The Sequel Superior


Book Description

The Sequel Superior By: Edward K. Eckhart-Zinn Edward K. Eckhart-Zinn believes strongly that the age of internet criticism has led to a new path of viewing film and television, or by the encompassing terminology, “screen work”. A healthy array of screen work subjects are covered in The Sequel Superior, from the serialization of film through franchises like Star Wars or the MCU, to the overlooked impact your personal life has on any constructed artworks, exploring just how massive and engaged that link is. This book is equally for creators and critics alike, bringing new light to conceptually finding “objective factors” in “subjective artistry”. Screen works of all kinds are heavily dissected on this figurative operating table, such as Rick and Morty, Breaking Bad, The Simpsons, and the Star Wars sequel trilogy. The modern screen work climate is anatomically deconstructed to render an almost scientific schematic, breaking down elements such as tropes, hype, plot threads, plot holes, the fairly new presence of the internet, fandom, fan fiction, fanfare, the benefits of an animated medium, rosy retrospection, nostalgia, and all of their respective effects to generate the take o the current-day media environment. Instead of retreading the continued deconstruction of such antique masterpieces like Casablanca or The Shining, we instead immerse ourselves in the less respected yet extremely popular “popcorn movie” and attempt to understand why the highest grossing films for the last ten years have all been sequel installments. This book posits that there truly are right ways and wrong ways of making this artwork, and the consumer, critic, and creator can all benefit greatly from its perspectives.













Ore-deposits


Book Description




Superior


Book Description

Twelve-year-old Simon Pooni was a normal kid with a great life, until multiple sclerosis hit. He lost the ability to walk, went blind in one eye and sometimes could barely speak. Every night, Simon would pray his multiple sclerosis somehow would go away. "Somehow" turned out to be a magic monkey named Orman, who granted Simon one wish. And with that, Simon stood transformed into a real-life version of Superior, the legendary comic-book hero. Simon spent one glorious week saving those in need, averting natural disasters - becoming the most-beloved man on the planet. But Orman ominously cautioned Simon all would be explained in one week. Will Simon be forced to go back to life in a wheelchair after being the world's greatest hero? Faced with adversity, will he prove himself to truly be...Superior? Collecting SUPERIOR #1-7.




Second Series. Cases Decided in the Court of Session from Nov. 13, 1838 ... (to July 19, 1862;-vol. 10-12; in the Court of Session, Teind Court and Court of Exchequer, from July 20, 1848:-vol. 13-24; in the Court of Session, Teind Court, Court of Exchequer and House of Lords, from Nov. 13, 1850). Reported Vol. 1-3 by Alexander Dunlop and Others; Vol. 4-8, by J. M. Bell and Others; Vol. 9, 10, by John Murray and Others; Vol. 11, 12, by George Young and Others; Vol. 13-15, by H. L. Tennent and Others; Vol. 16-19, by Patrick Fraser and Others; Vol. 20-23, by J. S. Milne and Others; Vol. 24, by Norman Macpherson and Others , Etc


Book Description










Victims and Perpetrators: 1933-1945


Book Description

This volume examines the politics of history and memory in Germany today through a review and analysis of seminal developments in the current discourse on 1933 – 1945. An interdisplicinary work, this book examines questions of representing the past from the perspective of literary studies, social psychology, film studies, history, and cultural studies. Themes include transgenerational memory and remembrance, the air war and German literature, commemoration and silences, transnational reconciliation, and historical consciousness in the German present. The collected essays make clear that as the current discourse contributes toward an historically informed, differentiated understanding of individuals’ roles in the Third Reich and World War Two, victim and perpetrator identities cannot be defined as exclusive from one another. The discourse emphasizes personal over collective experience and answers questions of responsibility and guilt on the individual level.