The Philosophy of the Imagination in Vico and Malebranche


Book Description

This book is a retrospective view of modern philosophical anthropology through the works of two of its greatest exponents. the author demonstrates how mythology, the philosophy of history and language and Vico's concept of man had as a constant referral point Malebranche's psychology with its Cartesian formulation. The idolatrous and mythopoietic imagination that is described in La Scienza Nuova (New Science) has much in common with the "pagan" mind (that is to say the mind subjugated to passions, sensitivity and fantasy that is described in La Recherche (The Search after Truth). Some of the themes discussed here are myth, the metaphoric nature of thought, idolatry, the formation of mentality, the relationships which bind passions and representations and the association of ideas through iconic images. Also discussed are other themes such as the structure of society and imagination, imitation, persuasion and social relationships, communication within society between illustrious imaginations. Moreover in Malebranche has been found a complex and complete theory of imaginative universals (universali fantastici). The philosophy of the imagination in Vico and Malebranche is translated and edited by Giorgio A. Pinton.




Vico's Science of Imagination


Book Description

A full interpretation of Giambattista Vico's thought, based primarily on his major work, the New Science, and on his earlier Latin writings.




Kant on Poetry | Kant über Poesie


Book Description

Obwohl es verbreitet für ein bloßes Nebenthema gehalten wird, spielt das Thema der Poesie doch eine wichtige Rolle in Kants Denken. Mit dem Ziel, geläufige Missverständnisse zu zerstreuen, versammelt der vorliegende Band Beiträge verschiedener Spezialisten zur Bestimmung des Orts und der Rolle der Poesie in Kants Denken. Es handelt sich um den Versuch einer Neubewertung der Wichtigkeit der Poesie für seine moralische, politische, anthropologische, philosophische und ästhetische Systematik.







The Psychology of Imagination


Book Description

This book offers a new approach to imagination which brings its emotional, social, cultural, contextual and existential characteristics to the fore. Fantasy and imagination are understood as the human capacity to distance oneself from the here?and?now situation in order to return to it with new possibilities. To do this we use social?cultural means (e.g. language, stories, art, images, etc.) to conceive of imaginary scenarios, some of which may become real. Imagination is involved in every situation of our lives, though to different degrees. Sometimes this process can lead to concrete products (e.g., artistic works) that can be picked up and used by others for the purposes of their imagining. Imagination is not seen here as an isolated cognitive faculty but as the means by which people anticipate and constructively move towards an indeterminate future. It is in this process of living forward with the help of imagination that novelty appears and social change becomes possible. This book offers a conceptual history of imagination, an array of theoretical approaches, imagination’s use in psychologist’s thinking and a number of new research areas. Its aim is to offer a re?enchantment of the concept of imagination and the discipline of psychology more generally.




The Conspiracy of the Prince of Macchia & G. B. Vico


Book Description

In September of 1701, events transpired in Naples that, through frequent retellings, became popularly known as “the conspiracy of the Prince of Macchia.” Rapidly gaining fame, this apparently anonymous narrative was soon incorporated by different historians in their history of the transition years between the seventeenth and eighteenth centuries. But who was the initial bard or narrator, the town clerk or citizen who first gave testimony of this event by creating a Latin text of the story of the Prince of Macchia? Giambattista Vico was not among the claimants to the authorship of the fabulous story that changed the future of the Kingdom of Naples. Nevertheless, four scholars across the nineteenth and twentieth centuries were themselves convinced, and managed to convince the intellectual world as well, that Vico, then a young teacher of rhetoric at the University of Naples, was indeed the source of this original Latin narration of this oft retold Neapolitan history. This book provides the original Latin text with a parallel translation, as well as historical context and analysis of both the text’s authorship history and the account itself.




The Occasions of Community


Book Description

Society did not always exist. The emergence of disciplinary sociology in the nineteenth century was made possible because of a rethinking of society. With modernity, society suddenly became a thing that acted upon reality in a way that could be understood separately from the individual and the state. Although our modern conception of society is most commonly attributed to Montesquieu, many have suggested that it was actually an Italian thinker named Giambattista Vico who first made the discovery. How else could Vico found a 'sociology' one hundred and fifty years before the term was coined by Auguste Comte? In spite of Vico's reputation as an important proto-sociologist, however, there has never been a systematic study of the concept of society as it appears in his work. In The Occasions of Community, Timothy D. Harfield explores several questions about the nature of society with important consequences for the history of the social sciences. What were the conditions that made it possible for our modern idea of society to emerge? What was it about the modern view of society that made the discipline of sociology possible? Is Vico's masterwork, The New Science, rightly praised as an important work of early sociology? Or does Vico's interest in the work of divine providence betray the fact that, for all Vico's brilliance as a thinker, The New Science was not yet modern?




Thought


Book Description




The Topological Imagination


Book Description

Boldly original and boundary defining, The Topological Imagination clears a space for an intellectual encounter with the shape of human imagining. Joining two commonly opposed domains, literature and mathematics, Angus Fletcher maps the imagination’s ever-ramifying contours and dimensions, and along the way compels us to re-envision our human existence on the most unusual sphere ever imagined, Earth. Words and numbers are the twin powers that create value in our world. Poetry and other forms of creative literature stretch our ability to evaluate through the use of metaphors. In this sense, the literary imagination aligns with topology, the branch of mathematics that studies shape and space. Topology grasps the quality of geometries rather than their quantifiable measurements. It envisions how shapes can be bent, twisted, or stretched without losing contact with their original forms—one of the discoveries of the eighteenth-century mathematician Leonhard Euler, whose Polyhedron Theorem demonstrated how shapes preserve “permanence in change,” like an aging though familiar face. The mysterious dimensionality of our existence, Fletcher says, is connected to our inhabiting a world that also inhabits us. Theories of cyclical history reflect circulatory biological patterns; the day-night cycle shapes our adaptive, emergent patterns of thought; the topology of islands shapes the evolution of evolutionary theory. Connecting literature, philosophy, mathematics, and science, The Topological Imagination is an urgent and transformative work, and a profound invitation to thought.




The Philosophy of Malebranche


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: ... Chapter iii: Malebranche's Psychology (Continued). The Natural Inclinations. Let us continue our account of Malebranche's psychology. The Fourth Book of the Recherche de la verite concerns the ' Inclinations or Natural Passions of the Mind.'" Just as God gave motion to matter, so he gave inclinations to minds.2 But it is an incontestable truth that God has no end for his actions but himself.3 He must have himself as his principal end, for he would err were he to put his end in everything that did not, like himself, contain all good.3 Nevertheless, he can have, as a subordinate end, the conservation of created beings, for these too, to a certain extent, can participate in his goodness. Now the natural inclinations of created minds are certainly continual impressions of the will of their creator and conserver.3 It is necessary that they can have no other principal end than his glory, nor secondary end than their own conservation and the conservation of others, but always with regard to him who gave them being.4 There is, strictly speaking, in God only one love, which is love of himself, and as God can love nothing save by that love, since God can love nothing save by relation to himself, thus God has given us only one love, which is the love of good in general.4 Love of the good in general is the principle of all our special loves.4 This love is our will, which is simply the continual impression exerted by God on all finite creatures towards the all-inclusive good.6 Not only does our will for good in general come from God, our inclinations for particular goods, which are common in all men, such as our inclination for the perpetuation of our owji being and of those with whom we are united by nature, are simply effects of the divine will as...