Pala & Sena Sculptures


Book Description




Indian Art and Archaeology


Book Description




Pala and Sena Sculpture


Book Description




Indian Sculpture: Circa 500 B.C.-A.D. 700


Book Description

The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonn� of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.




Pala Art


Book Description




Thai Art with Indian Influences


Book Description

The Present Book, Thai Art With Indian Influences, Studies The Subject In Its Different Spheres. As A Major Pioneering Scholar In The Field, Dr. Promsak Jermsawatdi Possesses An Extraordinary Background In Art History, Aesthetics And Asian History And Philosophy. This Fascinating Study Is One Of His Finest Works Which Will Continue To Be Regarded As One Of The Most Significant Contributions To Our Understanding Of Thai And Indian Art For A Long Time To Come. Divided Into Five Chapters, The Book Takes Into Account Material From The Earliest Archaeological Finds Through The Bangkok Period Including The Early Art And Craft Works. Most Of The Study Deals With Thai Art But India And The Peripheries Of South East Asia Are Covered Where They Reflect Indian Influences. The Focus Of This Study Is Upon Architecture, Sculpture And Iconography. However, It Also Encompasses Other Aspects Of Art And Crafts. Background Information On The History And Geography Of The Area Is Also Provided Along With Philosophical Religious And Social Insights That Are Significantly Valuable To Readers In General And Those Of South-East Asia And India In Particular.As A Student Of Ancient History And Art In India, Dr. Promsak Jermsawatdi Was Deeply Sensitive To The Beauty Of Thai And Indian Art Works. As A Result, The Illustrations He Had Selected Are Unusually Pertinent And Fitting, Comprising Some Of The Most Impressive Examples Of Thai Art. Students Of The History Of Oriental Art Could Ask For No Finer Exposition Of The History And Aesthetics Of Thai And Indian Art. The Author S Penetrating Cultural Insights Make It An Indispensable Text For All Who Plan Further Study In The Field. This Is Also A Book Which General Readers Will Read With Great Interest And Pleasure.




Indian Art and Archaeology


Book Description




Ancient Indonesian Sculpture


Book Description

Ancient Indonesian sculpture, as yet a relatively unexplored area of research, is discussed in this volume from various angles. The nine contributions originate from an international symposium at the Rijksmuseum in Amsterdam. Robert L. Brown formulates a set of rules that account for the way Indian art was transformed when adopted in Southeast Asian regions. Sara Schastok shows how the dating of Amaravātī style bronzes was influenced by colonial thinking. In comparing the northeast Indian and Javanese bronzes figurines, Susan L. Huntington concludes that although Javanese bronzes owe something to northeast Indian ones, each group has its own distinctive characteristics. Pauline Lunsingh Scheurleer’s contribution stresses the Javanese aspects of Javanese bronzes. Nandana Chutiwongs focuses on images of Avalokiteśvara in this manifestation as Great Compassionate Lord. A fragment of a bronze-ringed rattle leads A. de Vries Robbé to trace the development of this attribute of mendicant Buddhist monks from India, over mainland Southeast Asia, to Central and East Java. Moving to the great Buddhist monument in Central Java, the Borobudur, its structure and meaning are given a completely new interpretation by John C. Huntington. A northeast Indian iconographic model is proposed by J.A. Schoterman for the famous images of Amoghapāśa Lokeśvara and his retinue in the East Javanese temple Candi Jago. Finally, Marijke J. Klokke offers a new interpretation of the iconography of the East Javanese ‘portrait statues’.