Philadelphia's 1926 Sesqui-Centennial International Exposition


Book Description

In 1926, the city of Philadelphia hosted the Sesqui-Centennial International Exposition to honor the 150th anniversary of American independence. The exposition featured four major exhibition palaces where innovations and advancements in science, technology, education, industry, and agriculture were displayed. An additional fifth palace was dedicated to the fine arts, and foreign nations and individual states erected their own buildings as well. The expositions theme of patriotism was showcased through the re?created High Street of 1776, a favorite for many. Visitors were also entertained and delighted as they experienced areas known as Treasure Island and the Gladway, where all manner of amusements abounded. Crowds were drawn to the many sporting and cultural events held in the newly built stadium. Even the grounds of the navy yard were opened to the public, allowing citizens views of historic and modern naval vessels and military exhibits. By these offerings, and many others, the Sesqui-Centennial International Exposition celebrated the nations past, present, and future.







Philadelphia's 1926 Sesqui-Centennial International Exposition


Book Description

In 1926, the city of Philadelphia hosted the Sesqui-Centennial International Exposition to honor the 150th anniversary of American independence. The exposition featured four major exhibition palaces where innovations and advancements in science, technology, education, industry, and agriculture were displayed. An additional fifth palace was dedicated to the fine arts, and foreign nations and individual states erected their own buildings as well. The expositions theme of patriotism was showcased through the re?created High Street of 1776, a favorite for many. Visitors were also entertained and delighted as they experienced areas known as Treasure Island and the Gladway, where all manner of amusements abounded. Crowds were drawn to the many sporting and cultural events held in the newly built stadium. Even the grounds of the navy yard were opened to the public, allowing citizens views of historic and modern naval vessels and military exhibits. By these offerings, and many others, the Sesqui-Centennial International Exposition celebrated the nations past, present, and future.







Sesqui!


Book Description

In 1916, Philadelphia department-store magnate John Wanamaker launched plans for a Sesqui-Centennial International Exposition in 1926. It would be a magnificent world's fair to celebrate the 150th anniversary of the Declaration of Independence. The “Sesqui” would also transform sooty, industrial Philadelphia into a beautiful Beaux Arts city. However, when the Sesqui opened on May 31, 1926, in the remote, muddy swamps of South Philadelphia, the fair was unfinished, with a few shabbily built and mostly empty structures. Crowds stayed away in droves: fewer than five million paying customers attended, costing the city millions of dollars. Philadelphia became a national scandal—a city so corrupt that one political boss could kidnap an entire world’s fair. In his fascinating history Sesqui!, noted historian Thomas Keels situates this ill-fated celebration—a personal boondoggle by the all-powerful Congressman William S. Vare—against the transformations taking place in America during the 1920s. Keels provides a comprehensive account of the Sesqui as a meeting ground for cultural changes sweeping the country: women’s and African-American rights, anti-Semitism, eugenics, Prohibition, and technological advances.




World of Fairs


Book Description

In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.




So-Called Dollars


Book Description

When So-Called Dollars was published it was the first, and it is still the only book to deal comprehensively with its subject matter. The book begins with the legendary Erie Canal Completion issues of 1826 and proceeds to catalog 135 years of the Golden Age of American history, all the way up to 1961. Although there have been many propositions for reviving the book over the years, none were more than theoretical musings until two collectors, Tom Hoffman of Crystal Lake, IL and Jonathan Brecher of Cambridge, MA set the process in motion. They have been joined by two others, Dave Hayes and John Dean, to produce a remarkable new edition, of the sort that can only be the product of dedicated hobbyists who love their subject and see it as their obligation to share with others the knowledge gained from years of collecting. While the second edition holds true to the original in basic style and in substance, prices have skyrocketed and it offers much that is new. There are many more illustrations than in the first edition. In fact, virtually every type is now represented by a photograph. More historical information for the issues is presented in the text, which has been further expanded with additional listings of both previously unknown metal varieties and totally new items. The size of each item is now given in mm rather than in 16ths of an inch as in the 1963 edition. Each issue has been assigned a rarity rating of from R-1, indicating more than 5,000 known, to R-10, meaning unique. In addition, a loose-leaf price guide included in each book at no additional charge. The index has been expanded to include references to more subjects and places. Finally, there is a section of color plates. The Hibler & Kappen book remains the standard reference work on the subject with its HK numbers an instantly recognizable means of cataloging and identification.







Negro Building


Book Description

Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.