The Popular Religion and Folk-Lore of Northern India, Vol. 2 of 2 (Classic Reprint)


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Excerpt from The Popular Religion and Folk-Lore of Northern India, Vol. 2 of 2 The real fact seems to be that in most cases the Evil Eye is the result of covetousness.2 Thus, a man blind of an eye, no matter how well-disposed he may be, is almost certain to envy a person blessed with a peculiarly good pair of eyes. But if the blind man's attention be distracted by something conspicuous in the appearance of the other, such as lamp black on his eyelids, a mole, or a scar, the feeling of dissatis faction, which is fatal to the complete effect of the envious glance, is certain to arise. This theory that the glance may be neutralized or avoided by some blot or imperfection is the basis Of many of the popular remedies or prophylactics invented with the object of averting its influence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Popular Religion and Folk-Lore of Northern India, Vol. 1 of 2 (Classic Reprint)


Book Description

Excerpt from The Popular Religion and Folk-Lore of Northern India, Vol. 1 of 2 Many books have been written on Brahmanism, or the. Official religion of the Hindu; but, as far as I am aware, this is the first attempt to bring together some of the information available on the popular beliefs of the races of Upper India. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Publisher


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The Popular Religion and Folk-Lore of Northern India, Vol. II (of 2)


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.







The Athenaeum


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Poetics, Plays, and Performances


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This book addresses the political and aesthetic concerns of modern Indian theatre, tracing its genealogies, and looking in particular at its appropriation of 'folk' theatre. Starting with the plays of Bharatendu Harishchandra in 1870s Banaras, the book moves forward to Jayshankar Prasad and Mohan Rakesh, landmark figures in the history of modern Indian drama. Dalmia then focuses on the intense urban interaction with folk theatre forms, their politicization in the 1940s and later again in the 1970s. Finally the book maps some of the routes taken by avant-garde women directors since the last decades of the twentieth century. Theatre students, critics, cultural historians, scholars of South Asian theatre, as well as general readers will find the book inspiring.