THE THREE PERILS OF MAN: War, Women and Witchcraft (Scottish Classic)


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This carefully crafted ebook: "THE THREE PERILS OF MAN: War, Women and Witchcraft (Scottish Classic)” is formatted for your eReader with a functional and detailed table of contents. Incredible tale of fantasy, witchcraft, humor and magic. Being a combination of supernatural folk tale, historical novel and also a satire this book displays a fundamental tensity between romance and anti-romance apparent in a number of Hogg's works. The story concerns two women and the contests they set down to the men who flatter them. James Hogg (1770-1835) was a Scottish poet, novelist and essayist who wrote in both Scots and English. As a young man he worked as a shepherd and farmhand, and was largely self-educated through reading. He was a friend of many of the great writers of his day, including Sir Walter Scott, of whom he later wrote an unauthorized biography.




The Three Perils of Man


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James Hogg: Collected Novels, Scottish Mystery Tales & Fantasy Stories


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Musaicum Books presents to you this carefully created collection of James Hogg's collected novels, Scottish mystery tales & fantasy stories. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Novels: The Private Memoirs and Confessions of a Justified Sinner The Three Perils of Man - War, Women and Witchcraft The Brownie of Bodsbeck Short Stories: The Shepherd's Calendar: Rob Dodds Mr Adamson of Laverhope The Prodigal Son The School of Misfortune George Dobson's Expedition to Hell The Souters of Selkirk The Laird of Cassway Tibby Hyslop's Dream Mary Burnet The Brownie of the Black Haggs The Laird of Wineholm Window Wat's Courtship A Strange Secret The Marvellous Doctor The Witches of Traquair Sheep Prayers Odd Characters Nancy Chisholm Snow-Storms The Shepherd's Dog The Expedition to Hell The Mysterious Bride The Wool-Gatherer The Hunt of Eildon James Hogg (1770-1835) was a Scottish poet, novelist and essayist who wrote in both Scots and English. As a young man he worked as a shepherd and farmhand, and was largely self-educated through reading. He was a friend of many of the great writers of his day, including Sir Walter Scott, of whom he later wrote an unauthorized biography. He is best known for his novel The Private Memoirs and Confessions of a Justified Sinner.




James Hogg


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James Hogg, a Scottish writer, was the founder of the psychological novel. He perfectly understood the notions of dream and reality, the danger of the voyage in "Nancy Chilshom", the world of the illusions, the lure, madness and strangeness towards the reality of the tragedy, the kingdom of the fairies, death, the finality of art, the supernatural, the Devil and sorcery in Scotland, the Scotland-England couple: the female nation and the male devastator, the carnival of the masks and the reality of his Masonic initiation at the end of his life.




The Three Perils of Man


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James Hogg and the Literary Marketplace


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Responding to the resurgence of interest in the Scottish working-class writer James Hogg, Sharon Alker and Holly Faith Nelson offer the first edited collection devoted to an examination of the critical implications of his writings and their position in the Edinburgh and London literary marketplaces. Writing during a particularly complex time in Scottish literary history, Hogg, a working shepherd for much of his life, is seen to challenge many of the aesthetic conventions adopted by his contemporaries and to anticipate many of the concerns voiced in discussions of literature in recent years. While the essays privilege Hogg's primary texts and read them closely in their immediate cultural context, the volume's contributors also introduce relevant research on oral culture, nationalism, transnationalism, intertextuality, class, colonialism, empire, psychology, and aesthetics where they serve to illuminate Hogg's literary ingenuity as a working-class writer in Romantic Scotland.




Marriage in James Hogg’s Work


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A controversial self-taught shepherd who violated the rules of literary decorum to reveal the dark side of the Scottish margins. Through a strategic use of nineteenth-century stereotypes of femininity and masculinity he lays bare the intersection with class and ethnicity in Scotland.




Who Made the Scottish Enlightenment?


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The Scottish Enlightenment is often portrayed as elitist and Edinburgh based with no universally agreed beginning or end. Additionally, the Philosophers and scholars (the great Scottish Enlightenment figures) sometimes obscure significant contributions from other disciplines so that the achievements of a wider conception of the Scottish Enlightenment are not universally known. Sir Walter Scott also recognised that his nation the peculiar features of whose manners and character are daily melting and dissolving into that of her sister and ally had an identity crisis. Both issues are addressed in this enquiry which seeks to highlight the scale and breadth of the Scottish Enlightenment whilst posing the question as to how Scottish identity can be preserved.




The Use of English


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Fictions and Fakes


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British Romantic literature descends from a line of impostors, forgers and frauds. Through a series of case-studies - beginning with the golden age of forgery in the late eighteenth century and continuing through canonical Romanticism and its aftermath - Margaret Russett demonstrates how Romantic writers distinguished their fictions from the fakes surrounding them. The book examines canonical and lesser-known Romantic works alongside fakes such as Thomas Chatterton's medieval poems and 'Caraboo', the impostor-princess. Through original readings of works by Wordsworth, Coleridge, Byron, Walter Scott, John Clare, and James Hogg, as well as chapters on impostors in popular culture, Russett's interdisciplinary and wide-ranging study offers a major reinterpretation of Romanticism and its continuing influence today.