Becoming irlandés


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Don Juan O'Brien


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This is the first comprehensive study of John Thomond O'Brien, one of the most significant Irish-born figures in the history of modern South America. Born in Baltinglass, County Wicklow, in the late eighteenth-century, O'Brien emigrated to Buenos Aires in the second decade of the nineteenth century, hoping to profit from the burgeoning trade in textiles between Britain and Ireland and the River Plate. In 1813, in Buenos Aires, he enlisted as a cavalry officer in the armies fighting against Spanish rule. His actions on the battlefield, which contributed to the achievement of independence in Argentina, Chile, Peru and Uruguay, and his close acquaintance with the two most famous generals of the war, José de San Martín and Simón Bolívar, brought him renown in South America and Europe. O'Brien criss-crossed South America during his colourful post-war career, spending time in Chile, Argentina, Bolivia, Peru, Brazil and Uruguay. In the 1820s, he promoted Irish emigration to Argentina, launched the highest sailing ship in the world on Lake Titicaca and led the campaign of support for O'Connell and Catholic Emancipation among the Irish in Buenos Aires. In the 1830s, he explored the Amazon for gold and was imprisoned in Buenos Aires by the dictator Juan Manuel de Rosas. In the 1840s, he represented the Montevidean government in London and Paris. During the last decade of his life, before his death in 1861, he campaigned to have monuments erected across South America to the leaders of the independence campaign. O'Brien's compelling story mirrors that of a tumultuous period in Irish and South American history.




Bitter Freedom: Ireland in a Revolutionary World


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An Irish Times Best Book of the Year Longlisted for the Bread and Roses Award for Radical Publishing "Sets Ireland's post-1916 history in its global and human context, to brilliant effect." —Neil Hegarty, Irish Times Books of the Year 2015 The Irish Revolution has long been mythologized in American culture but seldom understood. Too often, the story of Irish independence and its grinding aftermath in the early part of the twentieth century has been told only within a parochial Anglo-Irish context. Now, in the critically acclaimed Bitter Freedom, Maurice Walsh, with "a novelist's eye for detailing lives in extremis" (Feargal Keane, Prospect), places revolutionary Ireland within the panorama of nationalist movements born out of World War I. Beginning with the Easter Rising of 1916, Bitter Freedom follows through from the War of Independence to the end of the post-partition civil war in 1924. Walsh renders a history of insurrection, treaty, partition, and civil war in a way that is both compelling and original. Breaking out this history from reductionist, uplifting narratives shrouded in misguided sentiment and romantic falsification, the author provides a gritty, blow-by-blow account of the conflict, from ambushes of soldiers and the swaggering brutality of the Black and Tan militias to city streets raked by sniper fire, police assassinations, and their terrible reprisals; Bitter Freedom provides a kaleidoscopic portrait of the human face of the conflict. Walsh also weaves surprising threads into the story of Irish independence such as jazz, American movies, and psychoanalysis, examining the broader cultural environment of emerging modernity in the early twentieth century, and he shows how Irish nationalism was shaped by a world brimming with revolutionary potential defined by the twin poles of Woodrow Wilson in America and Vladimir Lenin in Russia. In this “invigorating account” (Spectator), Walsh demonstrates how this national revolution, which captured worldwide attention from India to Argentina, was itself profoundly shaped by international events. Bitter Freedom is "the most vivid and dramatic account of this epoch to date" (Literary Review).




Irish 'Ingleses'


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This is the first book-length analysis of the Irish in Argentina. The experience of the Irish in Argentina was qualitatively different from that of Australia, Britain, or the United States, and this study employs a comparative methodology both in relation to the more established Irish immigrant destinations, as well as to European immigration as a whole. Against established destinations of nineteenth-century Irish settlement, Argentina was unique. Separated immediately from the native populace by language and culture, Irish immigrants were quickly identified by the governing Argentine hosts into the broader English-speaking community with ambivalent consequences for the Irish migrants. The distinct socio-economic advantages experienced by 'Ingleses' within a particularly Euro-centric Argentina facilitated and encouraged the diminution of ethnic distinctions. But the conflicting identities which emerged contributed to the distinct development of the Irish community within this unique nineteenth-century Latin environment.




Linguistic Diasporas, Narrative and Performance


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This book explores the present-day Irish Diaspora in Argentina, using oral narrative and a sociolinguistic theoretical framework to draw out the features that define contemporary Hiberno-Argentine identity. The author analyzes the spoken memories and discourses of Irish-Argentine descendants to trace the socio-political evolution of a bilingual, bicultural community from World War II to the present day. In so doing, O'Brien reveals a legacy of emigration that is without precedent in the global Irish Diaspora, and which is deeply relevant to today's global Irish citizenry in its challenging of preconceived notions of what it is to be Irish in the New World. As well as contributing to understandings of an immigrant linguistic journey over three generations, the book also provides a vital ethnographic portrait of an Irish descendant community that is acutely aware of its vulnerability and invisibility in an increasingly pluralistic South American society. This book will appeal to an interdisciplinary audience including scholars of migration, oral history, folklore, bilingualism, memory, sociolinguistics, narrative performance and Irish Diaspora studies. Sarah O'Brien is Assistant Professor of Applied Linguistics at Trinity College, Dublin, Ireland, and Director of the Centre for English Language Learning and Teaching there. She was formerly Director of Bilingual Education at Northern New Mexico College, USA, and a recipient of the IRCHSS doctoral award for her research on the Irish in Post-World War II Britain. Her publications explore linguistic and cultural acquisition in contemporary migrant communities with a particular focus on Latin America and Ireland.




Say Nothing


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NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.




The Irish Soldiers of Mexico


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The Irish Soldiers of Mexico sold out fourteen editions in English and three editions in Spanish from 1997 to 2010. It has been the basis of an MGM feature film and two documentaries; it has also been used in many history classes both in the United States and abroad. This revised edition includes new historical material such as the location of what is purported to be a death certificate for John Riley located in a church in Veracruz and evidence that appears to negate its value. The edition also includes updated "After the War" and "Commemorations" sections. Many positive changes in public perception of the San Patricios have taken place since the first publication of this book in 1997. In addition, there have been a number of new vehicles for dissemination of the history, not the least of which was the production of "One Man's Hero," starring Tom Berenger, three novels on the San Patiricios, a new sculpture in Mexico City of John Riley donated by the people of Ireland, and the Chieftains CD with songs commemorating the Irish battalion.




The Argentinian Virgin


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Her lips burn with chillies and she smokes a cigar. Her breath is my narcotic. Her scent is of cloves, of night fevers and spent seed. What man could resist the Argentinian Virgin? What woman could bear her horror? Summer 1941. France is occupied by the Germans but the United States is not at war. Four glamorous young Americans find themselves whiling away the hot days in the boredom of a small Riviera town, while in a half-abandoned mansion nearby, Teresa and Katerina Malipiero, a mother and daughter, wait for Señor Malipiero to complete his business in the Reich and take them home to Argentina. The plight of the women attracts the sympathy of 'Lucky' Tom Rensselaer and he is seduced by the beauty of Katerina. Tom has perfect faith in their innocence, yet they cannot explain why a sinister Spaniard has been murdered in their home and why Tom must help them dispose of the body without informing the police. Watching over events is Pat Byrne, a young Irish writer. Twenty years later, when Tom has been reduced from the most handsome, admired and talented man of his generation to a derelict alcoholic, Pat sets out to discover the facts of that fateful summer: the secrets that were hidden and the lies that were told. It is a shocking truth: a tale of murder unpunished and a good man destroyed by those who loved him most. The Argentinian Virgin is a sensuous novel of erotic fantasy, obsession, jealousy and betrayal set in the dreamlike atmosphere of a Riviera summer in wartime.




The Story of the Night


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The streets of Buenos Aires are empty at night, and people notice nothing because they have trained themselves not to see. This is Argentina in the time of the generals. Richard Garay lives alone with his mother, hiding his homosexuality from her and from the world. Stifled by a job he despises, he finds himself willing to take chances, both sexual and professional. But in the aftermath of the Falklands War, new freedoms seem possible, and the arrival of two American diplomats offer him hope and the prospect of making his fortune. As his country slowly makes its peace with the outside world, Richard tentatively begins a love affair—but the Faustian bargain he has made with experience gradually darkens. The Story of the Night is a powerful and moving mix of politics, passion, and intrigue that confirms Tóibín as one of the finest writers of his generation.