The Oxford History of New Zealand Music


Book Description

The Maori world of music - The frontier: explorers, sealers, whalers and missionaries - Music in the first settlements: On the voyage - Wellington, 1840-1870 - Auckland, 1840-1865 - Dunedin, 1848-1865 - Canterbury, 1851-1900 - The regions and the West Coast goldfields; Themes and variations: The colonial ball - Military and brass bands - Folk-music - Opera - Colonial choral societies and their successors - Orchestral patterns from the 19th century to the NZSO - Michael Balling at the Nelson Conservatorium; The world beyond: Visiting artists - The Sheffield Choir, 1911 - Henri Verbrugghen and the New South Wales State Orchestra, 1920 and 1922; Musical media: Silent film music - The rise of the gramophone and player piano - The growth of broadcasting - Music journals; The NZ performer: Introduction - Singers - Instrumentalists - Conductors; Meeting of 2 cultures: Waiata a ringa - Maori concert groups and solo artists - Recording Maori music - The two cultures today; Growth of a composing tradition: Early colonial composers and their publications - Alfred Hill - Douglas Lilburn - Composers since Lilburn (Carr, Pruden, Tremain and others) - New influences; Music in education; Instrument making in New Zealand.




The Oxford History of New Zealand


Book Description




The Oxford History of New Zealand


Book Description




The Oxford Handbook of Music and World Christianities


Book Description

The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe. The volume explores Christian communities in the Americas, Europe, Africa, Asia, and Australia as sites of transmission, transformation, and creation of deeply diverse musical traditions. The book's contributors, while mostly rooted in ethnomusicology, examine Christianities and their musics in methodologically diverse ways, engaging with musical sound and structure, musical and social history, and ethnography of music and musical performance. These broad materials explore five themes: music and missions, music and religious utopias (and other oppositional religious communities), music and conflict, music and transnational flows, and music and everyday life. The volume as a whole, then, approaches Christian groups and their musics as diverse and powerful windows into the way in which music, religious ideas, capital, and power circulate (and change) between places, now and historically. It also tries to take account of the religious self-understandings of these groups, presenting Christian musical practice and exchange as encompassing and negotiating deeply felt and deeply rooted moral and cultural values. Given that the centerpiece of the volume is Christian religious musical practice, the volume reveals the active role music plays in maintaining and changing religious, moral, and cultural values in a long history of intercultural and transnational encounters.




The Oxford History of New Zealand Literature in English


Book Description

The first comprehensive history of New Zealand literature, this volume includes chapters on the novel, poetry, and the short story, as well as sections on drama, non-fiction, children's literature, popular literature, and the history of publishing, patronage, and literary magazines. While it features major authors, this history also contains information on little-known authors and forgotten periods in New Zealand's literary history, providing more comprehensive information on the subject than has ever appeared in a single volume before.




The Shaping of History


Book Description

The writing of history will only flourish if there is a vehicle for its publication: such was Sir Keith Sinclair’s vision when he founded The New Zealand Journal of History in 1967. Since then the journal has been the conduit for a flow of remarkable history writing. The Shaping of History brings together a selection of essays from its first 30 years by some of the nation’s best-known historians, including Judith Binney, Tipene O’Regan, Claudia Orange, Barbara Brookes, Alan Ward, Jock Phillips and Jamie Belich. Their sharp analysis and great storytelling make the collection an essential resource for understanding how New Zealand history is shaped.




The Oxford History of Anglicanism


Book Description

The Oxford History of Anglicanism is a major new and unprecedented international study of the identity and historical influence of one of the world's largest versions of Christianity. This global study of Anglicanism from the sixteenth century looks at how was Anglican identity constructed and contested at various periods since the sixteenth century; and what was its historical influence during the past six centuries. It explores not just the ecclesiastical and theological aspects of global Anglicanism, but also the political, social, economic, and cultural influences of this form of Christianity that has been historically significant in western culture, and a burgeoning force in non-western societies today. The chapters are written by international exports in their various historical fields which includes the most recent research in their areas, as well as original research. The series forms an invaluable reference for both scholars and interested non-specialists. Volume three of The Oxford History of Anglicanism explores the nineteenth century when Anglicanism developed into a world-wide Christian communion, largely, but not solely, due to the expansion of the British Empire. By the end of this period an Anglican Communion had come into existence as a diverse conglomerate of often competing Anglican identities with their often unresolved tensions and contradictions, but also with some measure of genuine unity. The volume examines the ways the various Anglican identities of the nineteenth century are both metropolitan and colonial constructs, and how they influenced the wider societies in which they formed Anglican Churches.




The Oxford History of New Zealand Literature in English


Book Description

This is the most comprehensive history of New Zealand literature to have been published. It offers chapters on the novel, poetry, and on the short story, which have been the staple of earlier histories and surveys, as well as sections on drama, non-ficiton, children's literature, popular literature, and the history of publishing, patronage and literary magazines. In this major new edition, material is provided on the period from 1986-1996, and a new chapter has been included on literary scholarship, criticism, and theory.




Making Peoples: A History of the New Zealanders From Polynesian


Book Description

A new paperback reprint of this best-selling and ground-breaking history. When first published in 1996 Making Peoples was hailed as redefining New Zealand history. It was undoubtedly the most important work of New Zealand history since Keith Sinclair's classic A History of New Zealand.Making Peoples covers the period from first settlement to the end of the nineteenth century. Part one covers Polynesian background, Maori settlement and pre-contact history. Part two looks at Maori-European relations to 1900. Part three discusses Pakeha colonisation and settlement.James Belich's Making Peoples is a major work which reshapes our understanding of New Zealand history, challenges traditional views and debunks many myths, while also recognising the value of myths as historical forces. Many of its assertions are new and controversial.




New Zealand Medievalism


Book Description

This volume maps the phenomenon of medievalism in Aotearoa, initially as an import by the early white settler society, and as a form of nation building that would reinforce Britishness and ancestral belonging. This colonial narrative underpins the volume’s focus on the imperial relationship in chapters on the academic study of the Middle Ages, on medievalism in film and music, in manuscript and book collections, and colonial stained glass and architecture. Through the alternative 21st-century frameworks of a global Middle Ages and Aotearoa’s bicultural nationalism, the volume also introduces Maori understandings of the ancestral past that parallel the European epoch and, at the opposite end of the spectrum, the phenomenon of global right-wing medievalism, as evidenced in the Alt-right extremism underpinning the Christchurch mosque attack of 2019. The 11 chapters trace the transcultural moves and networks that comprise the shift from the 20th-century study of the Middle Ages as an historical period to manifestations of medievalism as the reception and interpretation of the medieval past in postmedieval times. Collectively these are viewed as indications of the changing public perception about the meaning and practice of the European heritage from the colonial to contemporary era. The volume will appeal to educationists, scholars, and students interested in the academic history of the Middle Ages in New Zealand; enthusiasts of film, music, and performance of the medieval; members of the public interested in Aotearoa’s history and popular culture; and all who enjoy the colourful reinventions of medievalism.