The Story of the Aswang


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To Love As Aswang


Book Description

The Philippine Aswang is a mythic, monstrous creature which has, since colonial times, been associated with female transgression, scapegoating, and social shaming, known in Tagalog as hiya. In the 21st century, and in diaspora, she manages to endure.Barbara Jane Reyes's To Love as Aswang, the poet and a circle of Filipino american women grapple with what it means to live as a Filipina, Pinay,in a world that has silenced, dehumanized, and broken the Pinay body. These poems of PInay tragedy and perseverance, of reappropriating monstrosity and hiya, sung in polyphony and hissed with forked tongues.




Diccionario mitológico de Filipinas


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Many authors, ancient and modern, native and foreign, have been preoccupied with 'primitive' religion, or even better said, the paganism of the Natives of the Philippines; however, their writings about the religion of the natives, non-Christianized or from the mountains, who until now keep their ancient practices, are always reduced to form a chapter indistinct from the other historical or ethnographic notes of their published works. There exists no work, [major] or minor, dedicated specifically and especially to the study of the religion of all the indigenous races of the Philippine Archipelago. The purpose of this dictionary is to put together the religious groups of the Philippines, and removing those of Christian or Mohammedan origins. This work will provide an opportunity to make comparative studies and give an idea of the wealth of names that are in the mythologies of this country.




Naermyth


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The Aswang Complex in Philippine Folklore


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The Aswang Complex in Philippine Folklore: With Illustrative Accounts in Vernacular Texts and Translations.This book is a bold attempt to present to the reader and to students of Filipino society and culture one of the dominant Filipino beliefs, the aswang. For some strange reason the belief has never been explored for its usefulness in the field of literature or social studies. Even educators shy away from it, branding the belief as superstitious and therefore hot to be perpetuated. While this view is entertained, however, there is continued use in the schools-including the nursery schools-of Western tales like "Hansel and Gretel," 'Rapunzel," "Snow White," and so forth, dealing with witches, dwarfs, and other people of lower mythology. It is sad to note that while we accept these stories as entertaining to our children, we reject our own folktales about equivalent characters as superstitious and undesirable.It is about time that we changed our perspective, that we accepted our own literary heritage and used it if we are to make education meaningful to our children. Maximo D. Ramos has provided us with one way to achieve this. Of course the present volume is only one of his many works on Philippine folklore.While he presents the materials in this book as folklore, these can also be regarded as ethnographic data in that they deal with one of the dominant aspects of Filipino folk culture. The aswang belief may be viewed as socially functional in many communities. Our own field notes on the subject matter indicate that aswang tales are used by many people as a medium of social control. For example, when a child frets at night or becomes unruly during the day, adult members of the family or sibling caretakers generally use the aswang belief as a means of quieting the child or of disciplining him. When one wishes to protect his fields from unnecessary trespass by others, all he has to do is make it known that an aswang haunts the place and no one will dare enter the premises, especially at night. Deviant behavior is also handled through avoidance, and the aswang label is handy for this purpose. Once the label is set, deviants are either coerced into conformity to what is acceptable behavior or are effectively deprived of their legitimate status in the community.Thus seen, it is understandable that the aswang belief has persisted in our society over such a long period of time.




Melo the Umang-Boy


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Melo is a painfully shy little boy living with his grandmother and uncle. One day he visits a magical, busy city on the bottom of the ocean, filled with talking sea creatures. Disaster strikes the city, and he must overcome his shyness to help the sea creatures rebuild.




The Infinite Library and Other Stories


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A commanding force for Southeast Asian speculative fiction, THE INFINITE LIBRARY AND OTHER STORIES reimagines the pasts, presents, and futures of Filipinos and the world around them. This first North American edition features a never-before-anthologized story. "Fantastic and lyrical, like glimpses into the infinite potential of the universe."-Ken Liu, author of THE PAPER MENAGERIE AND OTHER STORIES Shortlisted for the 2018 International Rubery Book Award. Making his North American debut, Victor Fernando R. Ocampo in The Infinite Library and Other Stories shows why Southeast Asian speculative fiction is a force to be reckoned with. From a mysteriously timeless interior of a map shop to a space elevator thousands of miles away from the metropole, these 18 stories masterfully straddle manifold layers of Filipino history, identity, and mythology, reconstructing the past and conjuring new futures for the nation and region at large. Ocampo's transnational consciousness brilliantly navigates class, colonialism, and gender in formal experimentations of winning ingenuity. Threaded by the motif of libraries and books, this deliciously enigmatic and labyrinthine collection showcases the infinite power of imagination to mend and make anew.




Doña Esmeralda, Who Ate Everything


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A silly, laugh-out-loud read-aloud picture book debut from #1 New York Times bestselling author Melissa de la Cruz! Once upon a time, in the middle of a group of seven thousand happy islands named after King Philip of Spain, there lived a lady named Dona Esmeralda. She had a big bouffant hairdo and was much smaller than you. And she was always hungry... And so begins the wickedly hilarious tale of one very old, but very stylish little lady who loves to eat, but can only find the ooey, gooey, mushy, smelly leftovers of naughty children to nosh on. But what happens when Dona Esmeralda finds out about all the tasty treats that children do eat? Hold on to your hairdos as Esmeralda eats everything in sight in a cumulative read-aloud inspired by stories from author Melissa de la Cruz's childhood in the Philippines!




A Tiny Upward Shove


Book Description

“Wild and ambitious . . . [with] something ablaze at its core. It burns.” —The New York Times Book Review A Tiny Upward Shove is inspired by Melissa Chadburn's Filipino heritage and its folklore, as it traces the too-short life of a young, cast-off woman transformed by death into an agent of justice—or mercy. Marina Salles’s life does not end the day she wakes up dead. Instead, in the course of a moment, she is transformed into the stuff of myth, the stuff of her grandmother’s old Filipino stories—an aswang, a creature of mystery and vengeance. She spent her time on earth on the margins; shot like a pinball through a childhood of loss, she was a veteran of Child Protective Services and a survivor, but always reacting, watching from a distance, understanding very little of her own life, let alone the lives of others. Death brings her into the hearts and minds of those she has known—even her killer—as she accesses their memories and sees anew the meaning of her own. In her nine days as an aswang, while she considers whether to exact vengeance on her killer, she also traces back, finally able to see what led these two lost souls to a crushingly inevitable conclusion. In A Tiny Upward Shove, the debut novelist Melissa Chadburn charts the heartbreaking journeys of two of society’s castoffs as they make their way to each other and their roles as criminal and victim. What does it mean to be on the brink? When are those moments that change not only our lives but our very selves? And how, in this impossible world, full of cruelty and negligence, can we rouse ourselves toward mercy?