The Rococo Age


Book Description

"The idea for this exhibition grew out of the desire to present to the Atlanta public an old master exhibition that would complement the new High Museum designed by Richard Meier. . . This exhibition concentrates on the period from 1700 to 1792, when the Revolution toppled the 'ancien régime' and the neo-classical style nascent in Vien's work blossomed into the severe style of David, who, as the portrait shown here makes evident, was himself firmly rooted in the rococo tradition." -- Foreword.




Rococo


Book Description

Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term ‘Rococo’. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the spontaneity of the aristocracy of the time. In many aspects, this art was linked to its predecessor, Baroque, and it is thus also referred to as late Baroque style. While artists such as Tiepolo, Boucher and Reynolds carried the style to its apogee, the movement was often condemned for its superficiality. In the second half of the 18th century, Rococo began its decline. At the end of the century, facing the advent of Neoclassicism, it was plunged into obscurity. It had to wait nearly a century before art historians could restore it to the radiance of its golden age, which is rediscovered in this work by Klaus H. Carl and Victoria Charles.







French Baroque and Rococo Fashions


Book Description

French fashions from 1640–1775, depicted in 45 full-page black-and-white illustrations. Portraits of farmers, street vendors, and aristocrats, all with informative captions.




History, Painting, and the Seriousness of Pleasure in the Age of Louis XV


Book Description

French painting of Louis XV's reign (1715-74), generally categorized by the term rococo, has typically been understood as an artistic style aimed at furnishing courtly society with delightful images of its own frivolous pursuits. Instead, this book shows the significance and seriousness underpinning the notion of pleasure embedded in eighteenth-century history painting. During this time, pleasure became a moral ideal grounded not only in domestic life but also defining a range of social, political, and cultural transactions oriented toward transforming and improving society at large. History, painting, and the seriousness of pleasure in the age of Louis XV reconsiders the role of history painting in creating a newvisual language that presented peace and happiness as an individual's natural rights in the aftermath of Louis XIV's bellicose reign (1643-1715). In this new study, Susanna Caviglia reinvestigates the artistic practices of an entire generation of painters born around 1700 (e.g. Francois Boucher, Charles-Joseph Natoire, and Carle Vanloo) in order to highlight the cultural forces at work within their now iconic images.




Making Up the Rococo


Book Description

Exploring how the discrediting of Boucher and his school intersected with cultural debates about gender and class, this account of Boucher's art should persuade critics and admirers alike to take another, more considered look.




Furniture Style from Baroque to Rococo - The 18th Century in European Furniture Design


Book Description

The eighteenth century is rightly spoken of as the 'Golden Age of furniture-making', with some of the world's most impressive and exquisite furniture having been produced during this time. This lovely little book contains a detailed treatise on the eighteenth century furniture styles from Baroque to Rococo. A wonderful book full of detailed photographs and intricate descriptions, this text will be of great value to those with an interest in historical furniture and is not to be missed by the discerning collector. The chapters of this book include: France, Italy, Spain, Germany and Sweden, The Netherlands, Britain, and America (Colonial Period). Many antique texts such as this are increasingly rare and costly, and it is with this in mind that we are proudly republishing this text here complete with a new introduction on the history of furniture.




French Rococo Ébénisterie in the J. Paul Getty Museum


Book Description

The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.




Art in the Hellenistic Age


Book Description

This 1986 book is an interpretative history of Greek art during the Hellenistic period.




World of Art Series Rococo To Revolution


Book Description

Michael Levey, former Director of the National Gallery in London, traces the major trends of European painting in the eighteenth century, taking as his theme the exciting evolution--and revolution--that took place in art from Watteau's birth to the death of Goya. 154 illus., 22 in color.