The Shuberts and Their Passing Shows


Book Description

The Shubert name has been synonymous with Broadway for almost as long as Broadway entertainment itself. With seventeen Broadway theatres including the Ambassador, the Music Box, and the Winter Garden, The Shubert Organization perpetuates brothers Lee and Jacob Shubert's business legacy. In The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals, author Jonas Westover investigates beyond the Shuberts' business empire into their early revues and the centrifugal role they played in developing American theatre as an art form. The Shubert-produced revues, titled Passing Shows, were terrifically popular in the teens and twenties, consistently competing with Florenz Ziegfeld's Follies for the greatest numbers of stars, biggest spectacles, and ultimately the largest audiences. The Shuberts and Their Passing Shows is the first-ever book to unpack the colorful history of the productions, delving into their stars, costumes, stagecraft, and orchestration in unprecedented detail. Providing a fresh and exciting window into American theatrical history, Westover traces the fascinating history of the Shuberts' revue series, presented annually from 1912-1924, and covers more broadly the glorious days of early Broadway. In addition to its compelling history of Broadway's Golden Age, The Shuberts and Their Passing Shows also provides a revisionary argument about the overarching history of the revue. Bolstered by a rich collection of documents in the Shubert Theater Archive, Westover argues against the popular misconception that the Shubert's competitor, producer Florenz Ziegfield - responsible for the better-known Follies - was the sole proprietor of Broadway audiences. As Westover proves, not only were the Passing Shows as popular as the Follies but also a key component in a history of the revue that is vastly more complex than previous scholarship has shown. The Shuberts and Their Passing Shows brings to fruition years of original research and invaluable insights into the gilded formation of present day Broadway.




The Shuberts and Their Passing Shows


Book Description

The Shubert name has been synonymous with Broadway for almost as long as Broadway entertainment itself. In The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals, author Jonas Westover investigates beyond the Shuberts' business empire into their early revues and the centrifugal role they played in developing American theatre as an art form.




Mr. Broadway


Book Description

Mr. Broadway was completed just one month before Gerald Schoenfeld's death in 2008 at the age of 84. Bringing the reader backstage, the long-term chairman of the Shubert Organization shares his triumphs and failures, sings praise, and settles scores. He recounts nightmarish tales of the Shuberts, themselves – the meanness of Lee, the madness of JJ, the turmoil surrounding John's personal life, and the drunken ineptitude of Lawrence Shubert Lawrence, Jr., the man who succeeded them and nearly brought the Shubert legacy to an ignominious end. An active participant in that legacy for over 50 years, Schoenfeld describes how he and his partner, Bernie Jacobs, saved the Shubert Organization, bringing some of Broadway's greatest hits to the stage – from A Chorus Line, Equus, and Amadeus to Pippin, Les Misérables, Evita, Cats, The Phantom of the Opera, Godspell, Ain't Misbehavin', Dreamgirls, Dancin', Sunday in the Park with George, The Life and Adventures of Nicholas Nickleby, Glengarry Glen Ross, The Heidi Chronicles, The Gin Game, Miss Saigon, and Chess.




The Shuberts of Broadway


Book Description

With the founding of the Shubert Organization some ninety years ago, the Shubert brothers set the stage for Broadway as we know it today. Indeed, their name has become virtually synonymous with the Great White Way. The heart of Manhattan's theatre district--Forty-forth and Forty-fifth Streets between Broadway and Eighth Avenue--is lined with monuments to their extraordinary careers, including the Imperial, Majestic, Booth, Plymouth, and Broadhurst theatres and, of course, Shubert Alley itself. Legendary for their eccentric behavior and their uncanny ability to turn a profit even during the industry's toughest times, the Shuberts are part and parcel of Broadway's colorful lore. In The Shuberts of Broadway, Brooks McNamara combs the holdings of the newly created Shubert Archive--a remarkable collection of some four million papers, playbills, architectural plans, photographs, press clips, scripts, costume designs, letters, and other Shubert memorabilia--to re-create the lives of Sam, Lee, and J. J. Shubert. In lively prose and more than 200 fully captioned illustrations, McNamara follows the Shuberts from their early years, when the teen-aged Sam became head of the box office at the Wieting Theatre in downtown Syracuse, through the building of their empire and the Broadway boom of the 1920s (when the Shuberts owned or operated 104 theatres and booked nearly a thousand more), and on to their last days, when their producing careers ended amid controversy. We see the often-stormy relations among the frail, charismatic Sam (who died in a train crash in 1905), the aloof Lee (dubbed "The Wooden Indian"), and their mercurial brother J.J., and their collective, continual battle against the Syndicate that dominated the theatre scene. Here we learn the real stories behind the popular entertainment that rolled off their theatrical assembly line and earned them fame: La Belle Paree, which featured Al Jolson at the Winter Garden; The Passing Show, a "girlie" revue that was full of such talents as Ed Wynn, Fred and Adele Astaire, George Jessel, and a chorus girl named Lucille Le Sueur, who later became known as Joan Crawford; Blossom Time, one of operetta's greatest hits; and The Student Prince, a theatrical bonanza composed by the great Sigmund Romberg. Filled with real-life plots, intrigues, and characters that capture the imagination, the story of the Shuberts is every bit as entertaining as the Broadway they helped to create.




The Passing Show


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The Big Parade


Book Description

Though Meredith Willson is best remembered for The Music Man, there is a great deal more to his career as a composer and lyricist. In The Big Parade, author Dominic McHugh uses newly uncovered letters, manuscripts, and production files to reveal Willson's unusual combination of experiences in his pre-Broadway career that led him to compose The Music Man.




Marquee


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The Billboard


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The Independent


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My Wonderful World Of Slapstick


Book Description

Over half century ago the society for the Prevention of Cruelty to Children complained to Mayor Van Wyck, of New York, that Joe Keaton, a vaudeville actor, was brutally mistreating his five-year old son. At each afternoon and evening performance the child, billed as “The Human Mop”, was slammed on the floor, hurled into the wings, and sometimes banged into bass drums. Unable to find a bruise or scratch on the lad, Mayor Van Wyck refused to ban the act. The “Human Mop” bounced on to worldwide fame as Buster Keaton, one of this century’s greatest comedians. In this intimate autobiography Buster Keaton tells his whole personal and professional story, beginning with his colourful and exciting childhood as the undentable tot in the “Three Keatons” whose proudest boast was having the rowdiest, roughest act in vaudeville. Buster has played with all the great ones, from George M. Cohen and Bojangles Robinson and Al Jolson to Jack Paar and Ed Sullivan and Red Skelton, during his sixty years as a star in vaudeville, silent and talking pictures, night clubs and television. Roscoe (Fatty) Arbuckle got him into the movies and taught him how to throw a custard pie. Buster could not even keep slapstick out of his eleven months as a draftee in our World War I army. He came out to help create the Golden Age of Comedy with his friends Charlie Chaplin, Harold Lloyd, Arbuckle, Mack Sennett and the Keystone Cops. Marital troubles and alcoholism once got Buster down, but could not keep him down. MY WONDERFUL WORLD OF SLAPSTICK was written with the collaboration of Charles Samuels, co-author of His Eye Is On the Sparrow, Ethel Waters’ best-selling autobiography. Buster Keaton’s Life Story will enchant and thrill all those who enjoy looking past the glitter and the grease paint into a magnificent performer’s mind and heart.