The Robert Burns Songbook for Guitar and Voice: Also Suitable for Guitar Duo or Flute/Recorder and Guitar


Book Description

A collection of nineteen of Burns' best-loved songs for guitar and voice. Many of the songs have been re-arranged in the book for flute/ recorder and guitar. Also included are many pages describing the life and works of Burns and an appendix featuring ukulele chords.




The Robert Burns Songbook for Guitar and Voice


Book Description

A collection of nineteen of Burns' best-loved songs for guitar and voice. Notation and tablature are provided. Also included are many pages describing the life and works of Burns and an appendix featuring ukulele chords. Songs included are: A ManÕs a Man for AÕ That; Ae Fond Kiss; Afton Water; Afton Water (Original Version); Auld Lang Syne (Original Version); Auld Lang Syne; Comin' Thro the Rye; Corn Rigs; John Anderson, My Jo; Lord Gregory; Mary Morison; My HeartÕs In the Highlands; My Love Is Like a Red, Red Rose; My Love SheÕs But a Lassie; My NannieÕs AwaÕ; O Lay Thy Loof in Mine, Lass; The SoldierÕs Return; The Weary Pund OÕ Tow; Ye Banks and Braes.




The Robert Burns Songbook for Guitar and Voice Volume 2


Book Description

A second volume of 20 songs of Robert Burns arranged for guitar and voice. Full fingerstyle arrangements in notation and tablature, with chord symbols and detailed notes on all of the songs. Songs included are: Ae Fond Kiss (2 versions), Ye Jacobites, Ca' The Yowes, Tam Glen, To Mary In Heaven, Musing On The Roaring Ocean, Logan Braes, O' Willie Brew'd, O A' The Airts, Leezie Lindsay, Highland Mary, By Yon Castle Wa', A Rose-Bud By My Early Walk, My Heart Is Sair, The Was A Lad Was Born In Kyle (2 versions), Scots Wha Ha'e, Ay Waukin O, Up In The Early Morning




Songs in the Key of Z


Book Description

Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available.




The Voice of New Music


Book Description

An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).




The Recorder Book


Book Description




First 50 Songs You Should Play on Recorder


Book Description

(Instrumental Folio). If you've been playing recorder for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs. Includes: All You Need Is Love (The Beatles) * Believer (Imagine Dragons) * Carnival of Venice * Evermore (from Beauty and the Beast ) * Fly Me to the Moon (In Other Words) (Frank Sinatra) * God Bless America (Irving Berlin) * Hello (Adele) * I Will Always Love You (Whitney Houston) * Just Give Me a Reason (Pink) * Let It Go (from Frozen )* Moon River (Henry Manccini) * Perfect (Ed Sheeran) * Roar (Katy Perry) * Shake It Off (Taylor Swift) * Uptown Funk (Bruno Mars) * and more.




A History of Irish Music


Book Description




Cultivating Music in America


Book Description

"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America




African American Music


Book Description

American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.