The Stilled Gaze


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Sodomscapes


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Sodomscapes presents a fresh approach to the story of Lot’s wife, as it’s been read across cultures and generations. In the process, it reinterprets foundational concepts of ethics, representation, and the body. While the sudden mutation of Lot’s wife in the flight from Sodom is often read to confirm our antiscopic bias, a rival tradition emphasizes the counterintuitive optics required to nurture sustainable habitations for life in view of its unforeseeable contingency. Whether in medieval exegesis, Russian avant-garde art, Renaissance painting, or today’s Dead Sea health care tourism industry, the repeated desire to reclaim Lot’s wife turns the cautionary emblem of the mutating woman into a figural laboratory for testing the ethical bounds of hospitality. Sodomscape—the book’s name for this gesture—revisits touchstone moments in the history of figural thinking and places them in conversation with key thinkers of hospitality. The book’s cumulative perspective identifies Lot’s wife as the resilient figure of vigilant dwelling, whose in-betweenness discloses counterintuitive ways of understanding what counts as a life amid divergent claims of being-with and being-for.




The Still Performance


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The Still Performance examines the poetry of five postmodern American poets: Elizabeth Bishop, John Ashberry, Adrienne Rich, W.S. Merwin, and Charles Wright. McCorkle devotes a chapter to each one of these five poets and provides an extensive overview of their poetics. The author concludes that postmodern poetry, and these poets in particular, are engaged in various but overlapping reappraisals of modernism. More importantly, he asserts the necessity of critical inquiry bound to the persistent act of self-examination.




Beckett and Nothing


Book Description

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beckett and nothing invites its readership to understand the complex ways in which the Beckett canon both suggests and resists turning nothing into something by looking at specific, sometimes almost invisible ways in which ‘little nothings’ pervade the Beckett canon. The volume has two main functions: on the one hand, it looks at ‘nothing’ not only as a content but also a set of rhetorical strategies to reconsider afresh classic Beckett problems such as Irishness, silence, value, marginality, politics and the relationships between modernism and postmodernism and absence and presence. On the other, it focuses on ‘nothing’ in order to assess how the Beckett oeuvre can help us rethink contemporary preoccupations with materialism, neurology, sculpture, music and television. The volume is a scholarly intervention in the fields of Beckett studies which offers its chapters as case studies to use in the classroom. It will prove of interest to advanced students and scholars in English, French, Comparative Literature, Drama, Visual Studies, Philosophy, Music, Cinema and TV studies.




Collected Poems


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Les Murray's Collected Poems displays the full range of his poetic art. This volume contains all the poems he wants to preserve, apart from the verse novel Fredy Neptune, from his first book The Ilex Tree (1965) to Poems the Size of Photographs (2002). In tracing Murray's artistic development, it shows an ever-changing power, grace and humour, as well as great versatility and formal mastery. "He is, quite simply, the one by whom language lives." - Joseph Brodsky "There is no poetry in the English language now so rooted in its sacredness, so broad-leafed in its pleasures and yet so intimate and conversational." - Derek Walcott




The Strand Magazine


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Ausonius: Books I-XVII


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Mark of the Huntress


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Loyalty. Magic. Ambition. Which will triumph? Returned to Temari Hall after her abduction, Lira’s ultimate ambition remains unchanged. Destroy Underground and leverage that victory to rise up the ranks of the Mage Council. Make them all forget about the Darkmage and remember her instead. To do that, she must win back the trust of Underground while secretly spying on them for the Mage Council. Exposure would mean her death at the hands of the powerful Shadowcouncil. But the arrival of Ahrin Vensis at Temari Hall places Lira in greater danger than ever before. The Darkhand’s agenda is unknown, and she hides secrets that could undo everything Lira is working towards. Winning the Darkhand to her side would guarantee victory, but to do that Lira will need to betray those who offer a gift she’s never had but always yearned for… acceptance and friendship. Can she successfully walk the line between ambition and loyalty, or will Lira’s hunger for danger leave her standing amidst the ashes of all her hopes? The second book in Heir to the Darkmage is filled with grey heroines, magical monsters, unlikely friends, and slow burn f/f romance. Perfect for fans of Christopher Mitchell, Jada Fisher, and DK Holmberg.




Heir to the Darkmage: The Complete Series


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Ambition drives her. Danger thrills her. But magic always has a price. Twenty years have passed since the Darkmage was defeated and the war between mages ended. But for Lira Astor, apprentice mage and the only living heir to the Darkmage, escaping his legacy is impossible. People still fear what is long dead, and the Mage Council sees in her the rise of another dangerous mage with deadly ambition. Yet when Lira is abducted and held prisoner in a deadly game of cat and mouse, her powerful legacy is no match for the adversary she now faces … a mysterious rebel group with weapons beyond the Mage Council’s understanding. To survive, she will be forced to band together with unlikely allies who challenge everything she believes about what it means to be a mage. The war may only just be beginning. And Lira Astor will have to embrace everything her dark legacy has gifted her to win.




Smoke on the Water


Book Description

Love, like magic, can leave you breathless . . . The powers that be dubbed me Willow Black after the black willow tree where I was abandoned. Into foster care I went and in foster care I stayed. No one wants to keep a fey girl who thinks she can see the future in the water—and bring the rain. A stint in the Northern Wisconsin Mental Health Facility brings me face-to-face with the man who’s haunted my visions for a very long time. Sebastian Frasier is not only the facility’s new administrator but my new psychiatrist. Others have tried to convince me that I’m delusional. Been there, done that. Still have visions. Others have given up on me, but not Sebastian. Sebastian lost his sister to madness and it haunts him. His sadness calls to me almost as much as the memories of a love that hasn’t yet happened. Sebastian does his best to logically explain away a few demonstrations of the impossible. But when someone tries to kill me, we have no choice but to run. After that, fighting our intense, mutual attraction, the destiny that beats around us every time that we touch, is impossible. A centuries-old witch hunter intent on killing not only me but the two sisters I didn’t know I had, along with every other witch on earth, has been resurrected. I’m an elemental water witch and once my burgeoning power is combined with that of my sisters—an air witch and a fire witch—we just might be powerful enough to stop what’s coming. An epic battle against certain evil.