The Ramayana of Valmiki


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The Ramayana of Valmiki


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RAMAYANA The Poisonous Tree


Book Description

As the title indicates, this book is a critical study of an Indian epic, ëThe Ramayanaí. It proceeds in the same order as that of Sanskrit original consisting of : Bala kanda, Ayodhya kanda, Aranya kanda, Kishkindha kanda, Sundara kanda, Yuddha kanda and Uttara kanda. While Valmikiís Ramayana is composed of about 24,000 slokas (verses), ëRamayana the Poisonous Treeí consists of 16 stories, long and short, accompanied by 11 ëlinksí (narratives that ëlinkí the stories) and 504 foot-notes that show evidence from the Sanskrit original in support of the critique. Besides the main components of the text, this book has a long ëPrefaceí discussing the social essence of the epic in the context of history of evolution of human society from the ancient times to the modern times. The book also offers a critical review of the works of ësome earlier critics of Ramayanaí. The authoress describes Ramayana as a Poisonous Tree because it defends the autocratic rule of the kings against the people, their imperial expansion by invading other weak kingdoms, exploitation of the poor by the rich, oppression of lower castes by upper castes, aggression of the civilized non-tribal communities against primitive tribal communities, male chauvinism against women, superstitious beliefs against the rational thinking, fathersí domination over sons, elder brothersí superiority over younger brothers and so on. She substantiated her arguments by providing hundreds of foot notes from the Sanskrit original. She characterizes the culture of Ramayana as predominantly ëfeudalí in nature with an admixture of remnants of primitive ëtribalí culture. The book, it is hoped, will be of interest to both academic and non-academic circles. It is relevant to the students, teachers and researchers who are connected with such disciplines as South Asian Studies, Cultural Studies, Comparative Literature, Comparative Religions, Indology, Literary Criticism and so on. It is also relevant to the social and political activists who would like to disseminate ëprogressiveí ideas among the people who are subjected to various forms of inequality: Class, Caste, Gender, Race, Ethnicity. Ranganayakamma (born 1939) is a writer of novels, stories and essays in Telugu. She has published about 60 books.







The Valmiki Ramayana


Book Description

The Valmiki Ramayana remains a living force in the lives of the Indian people. A timeless epic, it recounts the legend of the noble prince Rama and his battle to vanquish the demon king Ravana. Even before he is crowned king of Ayodhya, Rama is exiled to the Dandaka forests where he is accompanied by his beauteous wife Sita and loyal brother Lakshmana. Deep in the jungle, Sita is abducted by Ravana and taken to his island kingdom Lanka, setting into motion a dramatic chain of events that culminates in an epoch-defining war. Filled with adventure and spectacle, the Ramayana is also the poignant story of a family caught up in the conflict between personal duty and individual desires. In Bibek Debroy’s majestic new translation, the complete and unabridged text of the Critical Edition of this beloved epic can now be relished by a new generation of readers.




Valmiki's Uttara Kanda


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The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India’s great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with the quintessentially Indian ideas of karma (action) and dharma (duty).The book explores what it means to be human in a complex and demanding world, considering the parameters and contexts in which we make the decisions that will determine the color and tenor of our lives, the choices that make us who we are. It also offers a great, albeit tragic, love story—a story of the demands and pressures of love and how we might fail those that we love most. Accompanied by Sattar’s thoughtful essays weighing the moral complexity of this most enduring of epics, this translation crystallizes her deep and intimate knowledge of the Ramayana in a way that is utterly compelling.




Uttara


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Instead of being a tranquil denouement to a tale studded with dangerous adventure and emotional turbulence, Valmiki's Uttara Kanda is a shattering epilogue to a beloved story.Ravana has been defeated, and Rama and Sita have returned to Ayodhya. Rama is established on the throne that is rightfully his and spends his time listening to the stories that the sages tell him, which answer questions like: Why did Hanuman not know about his special powers? How is it that the mighty rakshasas were defeated by the monkeys? Why did Ravana never touch Sita when she was his prisoner? But these stories are punctuated by events such as the banishment of Sita and the killing of Shambuka.What is said and done in the Uttara Kanda forces us to reconsider the events of the Ramayana, urging us to read the epic through a new and disturbing lens.




The Ramayana


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Chandrabati’s Ramayan


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Chandrabati, the first woman poet in Bangla, lived in the sixteenth century in Mymensingh district in present day Bangladesh. She was also the first poet in the Bangla language to present a retelling of the Ram story from the point of view of Sita. Idolised as a model of marital obedience and chastity in Valmiki’s Ramayan, Chandrabati’s lyrical retelling of Sita’s story offers us a fresh perspective. Written in order to be sung before a non-courtly audience, mainly of womenfolk of rural Bengal, Chandrabati’s Ramayan adds new characters and situations to the story to provide new interpretations of already known events drawing richly on elements of existing genres. Its location in the tales of everyday life has ensured that Chandrabati’s Ramayan lives on in the hearts of village women of modern-day India.




Valmiki's Ramayana


Book Description

Valmiki's Ramayana, composed as early as 500 BCE, remains a story that speaks to every generation and continues to enthral millions of people in the Subcontinent and beyond.The noble prince Rama is exiled from Ayodhya on his stepmother's whim, and his loyal brother Lakshmana and beautiful wife, Sita, follow him into the forest despite the many dangers it holds. But when Sita is kidnapped by Ravana, king of the rakshasas, Rama must go deep into himself to find the physical and emotional resources he needs to rescue her.Apart from exploring the fundamental human question of how to be good, the Ramayana is also the story of a god who comes to earth to establish righteousness. The tension between Rama's essentially divine nature and his all too human trials makes this one of the most compelling epics in world literature.