The River of Dead Trees


Book Description

When Charles Wilson flees his dead-end life for Trempes, the first thing he finds is the body of his childhood friend, Paul Faber, hanging from a tree in the clearing where they played as boys. Obsessed with uncovering the story behind Faber's death, Wilson learns that truth and time aren't always what they appear to be, and he is soon caught up in a delusory spiral that threatens his very existence. At once a neo-Gothic metaphysical thriller and a meditative fairy tale, The River of Dead Trees charts a dizzying descent into the fragility of faith and of memory.




Across the River and Into the Trees


Book Description

In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”




The Overstory: A Novel


Book Description

Winner of the Pulitzer Prize in Fiction Winner of the William Dean Howells Medal Shortlisted for the Man Booker Prize Over One Year on the New York Times Bestseller List A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year "The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.




Dead Tree Media


Book Description

A deep and timely account of how American newspapers were produced and distributed on paper. Winner of the Best Book in Canadian Business History by the Canadian Business History Association Popular assessments of printed newspapers have become so grim that some have taken to calling them “dead tree media” as a way of invoking the medium’s imminent demise. There is a literal truth hidden in this dismissive expression: printed newspapers really are material goods made from trees. And, throughout the twentieth century, the overwhelming majority of trees cut down in the service of printing newspapers in the United States came from Canada. In Dead Tree Media, Michael Stamm reveals the international history of the commodity chains connecting Canadian trees and US readers. Drawing on newly available corporate documents and research in archives across North America, Stamm offers a sophisticated rethinking of the material history of the printed newspaper. Tracing its industrial production from the forest to the newsstand, he provides an account of the obscure and often hidden labor involved in this manufacturing process by showing how it was driven by not only publishers and journalists but also lumberjacks, paper mill workers, policymakers, chemists, and urban and regional planners. Stamm describes the 1911 shift in tariff policy that gave US publishers duty-free access to Canadian newsprint, providing a tremendous boost to Canadian paper manufacturers and a significant subsidy to American newspaper publishers. He also explains how Canada attracted massive American foreign investment in paper mills around the same time that US publishers were able to gain greater access to Canada’s vast spruce forests. Focusing particularly on the Chicago Tribune, Stamm provides a new history of the rise and fall of both the mass circulation printed newspaper and the particular kind of corporation in the newspaper business that had shaped many aspects of the cultural, political, and even physical landscape of North America. For those seeking to understand the travails of the contemporary newspaper business, Dead Tree Media is essential reading.




A River in the Trees


Book Description

Two women. Two stories. One hundred years of secrets. 'Eloquent and accomplished' Anne Griffin, author of When All Is Said A sweeping novel of love, loss, family and history for readers who love Maggie O'Farrell, John Boyne and Donal Ryan 1919 Ireland is about to be torn apart by the War of Independence. Hannah O'Donovan helps her father hide rebel soldiers in the attic, putting her family in great danger from the British soldiers who roam the countryside. An immediate connection between Hannah and O'Riada, the leader of this hidden band of rebels, will change her life and that of her family forever . . . 2019 Ellen is at a crossroads: her marriage is in trouble, her career is over and she's grieving the loss of a baby. After years in London, she decides to come home to Ireland to face the things she's tried so hard to escape. Reaching into the past, she feels a connection to her ancestor, the mysterious Hannah O'Donovan. But why won't anyone in her family talk about Hannah? And how can this journey help Ellen put her life back together? 'A gripping novel about two women, their desires and frustrations, about the wars they find themselves fighting . . . a thrill to discover' Belinda McKeon 'A fierce, beautifully written story' Louise O'Neill




A River Could Be a Tree


Book Description

How does a woman who grew up in rural Indiana as a fundamentalist Christian end up a practicing Jew in New York? Angela Himsel was raised in a German-American family, one of eleven children who shared a single bathroom in their rented ramshackle farmhouse in Indiana. The Himsels followed an evangelical branch of Christianity—the Worldwide Church of God—which espoused a doomsday philosophy. Only faith in Jesus, the Bible, significant tithing, and the church's leader could save them from the evils of American culture—divorce, television, makeup, and even medicine. From the time she was a young girl, Himsel believed that the Bible was the guidebook to being saved, and only strict adherence to the church's tenets could allow her to escape a certain, gruesome death, receive the Holy Spirit, and live forever in the Kingdom of God. With self-preservation in mind, she decided, at nineteen, to study at The Hebrew University in Jerusalem. But instead of strengthening her faith, Himsel was introduced to a whole new world—one with different people and perspectives. Her eyes were slowly opened to the church's shortcomings, even dangers, and fueled her natural tendency to question everything she had been taught, including the guiding principles of the church and the words of the Bible itself. Ultimately, the connection to God she so relentlessly pursued was found in the most unexpected place: a mikvah on Manhattan's Upper West Side. This devout Christian Midwesterner found her own form of salvation—as a practicing Jewish woman. Himsel's seemingly impossible road from childhood cult to a committed Jewish life is traced in and around the major events of the 1970s and 80s with warmth, humor, and a multitude of religious and philosophical insights. A River Could Be a Tree: A Memoir is a fascinating story of struggle, doubt, and finally, personal fulfillment.




Touch to Affliction


Book Description

We are walking backwards into our lives. Our cities are incensed. They fester on our thighs. And we lick at them in garish immoderate delight. When colour comes we run. We have no idea why. From the ruins of poetry, fiction and philosophy comes Touch To Affliction , a meditation on the notion of homeland, on patrie and the inhumanity that arises from it. This is a text obsessed with ruins: the ruins of genre, of language, of the city, of the body. The history of the twentieth century is a history of barbarism, and Stephens walks, like a flâneur, through its midst, experiencing through her own body the crumbled buildings, the dessicated cities, the eviscerated language and humanity of our time, calling out in passing to those before her who have contemplated atrocity: Martin Buber, Henryk Gorecki, Simone Weil. In the end, it considers what we are left with -- indeed, what is left of us -- as both participants in and heirs to the twentieth century. Insistently political but never polemical, Touch To Affliction , at the interstices of thought and the unnameable, is at once lament, accusation and elegy. About Paper City : 'Understanding is almost antithetical to the project Stephens seems to have assigned herself, that of unraveling or radically altering our sense of logic, of language, of narrative, of body, of desire, of words on paper. She wants the book to burn in our hands and, indeed, it does.' -- NewPages