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A Thousand Years of Love


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A THOUSAND YEARS OF LOVE is a historical novel set in ancient Kyoto, Japan, and Hangzhou, China, a city described by Marco Polo as "the greatest in the world." Join Lady Kaishi, a noblewoman of the Heian Court, as she tries to find her mother's grave site, somewhere across the East China Sea. Her search takes her from the ancient city of Kyoto, to the Temple of the Purple Clouds, on the shores of the West Lake in China. Along the way her journey becomes an inner one as well, as she begins to see the people closest to her in a new light. She is both observer and participant in the romantic encounters of the Heian nobility, struggling to maintain her identity, transcending gender and blood in a display as passionate and brilliant as the silver waves glittering on her layered kimono. THE HEIAN PERIOD (794-1185), was a fascinating era in world history. It was Japan's aristocratic age, dominated by the "cult of beauty," and the pursuit of aesthetic ideals. Heian Kyo (City of Peace and Tranquility), was located in Kyoto, surrounded by hills, rivers, and mountains. Within this natural setting lived the Heian nobility, in an atmosphere of elegance, mystery, and androgyny. It was a time when the air was filled with the sound of Buddhist priests chanting sutras, and the fragrance of the finest incense...where elements of Chinese astrology, such as The Book of Changes (I Ching), the yin and yang, Taoism, and Feng Shui were studied and practiced in daily life. Heian society is perhaps best described by the most famous literary women of the Heian Period, Lady Murasaki Shikibu, in The Tale of Genji, and Sei Shonagon, in The Pillow Book.The cover shows the eternal symbol of the yin and yang. A Thousand Years of Love explores the dramatic conflict between the masculine and feminine, played out among the magnificent setting of the Heian world.




American Fiction, 1901-1925


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A 1997 bibliography of American fiction from 1901-1925.




The Movies in the Age of Innocence, 3d ed.


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Upon its original publication in 1962, Edward Wagenknecht's The Movies in the Age of Innocence immediately earned recognition as a classic in the history of early cinema. A tribute to American silent film from the first-person perspective of one who grew up with the medium, the volume surveys the pre-feature and feature era of silent films from a distinctly literary standpoint and considers the careers of directors like D. W. Griffith and Erich von Stroheim, and actors such as Charlie Chaplin, Mary Pickford and Lillian Gish. With nearly 90 illustrations from early films, fan magazines and brochures, indices of film titles and names, and an appendix containing Wagenknecht's otherwise unavailable 1927 pamphlet Lillian Gish: An Interpretation, this third edition retains its significance today.







The Homiletic Review


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