The Psychology of Sound


Book Description

Originally published in 1917, this book was written to provide a purely psychological analysis and theory of the process of hearing. The text begins with a discussion of auditory sensations and their attributes, before moving through areas relating to melody, the formation of scales and psychological theories of hearing. A bibliography and explanatory notes are also provided. This book will be of value to anyone with an interest in experimental psychology and the history of psychology.




Psychology of Music


Book Description

In Psychology of Music: From Sound to Significance (2nd edition), the authors consider music on a broad scale, from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition, the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition, having laid out the topography of the field in the original book, the second edition puts greater emphasis on linking academic learning to real-world contexts, and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field. The organization of the book remains the same as the first edition, while chapters have been updated and often expanded with new topics. 'Part I: Foundations' explores the acoustics of sound, the auditory system, and responses to music in the brain. 'Part II: The Perception and Cognition of Music' focuses on how we process pitch, melody, meter, rhythm, and musical structure. 'Part III: Development, Learning, and Performance' describes how musical capacities and skills unfold, beginning before birth and extending to the advanced and expert musician. And finally, 'Part IV: The Meaning and Significance of Music' explores social, emotional, philosophical and cultural dimensions of music and meaning. This book will be invaluable to undergraduates and postgraduate students in psychology and music, and will appeal to anyone who is interested in the vital and expanding field of psychology of music.




The Psychology of Sound


Book Description




Psychology of Music


Book Description

Approx.542 pages




Sound-Rage


Book Description

Sound-Rage is a little known syndrome (known as misophonia) characterized by an anger response to sounds. The primer is the first scientific study of the disorder and provides compelling evidence that it is a developmental, neurological disorder. How the brain processes information, multi-sensory processing, and therapies are addressed.




The Psychology of Sound


Book Description




The Psychology of Sound


Book Description




The Psychology of Sound


Book Description

Excerpt from The Psychology of Sound I have undertaken this work in the interests of a purely psychological theory of the senses. A purely psychological analysis and theory of sensory experience has seemed to me for some years to be not only ideally desirable and even necessary, but really also possible. I have made two previous statements of the case for hearing. The first, published in 1911 in The British Journal of Psychology (vol. IV.), formed an incident in a general programme and tentative sketch of this pure psychology. The second, published in the same journal in 1914 (vol. VII.), was planned to meet the numerous attempts that had appeared in the intervening years to reform the elementary psychology of hearing. These attempts made strong appeals towards other lines of construction than those I had advocated; but I had confidence enough in the inherent appropriateness or, as it might be called technically, in the phenomenological correctness, of my 'idea' to be eager to come to grips with these others both in detail and in general. These new movements have since gained in interest and weight by the fact that Stumpf, in reviewing them in 1914, has seen fit to abandon his own generally accepted position, held since 1883, and to put himself at the head of one of the movements, though rejecting the special arguments brought forward for it by its first public exponents. From my second statement it may still not have been clear to many that the ground and basis of my analysis and theory of hearing are as purely psychological as I believe them to be. Such revolutionary teaching in psychology must needs have the most explicit statement. I hesitate to say that this doctrine is fundamentally new. In philosophy there is nothing so new under the sun. But at least in respect of the material to which the primary general principles of science have been applied, if not also in respect of the special principles that have sprung from the new rock that has been struck, there is surely much in my doctrine that is fresh growth and that will in its time give both blossom and fruit. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




An Introduction to the Psychology of Hearing


Book Description

This sixth edition has been thoroughly updated, with more than 200 references to articles & books published since 1996. The book describes the relationships between the characteristics of the sounds that enter the ear & the sensations that they produce.




The Psychology of Sound (Classic Reprint)


Book Description

Excerpt from The Psychology of Sound N o doubt my theoretical constructions must be carried somewhat further before they can be held to have passed fully over into the elements consciously used by productive musicians and appreciative listeners. The gap is not a large one and is in great part filled by a psychical field that a theorist of sensory experience dare not rush into - the field of psychical habit and attitude. That field belongs chiefly to the historian and ethnologist. No doubt theory can go somewhat further still than I have gone. But it cannot go very far, for the working musician definitely takes over at a certain point the raw materials of his art from the real psychical processes of hearing, inaccessible in full to observation, and then proceeds to construct from them vast new realms without consulting anything that lies beyond the ken of observation. But I am not concerned about what I have not yet attained. If my theoretical efforts are valid, they will grow easily; if they are unfit to survive, the canker will be found within their body. But I think they are healthy enough to overcome in active life whatever weakness may have been born with them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.