The Other Adonis


Book Description

Psychotherapist Dr. Nina Winston is drawn into her patients belief that he has been reincarnated and is determined to fid his reincarnated lover.




The Other Adonis


Book Description

If true love can travel across time, can true evil be far behind? When the beautiful Dr. Nina Winston's patient Bucky Buckingham reveals his secret to her, she has to doubt him. Reincarnation? True love across four centuries? But Nina is fascinated and lets herself be drawn into the charming and vulnerable Bucky's tale and into his life. Through hypnotherapy, she meets his former identity, and in real life, she meets his former paramour. If Bucky did live before, is Constance Rawlings his reincarnated lover? A dangerous search begins for the truth behind predestined love, and Nina is caught in the middle of soaring passions and raging jealousies. Peter Paul Rubens's painting, Venus and Adonis, which hangs in the Metropolitan Museum of Art, is the inspiration for this fast-paced thriller set alternately between the seventeenth century in Antwerp and the present day in New York. A novel of intrigue and suspense, The Other Adonis is a tale of true love and murder, a mystery that takes the reader back in time to another world, with a resolution that will delight romantics and turn skeptics into believers.




Adonis


Book Description

"Frontispiece: Poem and calligraphy by Adonis, XXXX. Translated by Bassam Frangieh" --T.p. verso.




Other Adonis


Book Description

Psychotherapist Dr. Nina Winston is drawn into her patients belief that he has been reincarnated and is determined to fid his reincarnated lover.




The Pages of Day and Night


Book Description

Calling poetry a "question that begets another question," Adonis sets into motion this stream of unending inquiry with difficult questions about exile, identity, language, politics, and religion. Repeatedly mentioned as a possible Nobel laureate, Adonis is a leading figure in twentieth-century Arabic poetry. Restless and relentless, Adonis explores the pain and otherness of exile, a state so complete that absence replaces identity and becomes the exile's only presence. Exile can take many forms for the Arabic poet, who must practice his craft as an outsider, separated not only from the nation of his birth but from his own language; in the present as in the past, that exile can mean censorship, banishment, or death. Through these poems, Adonis gives an exquisite voice to the silence of absence.




Sufism and Surrealism


Book Description

At first glance Sufism and Surrealism appear to be as far removed from one another as is possible. Adonis, however, draws convincing parallels between the two, contesting that God, in the traditional sense does not exist in Surrealism or in Sufism, and that both are engaged in parallel quests for the nature of the Absolute, through 'holy madness' and the deregulation of the senses. This is a remarkable investigation into the common threads of thought that run through seemingly polarised philosophies from East and West, written by a man Edward Said referred to as 'the most eloquent spokesman and explorer of Arab modernity'.




A Time Between Ashes and Roses


Book Description

Adonis's poetry and prose writings have aroused much controversy in the Arab world, both for their provocative content and their arresting style. Grounded in traditional poetic styles, Adonis developed a new way of expressing modern sentiments. Although influenced by classical poets, Adonis started at a relatively early age to experiment with the prose poem, giving it density, tension, metaphors, and rhythm. He also broke with the diction and style of traditional poems, introducing a new and powerful syntax and new imagery. Through his innovative use of language, imagery, and narrative technique, Adonis has played a leading role in the revolutionizing of Arabic literature. He has garnered many of the world’s major poetry prizes. In A Time Between Ashes and Roses Adonis evokes the wisdom of Whitman’s Leaves of Grass, liberally excerpting from and remolding its images; the modernism of William Carlos Williams; and the haunting urban imagery of poets such as Baudelaire, Cavafy, and Lorca. Three long poems allow him to explore profoundly the human condition, by examining language and love, race and favor, faith and dogma, war and ruin. In the lyrical “This Is My Name” and “Introduction to the History of the Petty Kings,” Adonis ponders Arab defeat and defeatism. In “A Grave for New York,” he reflects on the same theme by interrogating Vietnam-era America. This bilingual edition, presenting the poems in Arabic and English on facing pages, is enhanced by a critical bibliography of Adonis’s works, providing an accessible and crucial reference for scholars of modern and Middle Eastern poetry and culture. Shawkat M. Toorawa’s vivid and eloquent translation finally makes the poet’s signature work available to an English-speaking audience; the effect is no less powerful than were the first translations of Pablo Neruda into English.




If Only the Sea Could Sleep


Book Description

One of the greatest poets of Arabic literature, Adonis's work often centres on the process of petic creation, but his work has somehow remained highly appealing to Arab readers, and he has had, perhaps, more influence in terms of innovation and modernity than any other contemporary Arab poet. Twice he has been a finalist for the Nobel Prize. For Adonis, poetry is a vision, a leap outside of established concepts, a change in the order of things and the way we look at them.''




Venus and Adonis


Book Description




The Same God Who Works All Things


Book Description

Classical Trinitarianism holds that every action of Trinity in the world is inseparable. That is, the divine persons are equally active in every operation. But then, in what way did the Father create the world through Christ? How can only the Son be incarnate, die, and be resurrected? Why does Christ have to ascend before the Spirit may come? These and many other questions pose serious objections to the doctrine of inseparable operations. In the first book-length treatment of this doctrine, Adonis Vidu takes up these questions and offers a conceptual and dogmatic analysis of this essential axiom, engaging with recent and historical objections. Taking aim at a common “soft” interpretation of the inseparability rule, according to which the divine persons merely cooperate and work in concert with one another, Vidu argues for the retrieval of “hard inseparability,” which emphasizes the unity of divine action, primarily drawing from the patristic and medieval traditions. Having probed the biblical foundations of the rule and recounted the story of its emergence in nascent Trinitarianism and its neglect in modern theology, Vidu builds a constructive case for its retrieval. The rule is then tested precisely on the battlegrounds that were thought to have witnessed its defeat: the doctrines of creation, incarnation, atonement, ascension, and the indwelling of the Spirit. What emerges is a constructive account of theology in which the recovery of this dogmatic rule shines fresh light on ancient doctrines.