Oxford Bibliographies


Book Description

"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.




Henry Aaron's Dream


Book Description

A picture book biography of African-American baseball player Hank Aaron.




I Still See Her Haunting Eyes


Book Description

Tells the story of Aaron Elster and his escape from the Nazis and how he endured two years hidden in a cold dark attic by a couple who reluctantly sheltered him. In his solitude, the boy questions why his mother abandoned him and his very existence in this world. Yet, what haunts Aaron the man is the last time he saw his baby sister as she stood crying during the liquidation of his village.




The Making of a Leader


Book Description

In his insightful book, Damazio lays out for the serious student a broad discussion of what it means to be responsible for a group of "followers.




Aaron in the Wildwoods


Book Description

Thus it came about that the lad got both his name and his crutches, for his father insisted on calling him Little Crotchet after that, and he also insisted on sending all the way to Philadelphia for the crutches. They seemed to be a long time in coming, for in those days they had to be brought to Charleston in a sailing vessel, and then sent by way of Augusta in a stage-coach; but when they came they were very welcome, for Little Crotchet had been inquiring for them every day in the week, and Sunday too. And yet when they came, strange to say, he seemed to have lost his interest in them. His mother brought them in joyously, but there was not even a glad smile on the lad's face. He looked at them gravely, weighed them in his hands, laid them across the foot of the bed, and then turned his head on his pillow, as if he wanted to go to sleep. His mother was surprised, and not a little hurt, as mothers will be when they do not understand their children; but she respected his wishes, darkened the room, kissed her boy, and closed the door gently. When everything was still, Little Crotchet sat up in bed, seized his crutches, and proceeded to try them. He did this every day for a week, and at the end of that time surprised everybody in the house, and on the place as well, by marching out on his crutches, and going from room to room without so much as touching his feet to the floor. It seemed to be a most wonderful feat to perform, and so it was; but Providence, in depriving the lad of the use of his legs, had correspondingly strengthened the muscles of his chest and arms, so that within a month he could use his crutches almost as nimbly and quite as safely as other boys use their feet. He could go upstairs and downstairs and walk about the place with as much ease, apparently, as those not afflicted, and it was not strange that the negroes regarded the performance with wonder akin to awe, declaring among themselves that their young master was upheld and supported by "de sperits." And indeed it was a queer sight to see the frail lad going boldly about on crutches, his feet not touching the ground. The sight seemed to make the pet name of Little Crotchet more appropriate than ever. So his name stuck to him, even after he got his Gray Pony, and became a familiar figure in town and in country, as he went galloping about, his crutches strapped to the saddle, and dangling as gayly as the sword of some fine general. Thus it came to pass that no one was surprised when Little Crotchet went cantering along, his Gray Pony snorting fiercely, and seeming never to tire. Early or late, whenever the neighbors heard the short, sharp snort of the Gray Pony and the rattling of the crutches, they would turn to one another and say, "Little Crotchet!" and that would be explanation enough. There seemed to be some sort of understanding between him and his Gray Pony. Anybody could ride the Gray Pony in the pasture or in the grove around the house, but when it came to going out by the big gate, that was another matter. He could neither be led nor driven beyond that boundary by any one except Little Crotchet. It was the same when it came to crossing water. The Gray Pony would not cross over the smallest running brook for any one but Little Crotchet; but with the lad on his back he would plunge into the deepest stream, and, if need be, swim across it. All this deepened and confirmed in the minds of the negroes the idea that Little Crotchet was upheld and protected by "de sperits." They had heard him talking to the Gray Pony, and they had heard the Gray Pony whinny in reply. They had seen the Gray Pony with their little master on his back go gladly out at the big gate and rush with a snort through the plantation creek,—a bold and at times a dangerous stream. Seeing these things, and knowing the temper of the pony, they had no trouble in coming to the conclusion that something supernatural was behind it all.




The Revelation of the Name YHWH to Moses


Book Description

In this book the varied and important reception is traced which the story of the revelation of YHWH’s name to Moses received in Judaism, early Christianity, and the pagan Graeco-Roman world.













The Complete Works of Joel Chandler Harris. Illustrated


Book Description

Joel Chandler Harris was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories. Harris wrote novels, narrative histories, translations of French folklore, children's literature, and collections of stories depicting rural life in Georgia. As fiction writer and folklorist, he wrote many 'Brer Rabbit' stories from the African-American oral tradition. He realized the literary value of the stories he had heard from the slaves of Turnwold Plantation. Harris set out to record the stories and insisted that they be verified by two independent sources before he would publish them. The stories, mostly collected directly from the African-American oral storytelling tradition, were revolutionary in their use of dialect, animal personages, and serialized landscapes. 1. The Uncle Remus Books — Uncle Remus: His Songs and His Sayings (1881) — Nights with Uncle Remus (1883) — Uncle Remus and His Friends (1892) — The Tar-Baby and Other Rhymes of Uncle Remus (1904) — Told by Uncle Remus (1905) — Uncle Remus and Brer Rabbit (1907) — Uncle Remus and the Little Boy (1910) — Uncle Remus Returns (1918) — Seven Tales of Uncle Remus (1948) 2. Mr. Thimblefinger Series — Little Mr. Thimblefinger and His Queer Country (1894) — Mr. Rabbit at Home (1895) — The Story of Aaron (So Named), the Son of Ben Ali (1896) — Aaron in the Wildwoods (1897) 3. The Novels — The Romance of Rockville (1878) — On the Plantation (1892) — Sister Jane (1896) — Gabriel Tolliver (1902) — A Little Union Scout (1904) — Shadow between His Shoulder Blades (1909) — The Bishop and the Boogerman (1909) 4. The Shorter Fiction — Mingo and Other Sketches in Black and White (1884) — Free Joe and Other Georgian Sketches (1887) — Daddy Jake, The Runaway: And Short Stories Told After Dark (1889) — Balaam and His Master and Other Sketches and Stories (1891) — Evening Tales (1893) — Stories of Georgia (1896) — Tales of the Home Folks in Peace and War (1898) — The Chronicles of Aunt Minervy Ann (1899) — Plantation Pageants (1899) — On the Wing of Occasions (1900) — The Making of a Statesman and Other Stories (1902) — Wally Wanderoon and His Story-Telling Machine (1903)