The Spanish Civil War in Literature


Book Description

Few events have stirred the emotions and caught the imaginations of intellectuals as did the Spanish Civil War of 1936-39. The Spanish Civil War in Literature examines the diverse literatures that the war inspired: a literature relating directly to the war, a literature of exile arising from the forty-year dictatorship of Francisco Franco, and a polemical literature embracing pro-Franco and Loyalist sympathies.In this book, specialists from a variety of fields explore these literatures within comparative and interdisciplinary frameworks. They reflect upon film, poetry, novels, painting, discourse, biography, and propaganda. The essays are grouped according to the original languages of the works they discuss—French, Russian, English, and Spanish.




The Fifth Column


Book Description

Featuring Hemingway's only full-length play, The Fifth Column and Four Stories of the Spanish Civil War brilliantly evokes the tumultuous Spain of the 1930s. These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it. He provides unique insight into how the city itself and the people within it functioned during this time of war. Through love, hate, fear, and brutality, Hemingway explores the complexities that times of war contain in his famed powerful prose.




Mosaic Fictions


Book Description

Mosaic Fictions reveals the tensions between national and global affiliations in Spanish Civil War literature, highlighting writers such as Leonard Cohen, Dorothy Livesay, and Mordecai Richler.




Davita's Harp


Book Description

For Davita Chandal, growing up in New York in the 1930s and '40s is an experience of indescribable joy—and unfathomable sadness. Her loving parents, both fervent radicals, fill her with the fiercely bright hope for a new, better world. But the deprivations of war and the Depression take their ruthless toll. And Davita, unexpectedly, finds in the Jewish faith that her mother had long ago abandoned both a solace to her questioning inner pain and a test of her budding spirit of independence. To her, life's elusive possibilities for happiness, for fulfillment, for decency, become as real and resonant as the music of the small harp that hangs on her door, welcoming all guests with its sweet, gentle tones. Praise for Davita's Harp “Rich . . . enchanting . . . [Chaim] Potok's bravest book.”—The New York Times Book Review “It is an enormous pleasure to sink into such a rich . . . solidly written novel. The reader knows from the first few pages that he is in the hands of a sure professional who won't let him down.”—People “Engrossing . . . Filled with a host of richly drawn characters. Potok is a master storyteller.”—Chicago Tribune “Gripping and intriguing . . . A well-told tale that needed telling.”—The Philadelphia Inquirer




The Spanish Civil War


Book Description




More Writers of the Spanish Civil War


Book Description

Further to the first book, Writers of the Spanish Civil War, on the war writing by some British and American authors, this second one studies the relevant work by eight more foreign authors: Virginia Woolf, John Dos Passos, Franz Borkenau, V. S. Pritchett, André Malraux, Arthur Koestler, Martha Gellhorn and Peter Kemp.




The Novel of the Spanish Civil War (1936-1975)


Book Description

This is a major English study of the novels of the Spanish Civil War. The book is based on an analysis of some eighty Spanish novels, written in Spain and abroad (in exile) during the Franco period (1936-1975), in which the Civil War is the major theme.




The Spanish Civil War in Literature, Film, and Art


Book Description

This bibliography is the first attempt to establish a comprehensive list of secondary material relating to the Spanish Civil War in literature, film, and art. It includes books, articles, and chapters in a wide range of languages, including Spanish, English, Russian, French, German, and Italian. Monteath begins the work with an introductory essay surveying the breadth of the scholarship on the cultural manifestations of the war, which he places in its broader cultural-historical context. The bibliography is organized alphabetically within sections devoted to literature, film, and art, and a general subject index completes the work. Anyone interested in the fiction of Hemingway, the film of Ivens, the art of Picasso, and many of the key figures in Western culture of the 1930s will find this work of value.