The Symbol Theory


Book Description

The Symbol Theory draws together three central themes. At the first level the book is concerned with symbols in relation to language, knowing and thinking. Secondly, Elias stresses that symbols are tangible sound-patterns of human communication. Finally, the book addresses theoretical issues about the ontological status of knowledge.




Theories of the Symbol


Book Description

Focusing on theories of verbal symbolism, Tzvetan Todorov here presents a history of semiotics. From an account of the semiotic doctrines embodied in the works of classical rhetoric to an exploration of representative modern concepts of the symbol found in ethnology, psychoanalysis, linguistics, and poetics, Todorov examines the rich tradition of sign theory. In the course of his discussion Todorov treats the works of such writers as Aristotle, Cicero, Quintilian, Augustine, Condillac, Lessing, Diderot, Goethe, Novalis, the Schlegel brothers, Levy-Bruhl, Freud, Saussure, and Jakobson.




Symbol and Theory


Book Description

Anthropologists have always been concerned with the difference between traditional (or 'primitive') and scientific modes of thought and with the relationships between magic, religion and science. John Skorupski distinguishes two broadly opposed approaches to these problems: the 'intellectualist' regards primitive systems of thought and actions as cosmologies, comparable to scientific theory, which emerge and persist as attempts to control the natural world; the 'symbolist' regards them as essentially representative or expressive of the pattern of social relations in the culture in which they exist. Dr Skorupski considers in particular the notions of ritual, ceremony and symbol. He shows how their understanding involves and suggests more general philosophical problems of relativism, interpretation, translation, and the connections between belief and action. These are difficult and important problems and require an unusual combination of imagination and interdisciplinary exercise. This book is intended especially for philosophers, social anthropologists, social theorists and students of comparative religion.




Beyond the Symbol Model


Book Description

This interdisciplinary conversation discusses the nature of language.




The Symbol Theory


Book Description

In The Symbol Theory, Norbert Elias draws together three central themes. At the first level the book is concerned with symbols in relation to language, knowing and thinking. Secondly, Elias stresses that symbols are also tangible sound-patterns of human communication, made possible by the evolutionary biological precondition of human vocal apparatus. At a third level, the book addresses theoretical issues about the ontological status of knowledge, moving beyond traditional philosophical dualisms such as subject//object and idealism//materialism. The bulk of The Symbol Theory was published in Vol 6, issues 2, 3 and 4 of Theory, Culture & Society.




Peirce's Theory of Signs


Book Description

In this book, T. L. Short corrects widespread misconceptions of Peirce's theory of signs and demonstrates its relevance to contemporary analytic philosophy of language, mind and science. Peirce's theory of mind, naturalistic but nonreductive, bears on debates of Fodor and Millikan, among others. His theory of inquiry avoids foundationalism and subjectivism, while his account of reference anticipated views of Kripke and Putnam. Peirce's realism falls between 'internal' and 'metaphysical' realism and is more satisfactory than either. His pragmatism is not verificationism; rather, it identifies meaning with potential growth of knowledge. Short distinguishes Peirce's mature theory of signs from his better-known but paradoxical early theory. He develops the mature theory systematically on the basis of Peirce's phenomenological categories and concept of final causation. The latter is distinguished from recent and similar views, such as Brandon's, and is shown to be grounded in forms of explanation adopted in modern science.




Poetry, Symbol, and Allegory


Book Description

By acknowledging interpretive theories of the past, Brittan provides a proper historical frame of reference in which today's student can better understand figurative language in poetry.




From Signal to Symbol


Book Description

A novel account of the evolution of language and the cognitive capacities on which language depends. In From Signal to Symbol, Ronald Planer and Kim Sterelny propose a novel theory of language: that modern language is the product of a long series of increasingly rich protolanguages evolving over the last two million years. Arguing that language and cognition coevolved, they give a central role to archaeological evidence and attempt to infer cognitive capacities on the basis of that evidence, which they link in turn to communicative capacities. Countering other accounts, which move directly from archaeological traces to language, Planer and Sterelny show that rudimentary forms of many of the elements on which language depends can be found in the great apes and were part of the equipment of the earliest species in our lineage. After outlining the constraints a theory of the evolution of language should satisfy and filling in the details of their model, they take up the evolution of words, composite utterances, and hierarchical structure. They consider the transition from a predominantly gestural to a predominantly vocal form of language and discuss the economic and social factors that led to language. Finally, they evaluate their theory in terms of the constraints previously laid out.




The Leviathan in the State Theory of Thomas Hobbes


Book Description

First published in 1938, The Leviathan in the State Theory of Thomas Hobbes used the Enlightenment philosopher's enduring symbol of the protective Leviathan to address the nature of modern statehood.




Symbols that Stand for Themselves


Book Description

This important new work by Roy Wagner is about the autonomy of symbols and their role in creating culture. Its argument, anticipated in the author's previous book, The Invention of Culture, is at once symbolic, philosophical, and evolutionary: meaning is a form of perception to which human beings are physically and mentally adapted. Using examples from his many years of research among the Daribi people of New Guinea as well as from Western culture, Wagner approaches the question of the creation of meaning by examining the nonreferential qualities of symbols—such as their aesthetic and formal properties—that enable symbols to stand for themselves.