The Thunders of Silence


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The Thunder of Silence


Book Description

The famed lecturer and teacher explains the principle that there is an inner grace available to all and offers concrete directions for hearing and understanding the voice of God.




Adventure


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Poems


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Revival and Awakenings Volume Two


Book Description

Volumes one and two of Revival and Awakenings (part of the End-Time Series) explore what is a real revival and a spiritual awakening. Prophetically, it delves into what God has been saying for a long time, which is that the Lord will sweep the earth with revival in the end times which will ignite many followers with His holy fire. What will this revival look like? This is the big question, and one would rather say it will not be a singular event, but a sequence of Godly movements across the globe that will be infectious, contagious and real. In an awakening, the Holy Spirit gives unbelieving people - who are dead in their trespasses and sins -a new awareness of their needs. A revival is connected to the people of God and it is when those who are in churches - those who are professing believers - are ministered to by the Holy Spirit in such a way that they are renewed in their devotion to the Lord. The time is ripe for the one final great harvest, yet this calls for the revived church, full of the fire of the Holy Spirit, to go into the fields, to awaken the lost and the forgotten and broken, and to bring them into the loving embrace of a God who is full of compassion, grace and mercy. This is the time of spiritual latter rains, and now is the time to welcome the embrace of a God who is real, alive, and who calls us all into His arms to reflect His beauty and greatness. It is not God’s Will that any soul should perish, but that all men should come to the knowledge of God and be saved. God is calling on all believers to cast their net in the deep for the harvest of souls.







Criticisms


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Sound effects


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This book shows that the sounds of the early modern stage do not only signify but are also significant. Sounds are weighted with meaning, offering a complex system of allusions. Playwrights such as Jonson and Shakespeare developed increasingly experimental soundscapes, from the storms of King Lear (1605) and Pericles (1607) to the explosive laboratory of The Alchemist (1610). Yet, sound is dependent on the subjectivity of listeners; this book is conscious of the complex relationship between sound as made and sound as heard. Sound effects should not resound from scene to scene without examination, any more than a pun can be reshaped in dialogue without acknowledgement of its shifting connotations. This book listens to sound as a rhetorical device, able to penetrate the ears and persuade the mind, to influence and to affect.