The "Sports Et Divertissements" of Erik Satie
Author : Andrew Cooperstock
Publisher :
Page : 63 pages
File Size : 21,58 MB
Release : 1988
Category : Sports
ISBN :
Author : Andrew Cooperstock
Publisher :
Page : 63 pages
File Size : 21,58 MB
Release : 1988
Category : Sports
ISBN :
Author : Andrew Bryan Cooperstock
Publisher :
Page : 63 pages
File Size : 14,31 MB
Release : 1988
Category :
ISBN :
Author : Erik Satie
Publisher : Courier Corporation
Page : 50 pages
File Size : 49,61 MB
Release : 1982-01-01
Category : Music
ISBN : 0486243656
This is a facsimile of an extremely rare, limited collection of the French master's brilliant verbal and musical sketches of various outdoor sports and amusements, written to accompany Charles Martin's drawings.
Author : Mary E. Davis
Publisher : Reaktion Books
Page : 180 pages
File Size : 37,84 MB
Release : 2007-06-15
Category : Biography & Autobiography
ISBN : 9781861893215
A cogent and informative portrait, Erik Satie upends the accepted history of modernist music and restores the composer to his rightful pioneering status.
Author : Caroline Potter
Publisher : Boydell & Brewer
Page : 305 pages
File Size : 28,67 MB
Release : 2016
Category : Art and music
ISBN : 1783270837
Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris.
Author : Caroline Potter
Publisher : Routledge
Page : 403 pages
File Size : 47,75 MB
Release : 2016-05-13
Category : Music
ISBN : 1317141784
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author : Caroline Potter
Publisher : Routledge
Page : 368 pages
File Size : 30,63 MB
Release : 2016-05-13
Category : Music
ISBN : 1317141792
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author : Mary E. Davis
Publisher : Univ of California Press
Page : 353 pages
File Size : 30,90 MB
Release : 2008-05-13
Category : Art
ISBN : 0520256212
The arts.
Author : Helen Julia Minors
Publisher : Bloomsbury Publishing
Page : 217 pages
File Size : 37,25 MB
Release : 2023-10-05
Category : Language Arts & Disciplines
ISBN : 1350175757
How is music affected by its translation, interpretation and adaptation with, through, and by dance? How might notation of dance and music act as a form of translation? How does music influence the creation of dance? How might dance and music be understood to exchange and transfer their content, sense and process during both the creative process and the interpretative process? Bringing together chapters that explore theory and practice, this book questions the process and role translation has to play in the context of music and dance. It provides a range of case studies across this interdisciplinary field, and is not restricted by genre, style or cultural location. As one of very few volumes to explore translation in relation to music and to overtly tackle this topic in terms of dance, it moves the argument from a broad notion of text and translation, to think critically about the sound and movement arts of music and dance, using translation as a model to better understand the collaboration of these art forms.
Author : Diane V. Silverthorne
Publisher : Bloomsbury Publishing USA
Page : 305 pages
File Size : 24,88 MB
Release : 2018-10-18
Category : Art
ISBN : 1501330152
Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the “isms” of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.