How the Few Became the Proud


Book Description

For more than half of its existence, members of the Marine Corps largely self-identified as soldiers. It did not yet mean something distinct to be a Marine, either to themselves or to the public at large. As neither a land-based organization like the Army nor an entirely sea-based one like the Navy, the Corps' missions overlapped with both institutions. This work argues that the Marine Corps could not and would not settle on a mission, and therefore it turned to an image to ensure its institutional survival. The process by which a maligned group of nineteenth-century naval policemen began to consider themselves to be elite warriors benefited from the active engagement of Marine officers with the Corps' historical record as justification for its very being. Rather than look forward and actively seek out a mission that could secure their existence, late nineteenth-century Marines looked backward and embraced the past. They began to justify their existence by invoking their institutional traditions, their many martial engagements, and their claim to be the nation's oldest and proudest military institution. This led them to celebrate themselves as superior to soldiers and sailors. Although there are countless works on this hallowed fighting force, How the Few Became the Proud is the first to explore how the Marine Corps crafted such powerful myths.




The Siege of Fort Cumberland, 1776


Book Description

Explores why supporters of American independence did not prevail in the Fort Cumberland region of Nova Scotia, revealing how the siege of Fort Cumberland by the Continental army in 1776 shaped the attitudes of Nova Scotians to the revolution and to their place in the North American world. Describes events leading up to the siege, and looks at the attitudes of various players in the region such as New England planters, Natives, and Scots-Irish. Contains bandw illustrations. Annotation copyright by Book News, Inc., Portland, OR




Naval Documents of the American Revolution: American theatre: May 9, 1776-July 31, 1776


Book Description

In the tradition of the preceding volumes - the first of which was published in 1964 - this work synthesizes edited documents, including correspondence, ship logs, muster rolls, orders, and newspaper accounts, that provide a comprehensive understanding of the war at sea in the spring of 1778. The editors organize this wide array of texts chronologically by theater and incorporate French, Italian, and Spanish transcriptions with English translations throughout.