The Picture Collector's Manual, Adapted to the Professional Man, and the Amateur, Vol. 1 of 2


Book Description

Excerpt from The Picture Collector's Manual, Adapted to the Professional Man, and the Amateur, Vol. 1 of 2: Being a Dictionary of Painters, Containing Fifteen Hundred More Names Than in Any Other Work; Together With an Alphabetical Arrangement of the Scholars, Imitators, and Copyists of the Various Masters The Fine Arts had long been on the decline in the classic regions of Greece and Italy, and although the lambent ame of genius, continued to hover between those countries, and in Egypt, its in uence was scarcely felt in either, if we may judge from the rude specimens with which we have been furnished, until the commence ment of the thirteenth century, at about which period, a spark of its sacred fire appears to have fallen upon Cimabue, who by his example, gave a new impulse to the art, and thus laid the foundation of that greatness, to which the Florentine School now lays claim. Cimabue, the founder of that school, and of the modern art of painting, was born in Florence, in 1240 he had received some instruo tion in that branch of the Arts, and also in architecture and sculpture, but his labours had been confined to the mere copying of the works of others, disdaining those trammels, he determined to take nature for his guide, and soon acquired that confidence in his own powers, from which arose the germ of excellence, that about two centuries afterwards, began to overspread the whole of Italy. The paintings of Cimabue, who has been called the Michael Angelo of that period, were all of a scriptural or religious character, boldly conceived and splendidly coloured, but the attitudes of his figures were stifi, the outlines harsh, and the extremities bad; his male heads, particularly of old men, were dignified and impressive, but those of females possessed neither beauty nor delicacy, the eyes were generally wide and staring, and the nostrils too much spread, the fingers lean, and the toes peaked and unnatural. Nevertheless, Cimabue had his admirers, and one of his pictures of the Virgin was borne in procession to one of the churches in that city, accompanied by music he died in 1300. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."













The Picture Collector's Manual, Vol. 2 of 2


Book Description

Excerpt from The Picture Collector's Manual, Vol. 2 of 2: Adapted to the Professional Man, and the Amateur; Being a Dictionary of Painters, Containing Fifteen Hundred More Names Than in Any Other Work, Together With an Alphabetical Arrangement of the Scholars, Imitators, and Copyists of the Various Masters Containing the names of the principal Masters, with those of their Pupils, Copyists, and Imitators alphabetically arranged under each. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










The Picture Collector's Manual


Book Description

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.