The Irish Naturalist


Book Description




Irish Travel Writing


Book Description

Covering all aspects of travel since the 12th century, this guide provides a reference on Irish travel literature. The book also examines the tradition and content of tourist guides to Ireland. The information included ranges from diary-accounts of journeys undertaken through the country and towns of Ireland, written for the information of others, to private writings, such as the 17th-century account by Mary Granville of her journey to Galway. There are also excerpts from the journals and letters of historical figures, such as John Wesley and Mary Wollstonecraft. Furthermore, the author has added to the bibliographical data for each entry wherever possible, indicating the itinerary followed by the writer in question.










The Fairy-faith in Celtic Countries


Book Description

In this study, which is first of all a folk-lore study, we pursue principally an anthropo-psychological method of interpreting the Celtic belief in fairies, though we do not hesitate now and then to call in the aid of philology; and we make good use of the evidence offered by mythologies, religions, metaphysics, and physical sciences.







The Round Towers of Ireland


Book Description

Reproduction of the original: The Round Towers of Ireland by Henry O ́Brien










Ruling Culture


Book Description

"A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be "the world's greatest cultural power." Why do Italians believe this? Why is the patria, or "homeland," so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? Fiona Greenland's Ruling Culture addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--