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Author : Sotheby Parke Bernet Inc
Publisher :
Page : 520 pages
File Size : 36,18 MB
Release : 1984
Category : Art
ISBN :
Author : Sotheby Parke Bernet Inc
Publisher :
Page : 520 pages
File Size : 36,18 MB
Release : 1984
Category : Art
ISBN :
Author : Sotheby Parke Bernet & Co
Publisher :
Page : 436 pages
File Size : 50,16 MB
Release : 1977
Category : Art
ISBN :
Author :
Publisher :
Page : 1028 pages
File Size : 49,53 MB
Release : 1979
Category : Catalogs, Union
ISBN :
Includes entries for maps and atlases.
Author : Corcoran Gallery of Art
Publisher : Lucia Marquand
Page : 0 pages
File Size : 45,26 MB
Release : 2011
Category : Painting
ISBN : 9781555953614
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Author : E. A. Carmean
Publisher :
Page : 116 pages
File Size : 21,96 MB
Release : 1982
Category : Art
ISBN :
Author : Carol Strickland
Publisher : Andrews McMeel Publishing
Page : 220 pages
File Size : 36,72 MB
Release : 2007-10
Category : Art
ISBN : 9780740768729
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Author : Ellen Wiley Todd
Publisher : Univ of California Press
Page : 464 pages
File Size : 41,90 MB
Release : 1993-01-01
Category : Art
ISBN : 9780520074712
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
Author : Steven Henry Madoff
Publisher : MIT Press
Page : 387 pages
File Size : 13,99 MB
Release : 2009-09-11
Category : Art
ISBN : 0262134934
Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle
Author : Kristen Frederickson
Publisher : Univ of California Press
Page : 292 pages
File Size : 26,7 MB
Release : 2003-03-04
Category : Art
ISBN : 9780520231658
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
Author : Steven L. Davis
Publisher : Cambridge Scholars Publishing
Page : 267 pages
File Size : 46,34 MB
Release : 2010-08-11
Category : Social Science
ISBN : 1443824534
White, heterosexual, middle-class men have long served as the standard for masculine “beauty,” even if such men have refused to embrace this term. This study seeks to denaturalize this standard by exploring the connections between beauty and the broad spectrum of masculinities. The chapters included in Hunks, Hotties, and Pretty Boys contribute primarily to the field of gender studies, specifically masculinity studies. They consider twentieth-century representations of male beauty through a variety of mediums: performance, literature, art, photography, film and television. Although the contributors hail from both the humanities and the social sciences, all share a concern for how beauty informs, shapes, defines, and re-defines our understanding of masculinity itself. These scholars investigate a range of historical periods and draw from a broad scope of critical approaches. Some interrogate male beauty through the female gaze and look to the influence of female performance on notions of masculine beauty. Others examine how queer and racial constructions of male beauty refuse and offer alternatives to hegemonic models of identity. Another revisits previous philosophical and theoretical conceptions of beauty, only to deconstruct gendered conceptions of the beautiful and the sublime. In all, these essays complicate masculine beauty by examining Chicano, Asian, working class, and female constructions of male beauty in Western culture.