The Poems of Olivia Elder


Book Description

"Olivia Elder (1735-1780) was the daughter of a prominent New Light Presbyterian minister, John Elder, who ministered to the congregation at Aghadowey near Coleraine. The Family income was supplemented through farming and details from everyday life on a farm and explorations of the implications of Presbyterian theology both appear in the verse of Olivia Elder. Her verse covers a remarkable range of subjects in a considerable variety of poetic styles including epistles, elegies, a pastoral poem, an ode, some songs, many pieces of occasional verse and several outspoken satires referring directly to places and persons she knew. She also produced a parodic verse in Ulster Scots. Though Olivia Elder's work compares very favourably with that of other women poets writing in England and America at the time, her outspokenness and the vividness of her imagery make her poems stand out strongly even in that company. Hers is a highly distinctive, female voice and one that invites us to look again at cultural life in eighteenth-century Ulster. The poems of Olivia Elder have survived as a manuscript in the collections of the National Library of Ireland as NLI, MS 23254. this is the first publication of that manuscript." -- Publisher's website.




Verse in English from Eighteenth-century Ireland


Book Description

This pioneering anthology introduces many previously neglected eighteenth-century writers to a general readership, and will lead to a re-examination of the entire canon of Irish verse in English. Between 1700 and 1800, Dublin was second only to London as a center for the printing of poetry in English. Many fine poets were active during this period. However, because Irish eighteenth-century verse in English has to a great extent escaped the scholar and the anthologist, it is hardly known at all. The most innovative aspect of this new anthology is the inclusion of many poetic voices entirely unknown to modern readers. Although the anthology contains the work of well-known figures such as John Toland, Thomas Parnell, Jonathan Swift, Patrick Delany, Laetitia Pilkington and Oliver Goldsmith, there are many verses by lesser known writers and nearly eighty anonymous poems which come from the broadsheets, manuscripts and chapbooks of the time. What emerges is an entirely new perspective on life in eighteenth-century Ireland. We hear the voice of a hard working farmer's wife from county Derry, of a rambling weaver from county Antrim, and that of a woman dying from drink. We learn about whale-fishing in county Donegal, about farming in county Kerry and bull-baiting in Dublin. In fact, almost every aspect of life in eighteenth-century Ireland is described vividly, energetically, with humor and feeling in the verse of this anthology. Among the most moving poems are those by Irish-speaking poets who use amhran or song meter and internal assonance, both borrowed from Irish, in their English verse. Equally interesting is the work of the weaver poets of Ulster who wrote in vigorous and energetic Ulster-Scots. The anthology also includes political poems dating from the reign of James II to the Act of Union, as well as a selection of lesser-known nationalist and Orange songs. Each poem is fully annotated and the book also contains a glossary of terms in Hiberno-English and Ulster Scots.




Reliques of Irish Poetry


Book Description

Reliques of Irish poetry - Consisting of heroic poems, odes, elegies, and songs is an unchanged, high-quality reprint of the original edition of 1789. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.




Irish Women Poets Rediscovered


Book Description

Irish Women Poets Rediscovered is a ground-breaking collection of original essays which brings to new recognition the lives and work of seventeen remarkable Irish women poets spanning the eighteenth to the twentieth century. Its unique format combines the poetry anthology with the essay as each poet is presented first in their own words with a key poem which is followed by an engaging and original essay-style response. Of interest to both the poetry scholar and the general reader, the volume offers lively, fresh and accessible introductions to the work of a range of Irish women poets whose vibrant work has undeservedly been forgotten. Through a combination of close reading, original research, and broader contextualization, these essays push out the boundaries of Irish poetry and point to new possibilities for the poetry of the future. Irish Women Poets Rediscovered invites the reader to delight in the newly found poem, but also to consider why women poets have been historically denied a readership. The volume raises vital questions about class and inequality from eighteenth-century servants and labourers to those struggling with unemployment and marginalisation in modern day Dublin. It charts the cultural aspirations and political activism of women poets during the Revival and revolutionary years of the late nineteenth and early twentieth centuries. It highlights the liberating social space of the writing group and the vital opportunities offered by periodicals and the private press. It brings to attention the ongoing challenges faced by women poets in a male-dominated publishing sphere. Irish Women Poets Rediscovered enters into the reinvigorated critical field of Irish women's literary studies to tell the distant but echoing stories of seventeen women poets across three centuries. Together these seventeen essays represent a sustained and necessary act of attention as they rediscover and reclaim those women poets whose work has not received the appraisal or analysis that it warrants; their voices invigorate and enliven the story of poetry in Ireland and beyond.




Women's Life Writing and Early Modern Ireland


Book Description

Women’s Life Writing and Early Modern Ireland provides an original perspective on both new and familiar texts in this first critical collection to focus on seventeenth-century women’s life writing in a specifically Irish context. By shifting the focus away from England—even though many of these writers would have identified themselves as English—and making Ireland and Irishness the focus of their essays, the contributors resituate women’s narratives in a powerful and revealing landscape. This volume addresses a range of genres, from letters to book marginalia, and a number of different women, from now-canonical life writers such as Mary Rich and Ann Fanshawe to far less familiar figures such as Eliza Blennerhassett and the correspondents and supplicants of William King, archbishop of Dublin. The writings of the Boyle sisters and the Duchess of Ormonde—women from the two most important families in seventeenth-century Ireland—also receive a thorough analysis. These innovative and nuanced scholarly considerations of the powerful influence of Ireland on these writers’ construction of self, provide fresh, illuminating insights into both their writing and their broader cultural context.




The Oxford History of the Irish Book, Volume III


Book Description

The Oxford History of the Irish Book is a major new series that charts the development of the book in Ireland from its origins within an early medieval manuscript culture to its current incarnation alongside the rise of digital media in the twenty-first century. Volume III: The Irish Book in English, 1550-1800 contains a series of groundbreaking essays that seek to explain the fortunes of printed word from the early Renaissance to the end of the eighteenth century. The essays in section one explain the development of print culture in the period, from its first incarnation in the small area of the English Pale around Dublin, dominated by the interests of the English authorities, to the more widespread dispersal of the printing press at the close of the eighteenth century, when provincial presses developed their own character and style either alongside or as a challenge to the dominant intellectual culture. Section two explains the crucial developments in the structure and technical innovation of the print trade; the role played by private and public collections of books; and the evidence of changing reading practices throughout the period. The third and longest section explores the impact of the rise of print. Essays examine the effect that the printed book had on religious and political life in Ireland, providing a case study of the impact of the French Revolution on pamphlets and propaganda in Ireland; the transformations illustrated in the history of historical writing, as well as in literature and the theatre, through the publication of play texts for a wide audience. Others explore the impact that print had on the history of science and the production of foreign language books. The volume concludes with an authoritative bibliographical essay outlining the sources that exist for the study of the book in early modern Ireland. This is an authoritative volume with essays by key scholars that will be the standard guide for many years to come.




Markers of Allusion in Archaic Greek Poetry


Book Description

Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries BCE) signposted their debts to their predecessors and prior traditions – placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition.




A History of Women in Ireland, 1500-1800


Book Description

The first general survey of the history of women in early modern Ireland. Based on an impressive range of source material, it presents the results of original research into women’s lives and experiences in Ireland from 1500 to 1800. This was a time of considerable change in Ireland as English colonisation, religious reform and urbanisation transformed society on the island. Gaelic society based on dynastic lordships and Brehon Law gave way to an anglicised and centralised form of government and an English legal system.




The Routledge Companion to Eighteenth-Century Literatures in English


Book Description

The Routledge Companion to Eighteenth-Century Literatures in English brings together essays that respond to consequential cultural and socio-economic changes that followed the expansion of the British Empire from the British Isles across the Atlantic. Scholars track the cumulative power of the slave trade, settlements and plantations, and the continual warfare that reshaped lives in the Americas, Africa, and Asia. Importantly, they also analyze the ways these histories reshaped class and social relations, scientific inquiry and invention, philosophies of personhood, and cultural and intellectual production. As European nations fought each other for territories and trade routes, dispossessing and enslaving Indigenous and Black people, the observations of travellers, naturalists, and colonists helped consolidate racism and racial differentiation, as well as the philosophical justifications of “civilizational” differences that became the hallmarks of intellectual life. Essays in this volume address key shifts in disciplinary practices even as they examine the past, looking forward to and modeling a rethinking of our scholarly and pedagogic practices. This volume is an essential text for academics, researchers, and students researching eighteenth-century literature, history, and culture.




A History of Irish Working-Class Writing


Book Description

"Michael Pierse is Lecturer in Irish literature at Queen's University Belfast. His research mainly explores the writing and cultural production of Irish working-class life. Over recent years this work has expanded into new multidisciplinary themes and international contexts, including the study of festivals, digital methodologies in public humanities and theatre-as-research practices. Michael has contributed to a range of national and international publications, is the author of Writing Ireland's Working Class: Dublin after O'Casey (2011), and has been awarded several Arts and Humanities Research Council awards and the Vice Chancellor's Award at Queen's"--