THE SAGA OF NARAVAHANADATTA


Book Description

The setting of the stories is India in the 10th and 11th centuries, when the country was made of many small kingdoms and fiefdoms. There was a profusion of monarchs with dynastic ambitions and a desire for territorial aggrandisement. The king was usually advised by an intelligent and devoted Brahman minister. The heir apparent, the crown prince, had a circle of friends, mostly sons of the king’s ministers, who would be incorporated into the cabinet when the prince would become king. Dynastic intrigue was rife, and matrimonial alliances were often a strategy to expand the kingdom, together with befriending tribal communities to win their support. The kings were invariably polygamous and maintained large harems. The Brihatkatha, or Lord Shiva’s narrative to his wife Parvati, is presumed to confer the power of the celestial Vidyadharas to its readers, ridding them of all their sins and assuring them a place in heaven. The roller-coaster variety of telescoped stories form a complex garland from one narrative to another, with the possibility of losing touch with the main thread. Each story is gripping, quaint, and carries a moral or a message for the reader, who may, instead of reading the book from cover to cover, read the chapters randomly. The book is a treasure chest, a work of art, with its own secret internal geometry as well as myriad fascinating and often amusing stories.




Shiva's Own Story


Book Description

The 'Brihakatha', or Lord Shiva's narrative to his wife Parvati, is featured in Gunadhya's epic composition 'Katha Sarita Sagara' in Sanskrit. Somadeva's adaptation retains the storyline, with Lord Shiva substituting for Lord Kubera, the God of Wealth. C H Tawney, blending pure Hindu mythology with Buddhist and tantric beliefs, translated the story into English as The Ocean of a Story, which runs 12 volumes and includes footnotes. Shiva's Own Story is a condensed version of Tawney's work. The setting of the stories is India in the 10th and 11th centuries, when the country was composed of many small kingdoms and fiefdoms. There was no dearth of monarchs with dynastic ambitions. The king was usually advised by an intelligent and devoted Brahman minister. The heir apparent, the crown prince, had a circle of friends, mostly sons of the king's ministers, who became part of the cabinet when the prince became king. Intrigue was rife and matrimonial alliances were often a strategy to expand the kingdom. In a country where illiteracy is still formidable, storytelling is a means of promoting and propagating religious and moral culture.




The Ocean of Story


Book Description




Folklore


Book Description

Most vols. for 1890- contain list of members of the Folk-lore Society.




Publications


Book Description




Indian Kāvya Literature


Book Description

This volume on the twelfth and thirteenth centuries starts with Vidyakara`s retrospect over anonymous poets (named ones having mostly found their places in earlier volumes). After some smaller anthologies a few novels and Mankhaka`s mythological epic we come to a historical epic. History is the most substantial source of matter for literature in the volume. That might seem to contrast with Vol. Vi, but as literature its aim is always are, not facts which narrows the gap.




Early History of the Deccan


Book Description




A Sanskrit Reader


Book Description




The Friday Book


Book Description

"...The Friday Book was the first work of nonfiction by novelist John Barth, author of The Sot-Weed Factor, Giles Goat-Boy, and Chimera. Taking its title from the day of the week Barth would devote to nonfiction, the three dozen essays discuss a wide range of topics from the blue crabs of Barth's beloved Chesapeake Bay to weighty literary subjects such as Borges, Homer, and semiotics..."--www.amazon.com.




Same-Sex Love in India


Book Description

Same-Sex Love in India presents a stunning array of writings on same-sex love from over 2000 years of Indian literature. Translated from more than a dozen languages and drawn from Hindu, Buddhist, Muslim, and modern fictional traditions, these writings testify to the presence of same-sex love in various forms since ancient times, without overt persecution. This collection defies both stereotypes of Indian culture and Foucault's definition of homosexuality as a nineteenth-century invention, uncovering instead complex discourses of Indian homosexuality, rich metaphorical traditions to represent it, and the use of names and terms as early as medieval times to distinguish same-sex from cross-sex love. An eminent group of scholars have translated these writings for the first time or have re-translated well-known texts to correctly make evident previously underplayed homoerotic content. Selections range from religious books, legal and erotic treatises, story cycles, medieval histories and biographies, modern novels, short stories, letters, memoirs, plays and poems. From the Rigveda to Vikram Seth, this anthology will become a staple in courses on gender and queer studies, Asian studies, and world literature.