The Sublime Artist's Studio


Book Description

The relation of the visual arts to Vladimir Nabokov's work is the subject of this in-depth and detailed study of one of the most significant facets of this modern master's oeuvre.




Machine in the Studio


Book Description

Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.




Christo and Jeanne-Claude


Book Description

* A long-awaited new edition* Expanded and completely revised* Including 80 new photographs, some of which have never been published beforeChristo (1935-2020) and Jeanne-Claude (1935-2009) created some of the most breathtaking artworks of the 20th and 21st centuries. Their projects radically questioned traditional conceptions of painting, sculpture, and architecture. This lavish photo book is the first comprehensive publication on the artists' oeuvre to be released after Christo's death in May 2020. It also serves as a curtain-raiser for Christo und Jeanne-Claude's last major project - the wrapping of the Arc de Triomphe in Paris, which will be carried out posthumously in the fall of 2021. Presenting a wealth of photographs and studio snapshots from 1949 to 2020, some of which are private, this book allows an intimate peek behind the scenes of Christo und Jeanne-Claude's monumental installations which fascinated the public for decades. In addition to pictures capturing the artists at work, it includes photos documenting all of their major projects. Matthias Koddenberg (b.1984), art historian and close friend of the artists, spent many years compiling the more than 300 images featured in this volume. Among them are pictures taken by companions and friends and hitherto unpublished photographs from the artists' estate. Together they tell the extraordinary story not only of the couple's artistic collaboration, but also of their five-decade-long partnership.




Studio Visit


Book Description

Poetry. Art. California Interest. With an essay by Norma Cole. STUDIO VISIT collects impressions about art and life from 100 in-studio conversations with Bay Area artists, writers, curators, and gallerists. Each conversation was whittled down to a list of words and a series of color swatch collages that each person chose during the visit. The result is a series of fragmentary portraits of each person. Participants include: Zarouhie Abdalian, Claudia Altman-Siegel, D-L Alvarez, Mari Andrews, Kim Anno, Chris Ashley, Stephen Beal, Dodie Bellamy, Bill Berkson, Libby Black, Rebeca Bollinger, Matt Borruso, Rena & Trish Bransten, Brad Brown, Christopher Brown, Regina Clarkinia, Ishan Clemenco, Amanda Curreri, Mel Davis, Veronica De Jesus, Apsara DiQuinzio, Nathaniel Dorsky, Chris Duncan, Sally Elesby, Amy Ellingson, Amy Evans-McClure, Liam Everett, Kota Ezawa, Josh Faught, Bruno Fazzolari, Vincent Fecteau, Aida Gamez, Rema Ghuloum, Bryson Gill, James Gobel, Matt Gordon, Leonie Guyer, Glen Helfand, Cliff Hengst, Scott Hewicker, Richard Hoblock, Jens Hoffmann, David Huffman, Colter Jacobsen, Jordan Kantor, Rachel Kaye, Kevin Killian, George Kuchar, Ruth Laskey, Neil LeDoux, Steven Leiber, Connie Lewallen, Robin McDonnell, Philip McGaughy, Mac McGinnes, Martin McMurray, Leigh Markopoulos, Pam Martin, Andrew Masullo, Cheryl Meeker, Anthony Meier, Jim Melchert, Maysha Mohamedi, Ron Nagle, Jay Nelson, Tucker Nichols, Shaun O'Dell, Sian Oblak, Francesca Pastine, Chris Perez, Joey Piziali, Josh Podoll, Maria Porges, Mel Prest, Emily Prince, Lucy Puls, Laurie Reid, Brody Reiman, Eli Ridgway, Larry Rinder, Annabeth Rosen, Jesse Schlesinger, Jovi Schnell, Allison Smith, Dean Smith, Lynn Sondag, Kathryn Spence, Jordan Stein, Suzanne Stein, Jill Storthz, Margaret Tedesco, Sarah Thibault, Dan Tierney, Kathryn Van Dyke, David Wilson, Pamela Wilson- Ryckman, Cooley Windsor, Steven Wolf, John Zurier, and Nina Zurier."







Artists in Their Studios


Book Description

After more than 15 years of interviews and studio photographs, Amos has created 33 panoramic collages, and even more revealing images with his words. Not merely biography, this book includes examples of their completed works and the insight that only another artist-and deft arts writer-can. From Ted Harrison, to E.J. Hughes, to Myfanwy Pavelic, this stunning compilation offers an unprecedented intimacy with Canada's foremost artists, and is proof that art work in progress is art in itself.




An Audience of Artists


Book Description

An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.










The Artist at Home


Book Description

Artists have worked from home for many reasons, including care duties, financial or political constraints, or availability and proximity to others. From the 'home studios' of Charles and Ray Eames, to the different photographic representations of Robert Rauschenberg's studio, this book explores the home as a distinct site of artistic practice, and the traditions and developments of the home studio as concept and space throughout the 20th and into the 21st century. Using examples from across Europe and the Anglophone world between the mid-20th century and the present, each chapter considers the different circumstances for working at home, the impact on the creative lives of the artists, their identities as artists and on the work itself, and how, sometimes, these were projected and promoted through photographs and the media. Key themes include the gendered and performative aspects of women practising 'at home', collaborative studio communities of the 1970s – 90s including the appropriation of abandoned spaces in East London, and the effects of Covid on artistic practices and family life within the spaces of 'home'. The book comprises full-length chapters by artists, architects, art and design historians, each of whom bring different perspectives to the issues, interwoven with short interviews with artists to enrich and broaden the debates. At a time when individual relationships to home environments have been radically altered, The Artist at Home considers why some artists in previous decades either needed to or chose to work from home, producing work of vitality and integrity. Tracing this long tradition into the present, the book will provide a deeper understanding of how the home studio has affected the practices and identity of artists working in different countries, and in different circumstances, from the mid-20th century to the present.