Paintings in Proust


Book Description

"Eric Karpele's guide offers a feast for the eyes as it celebrates the close relationship between the visual and literary arts in Proust's masterpiece, Karpeles has identified and located all of the paintings to which Proust makes exact reference. Where only a painter's name is mentioned to indicate a certain mood or appearance, he has chosen a representative work to illustrate the impression that Proust sought to evoke. Botticelli's angels, Manet's courtesans, Mantegna's warriors and Carpaccio's saints stand among Monet's water lilies and Piranesi's engravings of Rome, while Karpeles's insightful essay and lucid contextual commentary explain their significance to Proust. Extensive notes and a comprehensive index of all painters and paintings mentioned in the novel provide an invaluable resource for the reader navigating In Search of Lost Time for the first time or the fifth."--BOOK JACKET.




Narration and Description in the French Realist Novel


Book Description

This book demonstrates instead the writers' use of irony and allegory in struggling against the deceitfulness of their own texts.




The Realist Novel


Book Description

This book guides the student through the fundamentals of this enduring literary form. By using carefully selected novels, the authors provide a lively examination of the particular themes and modes of realist novels of the period.




The Material Object in the Work of Marcel Proust


Book Description

This book describes the development of Proust's treatment of material objects from his earliest work Les Plaisirs et les jours to his mature novel À la recherche du temps perdu. It examines the literary influences on Proust's way with objects in the light of certain critical texts and reconsiders the significance of Ruskin. As the movement from unreflective and spontaneous representation to a meta-narrative of consciousness is traced, some questions as to the banality of the 'banal object' arise. The meta-narrative finds resonance in a peculiarly Proustian pictoriality which has been largely unnoticed. It resides in descriptions where objects appear simultaneously or at different times as things in paintings and in the real. By exploring connections between Proust's pictoriality and his reflections on 'matière' and 'surface', the author suggests a radical approach to the modernism of À la recherche du temps perdu.




Marcel Proust


Book Description

The starting point of A la recherche du temps perdu (Remembrance of Things Past) is an experience everyone has had. We have all had a physical sensation that has reminded us so vividly of a moment in our past that we have almost ceased to be aware of the present. Marcel Proust immortalized this in the first volume of his fifteen-volume novel, in 1913. But the novel, completed just before his death in 1922, deals with many other themes. It is an account of how the narrator, Marcel, discovers his vocation as an artist and explores the nature of art. As a psychological novel, it studies jealousy and how the emotional traumas we undergo in childhood can influence our adult lives. It is the first major novel to offer a detailed account of male and female homosexuality. It is a satirical analysis of French upper-class society at the turn of the century. It also shows how this society changes with time. Philip Thody offers a straightforward analysis of how Proust's novel is constructed, what it contains, and how its themes can be related to our experiences as members of American or English society in the late twentieth century. He explains one of the most complex prose narratives in terms that both educate and entertain the reader who may be unfamiliar with Proust and his work. '...(Thody) writes in a most engagingly down-to-earth manner, conveying a real sense of enthusiasm, and positively luring the reader towards his potentially daunting subject ... Professor Thody's contribution holds its own with ease.' - Modern and Contemporary France.




The Cambridge Companion to European Novelists


Book Description

A survey of 25 major European novelists from Cervantes to Kundera, highlighting their contributions to the genre.




Realism


Book Description

A clear, reader-friendly guide to debates around realism, this guide is vital reading for students of literature, in particular those working on the realist novel.




Landscapes of Realism


Book Description

Few literary phenomena are as elusive and yet as persistent as realism. While it responds to the perennial impulse to use literature to reflect on experience, it also designates a specific set of literary and artistic practices that emerged in response to Western modernity. Landscapes of Realism is a two-volume collaborative interdisciplinary investigation of this vast territory, bringing together leading-edge new criticism on the realist paradigms that were first articulated in nineteenth-century Europe but have since gone on globally to transform the literary landscape. Tracing the manifold ways in which these paradigms are developed, discussed and contested across time, space, cultures and media, this second volume shows in its four core essays and twenty-four case studies four major pathways through the landscapes of realism: The psychological pathways focusing on emotion and memory, the referential pathways highlighting the role of materiality, the formal pathways demonstrating the dynamics of formal experiments, and the geographical pathways exploring the worlding of realism through the encounters between European and non-European languages from the nineteenth century to the present.This volume is part of a book set which can be ordered at a special discount:




The Realist Author and Sympathetic Imagination


Book Description

"The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as 'copies' of reality. He was a celebrity who found himself subservient to publishers and the public, in a newly-industrialised literary marketplace. He was the owner of his work who was divested of his property by imperfect copyright laws, playwrights who adapted his novels for the stage, and sequel-writers. This combination of a conspicuous yet precarious status with a self-effacing attitude was expressed by an image of the author as a plural, Protean subject, possessing the faculty of sympathetic imagination - which the realists incorporated in their works in the form of a series of fictional characters who functioned as 'doubles' of the author. Paraschas focuses on two realists, Honorede Balzac and George Eliot, and traces this authorial scenario from its origins in the late eighteenth century to its demise in the early twentieth century, examining its presence in the works of E.T.A. Hoffmann, Friedrich Schlegel, Charles Baudelaire and Andre Gide."




Literary Realism and the Ekphrastic Tradition


Book Description

Literary Realism and the Ekphrastic Tradition examines representative texts and the theories of realism upon which they are based. It studies the foundations of these theories in the philosophies of language contemporaneous with them. Beginning with Adamicism, Mack Smith looks at the way humanist, rationalist, empiricist, Kantian, positivist, and poststructuralist theories of language are textually dramatized. He considers the cultural and personal influences that affect historical notions of realism and reality. He also demonstrates the rhetorical basis of realism by considering a mimetic device used by novelists in rendering a faithful version of reality&—ekphrasis, the narrative description of a work of art. Smith seeks a middle ground between the extremes of theory and interpretation, discourse and reality, and textualism and history, thus making an important contribution to the revaluation of literary studies.