The Oxford Book of New Zealand Short Stories


Book Description

This anthology presents 50 stories by over 40 of New Zealand's best writers. Nineteenth-century writing, which is largely unknown, is represented by Clara Cheeseman and G B Lancaster, as well as by the more familiar Lady Barker and itinerant Henry Lawson. In the early twentieth century Katherine Mansfield is followed by Greville Texidor as well as Frank Sargeson and Dan Davin. The middle years of the century exhibit a flowering of talent. Janet Frame, Maurice Duggan, and Maurice Geeare all fine practitioners of the genre, while Witi Ihimaera and Patricia Grace are the strong voices of Maori writing. The past dozen or so years have seen an explosion of new writing, with talents as diverse as Owen Marshall, Keri Hulme, Barbara Anderson, and Peter Wells. The selection provides an introduction to New Zealand short fiction that readers interestd in the new literatures in English will find stimulating and surprising. The stories are accompanied by brief biographical notes and a glossary of Maori words.




The Oxford Book of New Zealand Short Stories


Book Description

New Zealand has a rich tradition of short fiction dating back to such 19th-century authors as Henry Lawson, Clara Cheeseman and E.B. Lancaster, some of whose stories are collected here for the first time. In more recent times the genre has attracted the talents of Katherine Mansfield, Frank Sargeson, Dan Davin, Maurice Gee, Janet Frame and Maurice Duggan. This anthology also includes work by such leading Maori writers as Patricia Grace and Witi Ihimaera, and the new generation of writers, including Peter Wells and Keri Hulme.




Some Other Country


Book Description




The Oxford Companion to New Zealand Literature


Book Description

'The Oxford Companion to New Zealand Literature' contains more than 1500 alphabetically arranged entries on writers, novels, plays, poetry, journals, periodicals, anthologies, literary movements and professional organizations.




International Who's Who of Authors and Writers 2004


Book Description

Accurate and reliable biographical information essential to anyone interested in the world of literature TheInternational Who's Who of Authors and Writersoffers invaluable information on the personalities and organizations of the literary world, including many up-and-coming writers as well as established names. With over 8,000 entries, this updated edition features: * Concise biographical information on novelists, authors, playwrights, columnists, journalists, editors, and critics * Biographical details of established writers as well as those who have recently risen to prominence * Entries detailing career, works published, literary awards and prizes, membership, and contact addresses where available * An extensive listing of major international literary awards and prizes, and winners of those prizes * A directory of major literary organizations and literary agents * A listing of members of the American Academy of Arts and Letters




Telling Stories


Book Description

The present volume is a highly comprehensive assessment of the postcolonial short story since the thirty-six contributions cover most geographical areas concerned. Another important feature is that it deals not only with exclusive practitioners of the genre (Mansfield, Munro), but also with well-known novelists (Achebe, Armah, Atwood, Carey, Rushdie), so that stimulating comparisons are suggested between shorter and longer works by the same authors. In addition, the volume is of interest for the study of aspects of orality (dialect, dance rhythms, circularity and trickster figure for instance) and of the more or less conflictual relationships between the individual (character or implied author) and the community. Furthermore, the marginalized status of women emerges as another major theme, both as regards the past for white women settlers, or the present for urbanized characters, primarily in Africa and India. The reader will also have the rare pleasure of discovering Janice Kulik Keefer's “Fox,” her version of what she calls in her commentary “displaced autobiography’” or “creative non-fiction.” Lastly, an extensive bibliography on the postcolonial short story opens up further possibilities for research.




Essential New Zealand Short Stories


Book Description

Essential NZ Stories is a companion volume to Essential NZ Poems, edited by Edmond and Sewell, and contains 45 arresting and significant stories spanning 80 years, ranging from Katherine Mansfield and Frank Sargeson to Emily Perkins and Chad Taylor. The collection shows why short fiction has been so important in the development of our literature, and why it continues to appeal to a wide readership.The stories are not chosen as social documents, and the relationship between life in a given time and place, and the art which arises from it, is too subtle to be satisfactorily captured by the analogy of a mirror. Nevertheless, writers are always influenced by their social and physical environments, and the stories provide tangential, personalised glimpses of the journey we make as a nation.




Everything Changes


Book Description

Buying a rundown motel to start a new life — what could possibly go wrong? In this funny and moving novel, prize-winning author Stephanie Johnson turns her wry eye on us. ‘What a fabulous read. Stephanie Johnson’s characters choose an old motel with little to offer except an amazing view in order to start a ‘new life’. Their first guests are a classic cast of the sorrowful and dysfunctional that every-day life throws at us these days. They are joined by their pregnant daughter, a mysterious young criminal from next door and a dog that knows more than all of them put together. The story is fast paced, and unpredictable, it’s smart, contemporary and heartbreaking all at once. And, just when it was about to make me cry, Johnson startled me into wild laughter. This is her best book ever, and I loved every page of it.’ – Fiona Kidman




New Zealand Short Stories


Book Description




Teaching the Short Story


Book Description

The short story is moving from relative neglect to a central position in the curriculum; as a teaching tool, it offers students a route into many complex areas, including critical theory, gender studies, postcolonialism and genre. This book offers a practical guide to the short story in the classroom, covering all these fields and more.