Perrault's Fairy Tales


Book Description

Here are the original eight stories from the 1697 volume Contes de temps passé by the great Charles Perrault: "Cinderella," "Sleeping Beauty," "Puss in Boots," and more. Also includes 34 extraordinary full-page engravings by Gustave Doré.




Perrault's Fairy Tales - Illustrated by Honor C. Appleton


Book Description

‘Perrault’s Fairy Tales’ is a wonderful collection of some true classics of children’s literature. Perrault (1628 – 1703) was among the first writers to bring magical children’s stories into the literary mainstream, proving to his original seventeenth century readers that such works were important, enjoyable, as well as thought-provoking. They remain as popular today, as they were then. He is responsible for such famous works as ‘Cinderella’, ‘Little Red Riding Hood’, ‘Sleeping Beauty’, and ‘Puss in Boots’. ‘Perrault’s Fairy Tales’ are accompanied by the dazzling illustrations of a master of the trade; Honor C. Appleton (1879 – 1951). Appleton illustrated over one-hundred-and-fifty books during the course of her career, with her most famous works including Our Nursery Rhyme Book (1912), Charles Perrault’s Fairy Tales (1919), and the collected stories of Hans Christian Andersen (1922). As her career progressed, she began producing bolder images for literary classics – but her best-loved drawings remain those for the children’s market. Presented alongside the text, Appleton’s enchanting creations serve to further refine and enhance Perrault’s magical storytelling Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s classics and fairy tales – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.




Tales of Times Past: The Fairy Tales of Charles Perrault


Book Description

The fairy tales of Charles Perrault—10 timeless stories published from 1693 to 1697—have endured in the public imagination, becoming archetypes that define the genre. Told with style, sophistication, and wry humor, Perrault’s tales inspired writers and folklorists throughout the 18th, 19th, and 20th centuries and were the basis for numerous popular adaptations, including the animated films of Walt Disney. Featuring all 10 of Perrault’s fairy tales—including “Little Red Riding-Hood,” “Cinderella,” “Sleeping Beauty,” “Puss in Boots,” “Little Thumbling,” and “Bluebeard”—this Top Five Classics compilation also presents all 41 engraved illustrations by Gustave Doré from his famed 1862 edition, with a new translation of Perrault’s original French texts (including the morals in verse), an informative introduction, and a detailed author biography. Meant for children, but enjoyed by readers of all ages, this illustrated edition captures the wonder, charm, humor, and fright of the original tales, in a modern translation that reflects the simple yet elegant language of Charles Perrault.




Charles Perrault's Mother Goose Fairy Tales


Book Description

A spectacular menagerie of seven classic favourites tales from Charles Perrault in one beautiful volume, re-told and illustrated by Val Biro. Gold foiled, matt laminated cover with spot UV on the illustrations gives an extra special feel. A perfect gift.




Love, Power, and Gender in Seventeenth-Century French Fairy Tales


Book Description

Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses' scripts for love emphasize the importance of gender in determining the "right" way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.




The Fairy Tales of Charles Perrault


Book Description

In Eighteenth Century France, Charles Perrault Rescued From The Oral Tradition Fairy Tales That Are Known And Loved Even Today By Virtually All Children In The West. Angela Carter Came Across Perrault'S Work And Set Out To Adapt The Stories For Modern Readers Of English. In Breathing New Life Into These Classic Fables, She Produced Versions That Live On As Classics In Their Own Right, Marked As Much By Her Signature Wit, Irony, And Subversiveness As They Are By The Qualities That Have Made Them Universally Appealing For Centuries.




French Fairy Tales


Book Description

French Fairy Tales: Essays on a Major Literary Tradition provides a unique opportunity to revisit and deepen our appreciation and understanding of French fairy tales, many of which we can recall with a sense of wonder from childhood. These carefully selected essays, written by a variety of distinguished scholars, introduce and analyze the original versions of many French fairy tales published in France between 1691 and 1715. These range from the works of Charles Perrault (Cinderella, Little Red Riding Hood, Sleeping Beauty), to Madame Leprince de Beaumont (Beauty and the Beast), to the radically different tales of Madame d'Aulnoy (The Blue Bird, The White Cat). This anthology includes essays that analyze the complexities and importance of these tales, as well as a bibliography and filmography that give readers a chance to explore the genre further. The English translations of several French fairy tales by Jack Zipes serve as an excellent teaching tool. Readers of French Fairy Tales will enjoy the stories and be challenged by the recent and provocative scholarship on this major literary tradition that continues to influence literature and film today.




Puss in Boots


Book Description

The adventures of that rascal, Puss, and his master, the miller's son are here portrayed in a lavish series of illustrations that range from sumptuous grandeur to comedy both boisterous and sly.







Everyday Magic in Early Modern Europe


Book Description

While pre-modern Europe is often seen as having an 'enchanted' or 'magical' worldview, the full implications of such labels remain inconsistently explored. Witchcraft, demonology, and debates over pious practices have provided the main avenues for treating those themes, but integrating them with other activities and ideas seen as forming an enchanted Europe has proven to be a much more difficult task. This collection offers one method of demystifying this world of everyday magic. Integrating case studies and more theoretical responses to the magical and preternatural, the authors here demonstrate that what we think of as extraordinary was often accepted as legitimate, if unusual, occurrences or practices. In their treatment of and attitudes towards spirit-assisted treasure-hunting, magical recipes, trials for sanctity, and visits by guardian angels, early modern Europeans showed more acceptance of and comfort with the extraordinary than modern scholars frequently acknowledge. Even witchcraft could be more pervasive and less threatening than many modern interpretations suggest. Magic was both mundane and mysterious in early modern Europe, and the witches who practiced it could in many ways be quite ordinary members of their communities. The vivid cases described in this volume should make the reader question how to distinguish the ordinary and extraordinary and the extent to which those terms need to be redefined for an early modern context. They should also make more immediate a world in which magic was an everyday occurrence.