The Sultan's Portrait


Book Description




Gentile Bellini's Portrait of Sultan Mehmed II


Book Description

In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.




Pictures from Home


Book Description

First published in 1992 to wide critical acclaim, Pictures From Home is Larry Sultan's pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan's own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of Pictures From Home clarifies the multiplicity of voices - both textual and pictorial - in order to afford a fresh perspective of this seminal body of work -- Provided by the publisher.




The Sultan's Wife


Book Description

Page-turning mystery, grandly seductive romance and full historical immersion into Moroccan court history, this exquisitely depicted and intensely absorbing novel follows in the bestselling tradition of The Tenth Gift and The Salt Road. 1677, Morocco. Behind the magnificent walls and towering arches of the Palace of Meknes, captive chieftain's son and now a lowly scribe, Nus Nus is framed for murder. As he attempts to evade punishment for the bloody crime, Nus Nus finds himself trapped in a vicious plot, caught between the three most powerful figures in the court: the cruel and arbitrary sultan, Moulay Ismail, one of the most tyrannical rulers in history; his monstrous wife Zidana, famed for her use of poison and black magic; and the conniving Grand Vizier. Meanwhile, a young Englishwoman named Alys Swann has been taken prisoner by Barbary corsairs and brought to the court. She faces a simple choice: renounce her faith and join the Sultan's harem; or die. As they battle for survival, Alys and Nus Nus find themselves thrust into an unlikely alliance--an alliance that will become a deep and moving relationship in which these two outsiders will find sustenance and courage in the most perilous of circumstances. From the danger and majesty of Meknes to the stinking streets of London and the decadent court of Charles II, The Sultan's Wife brings to life some of the most remarkable characters of history through a captivating tale of intrigue, loyalty and desire.




Donald Sultan


Book Description

A critically important series in the oeuvre of American painter, sculptor, and printmaker Donald Sultan, The Disaster Paintings were created between 1984 and 1990. These works feature imposing, man-made structures, whose industrial qualities are reinforced by Sultan's preferred media, Masonite tiles and tar. The paintings' resulting sense of robust permanence is offset by the catastrophes Sultan includes therein, which provoke a jarring sense of fragility, impermanence, and transience. Such unexpected juxtapositions are privileged by the artist's process itself, which merges the industrial materials of Minimalism with representational painting, stylistically combining figuration and abstraction and making simultaneous reference to high and low culture. Painted on a large scale (the majority of the works in this series measure 8' x 8'), The Disaster Paintings embody great physicality in their process, subject matter, and finished form. They also reify the modern experience of industrialized societies with images of fire, accidents, and industrial mishaps, daring us to forget that calamities and adversity are woven into the very fabric of our existence. It is a timely moment in history to reconsider and reassess The Disaster Paintings. - Published to accompany the exhibition of the same name held at Lowe Art Museum, Coral Gables, Florida, 29th September-23rd December 2016; Modern Art Museum of Fort Worth, Texas, February-April 2017; and the Smithsonian American Art Museum, Washington, DC, May 26-September 4, 2017.




Portraits and Caftans of the Ottoman Sultans


Book Description

From the founding of the Ottoman dynasty by Osman Gazi to Suleyman the Magnificent's legendary territorial conquests, the legacy of the 36 Ottoman sultans has undeniably left its mark throughout the course of history. Featuring exquisite portraits and lavishly decorated caftans, this large-format volume beautifully presents imagery that speaks to the magnificence of the Ottoman Empire and its powerful sultans. AUTHOR: Professor Nurhan Atasoy completed her PhD in Fine Arts and Art History in 1962 at Istanbul University. She currently serves as the resident scholar at the Turkish Cultural Foundation, where she regularly gives lectures on Turkish art. Professor Atasoy is a founder and board member of the Association of the Museum of Painting and Sculpture in Istanbul; KÜSAV (Foundation for the Promotion and Preservation of Culture and Art Works); and TAÇ (Foundation for the Preservation of Monuments, Environment and Tourism in Turkey). She has lectured on Turkish and Islamic art at congresses throughout the world; curated international exhibitions; and has published over 100 articles and 22 books on the subject, including Iznik: Ottoman Pottery of Turkey, (1989); IPEK: Imperial Ottoman Silks and Velvets (2001); and Impressions of Ottoman Culture in Europe (2012). 74 illustrations




Gentile Bellini's Portrait of Sultan Mehmed II


Book Description

In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.




The Portrait of the Master


Book Description

St. Francis of Assisi is one of the most endearing and human characters of the Middle Ages. His influence today is just as strong as 800 years ago when he was founding his Order, talking to Popes and carrying the message of peace to the infidel. St. Francis traveled with the crusaders not to fight the Muslims, or even to preach to them, but to persuade them, and the Christians, to make peace and live together in harmony. This book focuses around his prayer, Lord, make me an instrument of thy peace, and in a series of charming vignettes, it shows how the prayer develops in the course of his pilgrimage through Italy towards the East and an uncertain fate. This book reads like an adventure mystery story, yet also brings a message of peace, love and hope. We travel with Francis and Brother Leo from Assisi to Syria, meeting fascinating characters and learning life lessons along the way. While a certain element of fiction has been added, the basic story is true. St. Francis' message is timeless, and this book brings him to life as few others have.




The Luminous Brush


Book Description

"Illustrated with 150 beautiful paintings by the author as well as some by old masters and other contemporary artists working in the medium, The Luminous Brush is the most comprehensive how-to guide on this luminous painting medium that is experiencing a newfound popularity among today's artists."--BOOK JACKET.




Evidence


Book Description

Larry Sultan and Mike Mandel began working collaboratively together in 1973 while graduate students at the San Francisco Art Institute. They work together on occasional projects that include artists' books, exhibitions and public art.