The Sagebrusher: A Story of the West


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"Well, some folks has more sense of what's right, anyways," grumbled Wid Gardner, shifting his position on one of the two insecure cracker boxes which made the only chairs, and resting an elbow on the oil cloth table cover, where stood a few broken dishes, showing no signs of any ablution in all their hopeless lives. "My own self, I'm a bachelor man, too—been batching for twenty years, one place and another—but by God! Sim, this here is the human limit. Look at that bed." He kicked a foot toward a heap of dirty fabrics which lay upon the floor, a bed which might once have been devised for a man, but long since had fallen below that rank. It had a breadth of dirty canvas thrown across it, from under which the occupant had crawled out. Beneath might be seen the edges of two or three worn and dirty cotton quilts and a pair of blankets of like dinginess. Below this lay a worn elk hide, and under all a lower-breadth of the over-lapping canvas. It was such a bed as primarily a cow-puncher might have had, but fallen into such condition that no cow camp would have tolerated it. Sim Gage looked at the heap of bedding for a time gravely and carefully, as though trying to find some reason for his friend's dissatisfaction. His mouth began to work as it always did when he was engaged in some severe mental problem, but he frowned apologetically once more as he spoke. "Well, Wid, I know, I know. It ain't maybe just the thing to sleep on the floor all the time, noways. You see, I got a bunk frame made for her over there, and it's all tight and strong—it was there when I took this cabin over from the Swede. But I ain't never just got around to moving my bed offen the floor onto the bedstead. I may do it some day. Fact is, I was just a-going to do it anyways." "Just a-going to—like hell you was! You been a-going to move that bed for four years, to my certain knowledge, and I know that in that time you ain't shuk it out or aired it onct, or made it up."




The Sagebrusher


Book Description

In this novel from renowned writer of Westerns Emerson Hough, an unlikely romance springs up between a Montana rancher and a well-meaning young woman from the East when friends of the rancher place an ad in the era's newspaper equivalent of a dating website. The match is made, but it turns out to be a poor fit for everyone involved.




Bulletin


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British Books


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The Publishers Weekly


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"A" Western Filmmakers


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From High Noon to Unforgiven, the "A" Western represents the pinnacle of Western filmmaking. More intellectual, ambitious, and time-consuming than the readily produced "B" or serial Westerns, these films rely on hundreds of talented artists. This comprehensive reference work provides biographies and Western filmographies for nearly 1,000 men and women who have contributed to at least three "A" Westerns. These contributors are arranged by their role in film production. Cinematographers, composers, actors, actresses, and directors receive complete biographical treatment; writers whose work was used in at least two Westerns are also featured. An appendix lists well-known actors who have appeared in either one or two "A" Westerns, as specified.







The United States Catalog


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