The Semiotic Web 1989
Author : Thomas A. Sebeok
Publisher : Walter de Gruyter
Page : 813 pages
File Size : 25,56 MB
Release : 2011-10-13
Category : Language Arts & Disciplines
ISBN : 3110874091
Author : Thomas A. Sebeok
Publisher : Walter de Gruyter
Page : 813 pages
File Size : 25,56 MB
Release : 2011-10-13
Category : Language Arts & Disciplines
ISBN : 3110874091
Author : Thomas A. Sebeok
Publisher : Walter de Gruyter
Page : 869 pages
File Size : 16,44 MB
Release : 2010-10-06
Category : Language Arts & Disciplines
ISBN : 3110868385
The Semiotic Web 1987 (Approaches to Semiotics).
Author : Thomas A. Sebeok
Publisher : Walter de Gruyter GmbH & Co KG
Page : 512 pages
File Size : 44,52 MB
Release : 2020-09-23
Category : Language Arts & Disciplines
ISBN : 3110871386
No detailed description available for "The Semiotic Web 1991: Biosemiotics".
Author : Thomas A. Sebeok
Publisher : Walter de Gruyter GmbH & Co KG
Page : 744 pages
File Size : 42,80 MB
Release : 2018-07-12
Category : Language Arts & Disciplines
ISBN : 3110861313
Author : Thomas A. Sebeok
Publisher : Walter de Gruyter GmbH & Co KG
Page : 568 pages
File Size : 21,96 MB
Release : 2019-11-05
Category : Language Arts & Disciplines
ISBN : 3110851806
No detailed description available for "The Semiotic Web 1990: Recent Developments in Theory and History".
Author : Clarisse Sieckenius De Souza
Publisher : MIT Press
Page : 318 pages
File Size : 25,27 MB
Release : 2005
Category : Computers
ISBN : 9780262042208
A theory of HCI that uses concepts from semiotics and computer science to focus on the communication between designers and users during interaction. In The Semiotic Engineering of Human-Computer Interaction, Clarisse Sieckenius de Souza proposes an account of HCI that draws on concepts from semiotics and computer science to investigate the relationship between user and designer. Semiotics is the study of signs, and the essence of semiotic engineering is the communication between designers and users at interaction time; designers must somehow be present in the interface to tell users how to use the signs that make up a system or program. This approach, which builds on--but goes further than--the currently dominant user-centered approach, allows designers to communicate their overall vision and therefore helps users understand designs--rather than simply which icon to click. According to de Souza's account, both designers and users are interlocutors in an overall communication process that takes place through an interface of words, graphics, and behavior. Designers must tell users what they mean by the artifact they have created, and users must understand and respond to what they are being told. By coupling semiotic theory and engineering, de Souza's approach to HCI design encompasses the principles, the materials, the processes, and the possibilities for producing meaningful interactive computer system discourse and achieves a broader perspective than cognitive, ethnographic, or ergonomic approaches. De Souza begins with a theoretical overview and detailed exposition of the semiotic engineering account of HCI. She then shows how this approach can be applied specifically to HCI evaluation and design of online help systems, customization and end-user programming, and multiuser applications. Finally, she reflects on the potential and opportunities for research in semiotic engineering.
Author : Roland Posner
Publisher : Walter de Gruyter
Page : 550 pages
File Size : 27,93 MB
Release : 2004
Category : Language Arts & Disciplines
ISBN : 3110179628
This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction. For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an verview and orientation. To attain these objectives, the series will aim for a standard comparable to that of the leading handbooks in other disciplines, and to this end will strive for comprehensiveness, theoretical explicitness, reliable documentation of data and findings, and up-to-date methodology. The editors, both of the series and of the individual volumes, and the individual contributors, are committed to this aim. The languages of publication are English, German, and French. The main aim of the series is to provide an appropriate account of the state of the art in the various areas of linguistics and communication science covered by each of the various handbooks; however no inflexible pre-set limits will be imposed on the scope of each volume. The series is open-ended, and can thus take account of further developments in the field. This conception, coupled with the necessity of allowing adequate time for each volume to be prepared with the necessary care, means that there is no set time-table for the publication of the whole series. Each volume will be a self-contained work, complete in itself. The order in which the handbooks are published does not imply any rank ordering, but is determined by the way in which the series is organized; the editor of the whole series enlist a competent editor for each individual volume. Once the principal editor for a volume has been found, he or she then has a completely free hand in the choice of co-editors and contributors. The editors plan each volume independently of the others, being governed only by general formal principles. The series editor only intervene where questions of delineation between individual volumes are concerned. It is felt that this (modus operandi) is best suited to achieving the objectives of the series, namely to give a competent account of the present state of knowledge and of the perception of the problems in the area covered by each volume.
Author : Ignasi Ribó
Publisher : Open Book Publishers
Page : 119 pages
File Size : 12,52 MB
Release : 2019-12-13
Category : Education
ISBN : 1783748125
This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.
Author : Louis Hébert
Publisher : Routledge
Page : 355 pages
File Size : 45,31 MB
Release : 2019-11-28
Category : Literary Criticism
ISBN : 1000760596
An Introduction to Applied Semiotics presents nineteen semiotics tools for text and image analysis. Covering a variety of different schools and approaches, together with the author’s own original approach, this is a full and synthetic introduction to semiotics. This book presents general tools that can be used with any semiotic product. Drawing on the work of Fontanille, Genette, Greimas, Hébert, Jakobson, Peirce, Rastier and Zilberberg, the tools deal with the analysis of themes and action, true and false, positive and negative, rhythm narration and other elements. The application of each tool is illustrated with analyses of a wide range of texts and images, from well-known or distinctive literary texts, philosophical or religious texts or images, paintings, advertising and everyday signs and symbols. Each chapter has the same structure – summary, theory and application, making it ideal for course use. Covering both visual and textual objects, this is a key text for all courses in semiotics and textual analysis within linguistics, communication studies, literary theory, design, marketing and related areas.
Author : Crystal L. Downing
Publisher : InterVarsity Press
Page : 342 pages
File Size : 41,89 MB
Release : 2012-05-15
Category : Religion
ISBN : 083086685X
Crystal Downing brings the postmodern theory of semiotics within reach for today's evangelists. Following the idea of the sign through Scripture, church history and the academy, Downing shows you how signs work and how sensitivity to their dynamics can make or break an attempt to communicate truth.