Country Life in America


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The Americana


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The Connoisseur


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A.L.A. Catalog, 1926


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Temples of Grace


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Following the American Revolution, the majority of Connecticut's religious societies tore down their boxy eighteenth-century meetinghouses and replaced them with something totally different: spired churches with an elaborate entrance portico on one of the shorter facades. These new buildings signaled a change in how these Christians conceptualized worship space, and in their fundamental understanding of the relationship between the spiritual and material aspects of their lives. Because these new churches evoked a much-beloved myth of tightly-bound communities sharing democratic values and faith in God, they have often been romanticized as emblems of a bygone era of pastoral serenity. Yet, New England of the early nineteenth century--and its religious life in particular--was anything but tranquil. Revivalism, evangelicalism, and religious pluralism meshed with social, economic, and political dislocation to create a volatile period in which Christianity's place was uncertain. This study argues that religious belief and practice, altered in substance and even more so in style by evangelicalism, revival, and a pervasive culture of sensibility, called for new notions of worship. These new buildings helped individuals and congregations regain their equilibrium and developed their spiritual sensibilities and sense of community. They also soothed republican concerns about the need for a religious populace and were important signs of civility and refinement. As the most striking buildings in many Connecticut towns, these churches tell us what citizens of the early republic thought was important, and what they wanted visitors to find remarkable in a distinctive American landscape.




American Silver in the Art Institute of Chicago


Book Description

The history of American silver offers invaluable insights into the economic and cultural history of the nation itself. Published here for the first time, the Art Institute of Chicago's superb collection embodies innovation and beauty from the colonial era to the present. In the 17th century, silversmiths brought the fashions of their homelands to the colonies, and in the early 18th, new forms arose as technology diversified production. Demand increased in the 19th century as the Industrial Revolution took hold. In the 20th, modernism changed the shape of silver inside and outside the home. This beautifully illustrated volume presents highlights from the collection with stunning photography and entries from leading specialists. In-depth essays relate a fascinating story about eating, drinking, and entertaining that spans the history of the Republic and trace the development of the Art Institute's holdings of American silver over nearly a century.