The Standing Rock Portraits


Book Description

* Powerful photographic portraits of Fort Yates Native Americans in the early years of the 20th century, and an astonishing historical document* Attractively-priced gift book editionOver 100 years ago Frank Bennett Fiske (1883-1952) photographed members of the Standing Rock Native American community at Fort Yates, North Dakota, where he was born. The men and women he portrayed were his friends and neighbors who were living on the reservation. These images, created with a large studio camera on glass negatives, are notable for their depth and clarity. The negatives were recently rediscovered, and have rarely been displayed. Photographer and graphic designer Murray Lemley, also from North Dakota, curated this selection of images to introduce Fiske's work to the wider public. They are published here in an attractively-priced gift edition. "These pictures show a historical and artistic vision of proud people in a difficult transitional period. The glass negatives of Frank Fiske are a sumptuous source of information and understanding." - Rod Slemmons, American photography expert.




Our History Is the Future


Book Description

Awards: One Book South Dakota Common Read, South Dakota Humanities Council, 2022. PEN Oakland/Josephine Miles Literary Award, PEN America, 2020. One Book One Tribe Book Award, First Nations Development Institute, 2020. Finalist, Stubbendieck Great Plains Distinguished Book Prize, 2019. Shortlist, Brooklyn Public Library Literary Prize, 2019. Our History Is the Future is at once a work of history, a personal story, and a manifesto. Now available in paperback on the fifth anniversary of its original publication, Our History Is the Future features a new afterword by Nick Estes about the rising indigenous campaigns to protect our environment from extractive industries and to shape new ways of relating to one another and the world. In this award-winning book, Estes traces traditions of Indigenous resistance leading to the present campaigns against fossil fuel pipelines, such as the Dakota Access Pipeline Protests, from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan “Mni Wiconi”—Water Is Life—was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even with the encampment gone, their anti-colonial struggle would continue. While a historian by trade, Estes draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires) and his own family’s rich history of struggle.




The Indians of To-day


Book Description




Northern Plains Native Americans


Book Description

Foreword : Aóhanziyapi / Shadow, reflection and soul -- Preface : ANawáh wetUstaknuéi /Hello, it's a good day -- Introduction : Shane Balkowitsch understanding the modern wet plate perspective -- The studio : Nostalgic glass North Light studio -- Ambrotypes : the photographs -- Appendix : Archiving the images / State Historical Society of North Dakota.




Beyond the Reach of Time and Change


Book Description

Presents a comprehensive collection of one hundred black-and-white images of Native American leaders made by Frank A. Rinehart from 1898 to 1900, and includes fourteen essays which reflect upon those photographs from writers, educators, and descendents of those individuals.




Standoff


Book Description

"A powerful, illuminating book." —LOUISE ERDRICH, author of The Night Watchman Native young people and elders pray in sweat lodges at the Océti Sakówin camp, the North Dakota landscape outside blanketed in snow. In Oregon, white men and women in army surplus and western gear, some draped in the American flag, gather in the buildings of the Malheur Wildlife Refuge. The world witnessed two standoffs in 2016: the Standing Rock Sioux Tribe's protest against an oil pipeline in North Dakota and the armed takeover of Oregon's Malheur Wildlife Refuge led by the Bundy family. These events unfolded in vastly different ways, from media coverage to the reactions of law enforcement. In Standoff, Jacqueline Keeler examines these episodes as two sides of the same story that created America and its deep–rooted cultural conflicts.




Becoming Mary Sully


Book Description

"The moment to savor [Mary Sully]. . . has arrived." —New York Times Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of “personality prints” of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein. Sully’s position on the margins of the art world meant that her work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women’s aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully’s work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures—within and distinct from American modernity and modernism.




The Taming of the Sioux


Book Description




Young Water Protectors


Book Description

At the not-so-tender age of 8, Aslan arrived in North Dakota to help stop a pipeline. A few months later he returned - and saw the whole world watching. Read about his inspiring experiences in the Oceti Sakowin Camp at Standing Rock. Learn about what exactly happened there, and why. Be inspired by Aslan's story of the daily life of Standing Rock's young water protectors. Mni Wiconi ... Water is Life




The Red Deal


Book Description

Introduction --Part 1.Divest : End the occupation --Part 2.Heal our bodies : Reinvest in our common humanity --Part 3 .Heal our planet: Reinvest in our common future --Our words are powerful, our knowledge is inevitable.