The North American Review


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The Best Vampire Stories 1800-1849


Book Description

In this International Book Awards anthology finalist, the best vampire short stories from the first half of the 19th century are unearthed from long forgotten journals and magazines. They are collected for the first time in this groundbreaking book on the origins of vampire lore. Watch the book trailer: www.AndrewBarger.com/bestvampirestories1800.html The cradle of all vampire short stories in the English language is the first half of the 19th century. Andrew Barger combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, Andrew found the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu. As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including story backgrounds, author photos and a foreword titled "With Teeth." The ground-breaking stories are: 1819 The Vampyre - John Polidori (1795-1821) 1823 Wake Not the Dead - Ernst Raupach 1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870) 1839 Strange Event in the Life of Schalken the Painter - Joseph Sheridan le Fanu (1814-1873) 1826 Pepopukin in Corsica - Arthur Young (1741-1820) 1819 The Black Vampyre: A Legend of Saint Domingo - Robert Sands (1799-1832) 1836 Clarimonde - Théophile Gautier (1811-1872)




Criminal Justice During the Long Eighteenth Century


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This book applies three overlapping bodies of work to generate fresh approaches to the study of criminal justice in England and Ireland between 1660 and 1850. First, crime and justice are interpreted as elements of the "public sphere" of opinion about government. Second, "performativity" and speech act theory are considered in the context of the Anglo-Irish criminal trial, which was transformed over the course of this period from an unmediated exchange between victim and accused to a fully lawyerized performance. Thirdly, the authors apply recent scholarship on the history of emotions, particularly relating to the constitution of "emotional communities" and changes in "emotional regimes".