The Sandbox and the Death of Bessie Smith
Author : Edward Albee
Publisher :
Page : 96 pages
File Size : 28,41 MB
Release : 2012-07
Category :
ISBN : 9781258428327
Author : Edward Albee
Publisher :
Page : 96 pages
File Size : 28,41 MB
Release : 2012-07
Category :
ISBN : 9781258428327
Author : Edward Albee
Publisher :
Page : 0 pages
File Size : 40,39 MB
Release : 1960
Category :
ISBN :
Author : Edward Albee
Publisher : Signet
Page : 96 pages
File Size : 37,61 MB
Release : 1963-10-01
Category :
ISBN : 9780451128300
Author : Edward Albee
Publisher : New Amer Library
Page : 96 pages
File Size : 19,44 MB
Release : 1988
Category : Drama
ISBN : 9780452260832
Two modern plays explore the spiritual and tragic aspects of the human struggle with death
Author :
Publisher :
Page : 96 pages
File Size : 17,8 MB
Release : 1900
Category :
ISBN :
Author : Edward Albee
Publisher :
Page : 0 pages
File Size : 49,38 MB
Release : 1989-12
Category :
ISBN : 9780317028102
Author : Anita Stenz
Publisher : Walter de Gruyter
Page : 161 pages
File Size : 35,62 MB
Release : 2012-01-02
Category : Literary Criticism
ISBN : 3110803070
Author : Ed Hooks
Publisher : Back Stage Books
Page : 338 pages
File Size : 43,45 MB
Release : 2007-10-16
Category : Performing Arts
ISBN : 0823099490
All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. This unique format is ideal for acting teachers who want their students to understand each monologue in context. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book also includes the author’s own assessment of each monologue.
Author : Barbara L. Horn
Publisher : Bloomsbury Publishing USA
Page : 339 pages
File Size : 16,73 MB
Release : 2003-12-30
Category : Art
ISBN : 0313052611
This volume documents the life and works of the acclaimed playwright, Edward Albee. His first four plays were all produced Off Broadway from 1960-1961, creating buzz that he was an up-and-coming avant-garde playwright. But his most notable accomplishment came a year later with his first full-length play, Who's Afraid of Virginia Woolf?. His plays were linked with the philosophies of the European absurdists, Beckett and Ionesco, and the American traditional social criticism of Arthur Miller, Tennessee Williams, and Eugene O'Neill. Intended to serve as a quick reference guide and an exhaustive resource, this collection includes play synopses and critical overviews, production histories and credits, and locator suggestions on unpublished archival material and lists of texts/anthologies that have published Albee's material. The two secondary bibliographies contained within are fully annotated chronologically and alphabetically with the year of publication, presenting a fuller sense of Albee's playwriting career.
Author : Matthew Roudané
Publisher : Cambridge University Press
Page : pages
File Size : 10,9 MB
Release : 2017-08-07
Category : Drama
ISBN : 1108394086
Edward Albee (1928–2016) was a central figure in modern American theatre, and his bold and often experimental theatrical style won him wide acclaim. This book explores the issues, public and private, that so influenced Albee's vision over five decades, from his first great success, The Zoo Story (1959), to his last play, Me, Myself, & I (2008). Matthew Roudané covers all of Albee's original works in this comprehensive, clearly structured, and up-to-date study of the playwright's life and career: in Part I, the volume explores Albee's background and the historical contexts of his work; Part II concentrates on twenty-four of his plays, including Who's Afraid of Virginia Woolf? (1962); and Part III investigates his critical reception. Surveying Albee's relationship with Broadway, and including interviews conducted with Albee himself, this book will be of great importance for theatregoers and students seeking an accessible yet incisive introduction to this extraordinary American playwright.