General Catalogue of Printed Books


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I Recall: Collections and Recollections


Book Description

I Recall: Collections and Recollections is a memoir by Robert Henderson Croll. Croll was an Australian author, lyricist, bushwalker, and civic servant. Excerpt: "Central Australia, where I have now been five times, was long a place of desire. When my Sister Elizabeth and her husband, Albert Watts, went to live at Quorn, a township sitting at the foot of the Flinders Range in South Australia, I paid her two visits. They quickened my wish to see more of the remarkable country on the edge of which Quorn is placed. That was some forty years ago. The first, a Spring journey, left two vivid memories. One is of the seemingly endless fields of young wheat which made much of South Australia so beautiful just then; the other is of a shooting trip to which we were invited. Our hosts were two young men of the district, tall and powerful, sons of a German settler. The conveyance was a light open cart with one fixed seat which held the two brothers. Behind them, a board rested its ends on the sides of the cart and was secured to the front seat by a stout rope."




Epilepsy


Book Description




Broken Idols of the English Reformation


Book Description

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.