The Politics of Gender in Anthony Trollope's Novels


Book Description

Bringing together established critics and exciting new voices, The Politics of Gender in Anthony Trollope's Novels offers original readings of Trollope that recognize and repay his importance as source material for scholars working in diverse fields of literary and cultural studies. As the editors observe in their provocative introduction, Trollope more than any of his contemporaries is studied by scholars from disciplines outside literary studies. The contributors here draw together work from economics, colonialism and ethnicity, gender studies, new historicism, liberalism, legal studies, and politics that convincingly argues for the eminence of Trollope's writings as a vehicle for the theoretical explorations of Victorian culture that currently predominate. The essays variously examine imperial and postcolonial themes in the context of economic, cultural, aesthetic, and demographic influences; show how gender-sensitive readings expose Trollope's critique of capitalism's influence; address Trollope and sexuality in the context of queer studies, the law, archetypal constructions, and classical feminism; and offer new approaches to narrative theory through examination of Victorian understandings of male and female psychology. Regenia Gagnier's concluding chapter revisits the collection's critical strands and reflects on the implications for future studies of Trollope.




Reforming Trollope


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Trollope the reformer and the reformation of Trollope scholarship in relation to gender, race, and genre are the intertwined subjects of eminent Trollopian Deborah Denenholz Morse’s radical rethinking of Anthony Trollope. Beginning with a history of Trollope’s critical reception, Morse traces the ways in which Trollope’s responses to the political and social upheavals of the 1860s and 1870s are reflected in his novels. She argues that as Trollope’s ideas about gender and race evolved over those two crucial decades, his politics became more liberal. The first section of the book analyzes these changes in terms of genre. As Morse shows, the novelist subverts and modernizes the quintessential English genre of the pastoral in the wake of Darwin in the early 1860s novel The Small House at Allington. Following the Second Reform Act, he reimagines the marriage plot along new class lines in the early 1870s in Lady Anna. The second section focuses upon gender. In the wake of the Second Reform Bill and the agitations for women's rights in the 1860s and 1870s, Trollope reveals the tragedy of primogeniture and male privilege in Harry Hotspur of Humblethwaite and the viciousness of the marriage market in Ayala's Angel. The final section of Reforming Trollope centers upon race. Trollope's response to the Jamaica Rebellion and the ensuing Governor Eyre Controversy in England is revealed in the tragic marriage of a quintessential English gentleman to a dark beauty from the Empire's dominions. The American Civil War and its aftermath led to Trollope's insistence that English identity include the history of English complicity in the black Atlantic slave trade and American slavery, a history Trollope encodes in the creole discourses of the late novel Dr. Wortle's School. Reforming Trollope is a transformative examination of an author too long identified as the epitome of the complacent English gentleman.




He Knew She was Right


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Trollope’s mother, wife, and a friend he loved platonically most of his life provided him three very different views of the Victorian woman. And, according to Jane Nardin, they were responsible for the dramatic shift in his treatment of women in his novels. This is the first book in Sandra Gilbert’s Ad Feminam series to examine a male author. Nardin initially analyzes the novels Trollope wrote from 1855 to 1861, in which male concerns are central to the plot and women are angelic heroines, submissive and self-sacrificing. Even the titles of his novels written during this period are totally male oriented. The Three Clerks, Doctor Thorne, and The Bertrams all refer to men. Shortly after meeting Kate Field, Trollope wrote Orley Farm, which refers to the estate an angry woman steals from her husband and which marks a change in the attitudes toward women evident in his novels. His next four books, The Small House at Allington, Rachel Ray, Can You Forgive Her?, and Miss Mackenzie, prove that women’s concerns had become central in his writing. Nardin examines specific novels written from 1861 to 1865 in which Trollope, with increasing vigor, subverts the conventional notions of gender that his earlier novels had endorsed. Nardin argues that his novels written after 1865 and often recognized as feminist are not really departures but merely refinements of attitudes Trollope exhibited in earlier works.




The Prime Minister


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Reviewing Sex


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Reviewing Sex: Gender and the Reception of Victorian Novels looks at the influence of Victorian definitions of gender on the cultural processes of reading and canon formation in nineteenth-century England, examining the reception of several mid-century works in over 100 Victorian book reviews. This study investigates four canonical and popular novelists (Emily Bronte, Anthony Trollope, Charles Reade, Charlotte Yonge), all of whom caused high cultural commotions by epitomizing or subverting contemporary definitions of 'masculine' or 'feminine' writing.




La Vendée


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A Ride Across Palestine


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One of the most popular and prolific writers of fiction and non-fiction in Victorian England, beloved author Anthony Trollope completed nearly 50 book-length works during his lifetime. This gripping action-adventure tale is a fictionalized account of a journey through then-exotic Palestine.




The New Zealander


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Lady Anna


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A tightly constructed and passionate study of enforced marriage in the world of Radical politics and social inequality. The novel records the lifelong attempt of Countess Lovel to justify her claim to her title, and her daughter Ann's legitimacy, after her husband announces that he already has a wife. Anna falles in love with the journeyman tailor and young Radical, Daniel Thwaite, but her mother wishes her to marry her cousin, heir to her father's title. Can Anna be allowed -- can she allow herself -- to change her mind? ...Trollope's ambivalence on the question is profound.




Doctor Thorne


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