Myth


Book Description

This Very Short Introduction explores different approaches to myth from several disciplines, including science, religion, philosophy, literature, and psychology. In this new edition, Robert Segal considers both the future study of myth as well as the impact of areas such as cognitive science and the latest approaches to narrative theory.




The Ritual Theory of Myth


Book Description




Theories of Mythology


Book Description

Theories of Mythology provides students with both a history of theories of myth and a practical ‘how-to’ guide to interpreting myth, the most elementary form of narrative. Both a history of theories of myth and a practical ‘how-to’ guide to interpreting myth. Introduces the major theories of myth from the nineteenth century to the present day. Covers comparative approaches, psychoanalysis, ritual theories of myth, structuralism, and ideological analysis. Supplies readers with the theoretical tools for imitating each method. Features detailed exemplary readings of familiar myths.




Theorizing about Myth


Book Description

A collection of essays analyzing the leading theories of myth. It surveys the contours of this ongoing discussion, comparing and evaluating the theories of Edward Tylor, William Robertson Smith, James Frazer, Jane Harrison, Sigmund Freud, C.G. Jung, and others.




Rituals and Ritual Theory in Ancient Israel


Book Description

The book explores the links between mythic and rituals, arguing that the connectedness with ritual endows a story with a mythic essence. Detailed discussions of various rituals exemplify the major theoretical discourse. The book is of interest to scholars in the areas of religious studies, the anthropology of religion, and Halakhah (law and ritual).




The Ritual Theory of Myth


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Religion, Theory, Critique


Book Description

Religion, Theory, Critique is an essential tool for learning about theory and method in the study of religion. Leading experts engage with contemporary and classical theories as well as non-Western cultural contexts. Unlike other collections, this anthology emphasizes the dynamic relationship between "religion" as an object of study and different methodological approaches and openly addresses the question of the manifold ways in which "religion," "secular," and "culture" are imagined within different disciplinary horizons. This volume is the first textbook which seeks to engage discussion of classical approaches with contemporary cultural and critical theories. Contributors write on the influence of the natural sciences in the study of religion; the role of European Christianity in modeling theories of religion; religious experience and the interface with cognitive science; the structure and function of religious language; the social-scientific study of religion; ritual in religion; the phenomenology of religion; critical theory and religion; embodiment and religion; the impact of colonialism and modernity; theorizing religion in terms of race and ethnicity; links among religion, nationalism, and globalization; the interplay of gender, sex, and religion; and religion and the environment. Each chapter introduces the topic, identifies key theorists and issues, and respects the pluralistic nature of the scholarship in the field. Altogether, this collection scrutinizes the explicit and implicit assumptions theorists make about religion as an object of analysis.




The Mouse and the Myth


Book Description

Upholds “a Disney vacation as a religious experience . . . [offers] insightful arguments relating to the nature of play as well as Nietzschean philosophy” (Reading Religion). Rituals mark significant moments in our lives—perhaps none more significant than moments of lightheartedness, joy, and play. Rituals of play are among the most sacred of any of the rites in which humanity may engage. Although we may fail to recognize them, they are always present in culture, providing a kind of psychological release for their participants, child and adult alike. Disneyland is an example of the kind of container necessary for the construction of rituals of play. This work explores the original Disney theme park in Anaheim as a temple cult. It challenges the disciplines of mythological studies, religious studies, film studies, and depth psychology to broaden traditional definitions of the kind of cultural apparatus that constitute temple culture and ritual. It does so by suggesting that Hollywood’s entertainment industry has developed a platform for mythic ritual. After setting the ritualized “stage,” this book turns to the practices in Disneyland proper, analyzing the patron’s traditions within the framework of the park and beyond. It explores Disneyland’s spectacles, through selected shows and parades, and concludes with an exploration of the park’s participation in ritual renewal. “There is much to commend in Koehler’s study . . . Surely, her work should encourage others to examine myth construction and sacred-secular rituals in popular culture.”—H-Celebration




The Myth and Ritual Theory


Book Description

Drawing from both classic and hard-to-find reading, one of the leading interpreters of theories of myth offers a comprehensive analysis of the myth and ritual theory. The book not only offers a detailed introduction to the theories, but also provides a further introduction to the individual selections. Suggestions for further reading and a comprehensive bibliography are included.




Custom and Myth


Book Description