman law, traditionally of 451-450. Volume IV. Archaic Inscriptions: Epitaphs, dedicatory and honorary inscriptions, inscriptions on and concerning public works, on movable articles, on coins; laws and other documents.







The Old Latin Gospels


Book Description

This book is the first overall study of the texts and language of the Old Latin Gospels, the versions of the four Gospels that predate the Vulgate of Jerome. In this book three main questions are addressed. Do the various extant manuscripts represent the remains of many originally separate versions, or local variants of a single main tradition? How do we analyse the translation techniques used to produce these texts? What do these translations tell us about the development of post-classical, non-literary Latin, and vice versa? Dr Burton approaches the issue of monogenesis versus polygenesis through a systematic analysis of the vocabulary of each individual Gospel. He reassess the traditional description of these Gospels as 'literal' and 'vulgar', examining the extent to which these terms are meaningful and applicable.







The Old Latin Manuscripts of the Gospel of Luke


Book Description

The Codex Vercellensis is one of the great treasures of the Vercelli library, containing the four Gospels. Written during the fourth century, it is the oldest remaining Latin manuscript of the Greek New Testament and one of the most important witnesses to the early understanding of the Gospels. In this edition, Weissenrieder and Visinoni provide the Latin text of the work parallel to spectral images, indicating abbreviations, lineation, foliation and staurograms as well as a (reconstructed) critical edition with references to the most important texts of the Old Latin tradition as well as Greek and Syriac manuscripts and a commentary to this unique Latin translation. The analyses involved will be: (1) digital methods, (2) philological and theological, (3) translation theories in antiquity as well as (4) genealogical. The authors call into question assumptions about the text preserved in the manuscript, arguing that it represents an early stage of the Latin Gospels. The manuscript will be examined in light of its wide-ranging cultural and historical context. As such, the project aligns itself methodologically with the field of manuscript studies and attempts to integrate the specialized expertise of various disciplines in the study of a single object.




Princes of the Renaissance


Book Description

A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.




Basics of Latin


Book Description

Basics of Latin: A Grammar with Readings and Exercises from the Christian Tradition by Derek Cooper introduces students, independent learners, and homeschoolers to the basics of Latin grammar with all readings and exercises taken from texts in the Christian tradition. As part of the widely-used Zondervan Language Basics series of resources, Cooper's Latin grammar is a student-friendly introduction. It helps students learn by: Minimizing technical jargon Providing only the information needed to learn the basics Breaking the grammar of language down into manageable and intuitive chunks Illustrating the grammar in question by its use in rich selections from ancient Christian authors. Providing grammar, readings, exercises, and a lexicon all in one convenient volume. Basics of Latin provides an ideal first step into this important language and focuses on getting the student into texts and translation as quickly as possible.




Long Live Latin


Book Description

A “fascinating” meditation on the joys of a not-so-dead language (Los Angeles Review of Books). From acclaimed novelist and Oxford professor Nicola Gardini, this is a personal and passionate look at the Latin language: its history, its authors, its essential role in education, and its enduring impact on modern life—whether we call it “dead” or not. What use is Latin? It’s a question we’re often asked by those who see the language of Cicero as no more than a cumbersome heap of ruins, something to remove from the curriculum. In this sustained meditation, Gardini gives us his sincere and brilliant reply: Latin is, quite simply, the means of expression that made us—and continues to make us—who we are. In Latin, the rigorous and inventive thinker Lucretius examined the nature of our world; the poet Propertius told of love and emotion in a dizzying variety of registers; Caesar affirmed man’s capacity to shape reality through reason; Virgil composed the Aeneid, without which we’d see all of Western history in a different light. In Long Live Latin, Gardini shares his deep love for the language—enriched by his tireless intellectual curiosity—and warmly encourages us to engage with a civilization that has never ceased to exist, because it’s here with us now, whether we know it or not. Thanks to his careful guidance, even without a single lick of Latin grammar, readers can discover how this language is still capable of restoring our sense of identity, with a power that only useless things can miraculously express. “Gardini gives another reason for studying classical languages: ‘The story of our lives is just a fraction of all history . . . life began long before we were born.’ This is the very opposite of a practical argument—it is a meditative, even self-effacing one. To learn a language because it was spoken by some brilliant people 2,000 years ago is to celebrate the world; not a way to optimize yourself, but to get over yourself.” —The Economist “Nicola Gardini’s paean to Latin belongs on the shelf alongside Nabokov’s Lectures on Literature. With a similar blend of erudition, reverence, and impeccable close reading, he connects the dots between etymology and poetry, between syntax and society. And he proves, in the process, that a mysterious and magnificent language, born in ancient Rome, is still relevant to each and every one of us.” —Jhumpa Lahiri, Pulitzer Prize winner and New York Times–bestselling author of Roman Stories




From Latin to Italian


Book Description

Grandgent, a professor at Harvard from 1896-1932, pens a fascinating account of the early development of the Italian language which will be of particular interest to linguists and medievalists. (Foreign Language-Dictionaries/Phrasebooks)