Third Music Reader


Book Description




The Third Music Reader


Book Description




The Third Music Reader


Book Description










Melodic Third Reader


Book Description




The New Third Music Reader


Book Description




The Third Music Reader


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







New American Music Reader


Book Description

Excerpt from New American Music Reader: Number Three The same methods of procedure are continued in the New American Music Reader Number Three that characterize Number Two. The voice is regarded as of the first importance, and all songs and studies are in such keys and within such range that the head quality always employed in the high voice may be blended with the lower register without recourse to the harsh tones of the chest. The period intended to be covered by this book is that in which the boys' voices have not yet begun to change and when they are at their very best both in beauty, fulness and range as sopranos. The mistake should not be made of habitually giving them the lower part unless there are special reasons in individual cases. When the alto is sung by the boys the voices must be used with a soft and mellow tene, as far as possible removed from the chest or shouting register. Thus used school boys' voices should rival-those of trained choirs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.