The Prelude to Darkness


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The Great Fate churns once more. A disillusioned young man spurns counsel, choosing to seek wisdom that has long been barred. A knight-captain pledges her sword to righteousness, cleaving apart all who stand in her path. The eldest son of a noble family rises to a seat of piracy. The most unrelenting of warriors breaks against the tides of an age. A fearsome prince bathes in a storm of blood and chaos. Such are the tales the bards have sung. In the comforts of every tavern, the people drink and shout, believing the trials of the realm had come and gone. Yet, it was merely a prelude to what awaits in the dark.




Prelude to Darkness


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Knightlight


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So you think you understand the world you live in? Don't bet your life on it. This world is not safe. This world is not sane. This world is a ticking time bomb, and the lives of billions hang in the balance. Knightlight, an organization founded in 1947, is a government-sanctioned agency that deals with non-military threats. They deal with madmen and monsters. They are at war, and have been for nearly seventy years. But the enemy is ancient and has an agenda of its own. The enemy has had all the time in the world to prepare. The first phase of the plan-destroy Knightlight, and any resistance, removing them all from the field of battle. There are terrible things soon coming upon the Earth ... terrible things. We live in a short slice of time referred to as the "Prelude to the Dark Messiah." Knightlight knows it can't protect mankind from the future, but until the end comes, they will hold the line. Forget what you believe you know about the Bigfoot phenomenon. Ignore what you think you understand about aliens. Unlearn what you've been taught about ghosts, vampires, and werewolves. None of the above exist, but what does exist will gladly drag you to the pit of hell and devour you on the way.




Mistah Kurtz! a Prelude to Heart of Darkness


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In MISTAH KURTZ! A PRELUDE TO HEART OF DARKNESS, James Reich discloses the contents of the papers that Kurtz entrusts to Marlow and the end of Joseph Conrad's canonical novella. Drawing on clues left in Conrad's account, the novel anticipates and dovetails with the arrival of Marlow at Kurtz's ivory station in the Congo. Giving voice to one of the most enigmatic characters in the literary canon, Reich presents meticulous and controversial solutions to the origins, mystery and messianic deterioration of Mistah Kurtz: company man, elephant man, poet, feral god. Appalling rivalries, murder, fragile loyalties, doubt and desire shroud the pages of this book-part adventure, part desperate confession. Filtering the strangeness of Apocalypse Now! and historical accounts of the ivory trade, this irreverent, audacious endeavor lends meat and madness to the ghosts of the Congo, names that which had been nameless, and renders this Season in Hell in crystalline clarity.




Understanding 'The Prelude'


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The essays in this book meditate deeply on Wordsworth's own theory of literature, and probe into questions that few critics have bothered to ask, yet which, when asked, seem very central indeed. Topics treated include The Sublime and the Beautiful; Literary Echoes in The Prelude; Wordsworth's Aesthetics of Landscape; Wordsworth's Imaginations; The Fancy;' The Poetry of Nature'; sight as' The Most Despotic of our Senses'; the Snowdon vision and 'The descent from Snowdon'; ' A Sense of the Infinite'




From The Prelude


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The Two-part Prelude (1799)


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Horace's Ars Poetica


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A major reinterpretation of Horace's famous literary manual For two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, Jennifer Ferriss-Hill for the first time fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work. Arguing that the poem can be interpreted as a manual on how to live masquerading as a handbook on poetry, Ferriss-Hill traces its key themes to show that they extend beyond poetry to encompass friendship, laughter, intergenerational relationships, and human endeavor. If the poem is read for how it expresses itself, moreover, it emerges as an exemplum of art in which judicious repetitions of words and ideas join disparate parts into a seamless whole that nevertheless lends itself to being remade upon every reading. Establishing the Ars Poetica as a logical evolution of Horace's work, this book promises to inspire a long overdue reconsideration of a hugely influential yet misunderstood poem.